A distributed architecture for facilitating the integration of blind musicians in symphonic orchestras (original) (raw)
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The emergence of new technologies provides the opportunity to develop novel solutions that facilitate the integration of the visual disabled people in different activities of our daily life. This paper presents a distributed intelligent architecture, called DIAMI, focused on facilitating the integration of blind musicians in orchestras. The DIAMI architecture provides a distributed, ubiquitous system aimed at providing a way for blind musicians to receive the instructions of the orchestra conductor in an unobstructive manner. The structure of the DIAMI architecture and the preliminary results obtained are presented in detail within this paper.
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Music is an activity primarily associated with the capacity to hear, but in Western forms there is a significant emphasis on an orchestral musician's ability to see when rehearsing and performing. In both of these circumstances, the musician relies on being able to see the conductor's cues in order to translate the physical gestures into musical expression, feeling, tempo and musical emphases. The rehearsal environment is even more complicated in that there are often sporadic musical entry-points as the ensemble jumps between sections of a score. This paper outlines early-stage research which aims to alleviate some of the difficulties encountered by blind musicians in an orchestral environment.
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Resolving the problems of individuals with Visual, Hearing, and Vocal Impairment through a solitary serving framework could be a tough task. Various current investigations focus on the resolution of the problems of 1 of them on top of challenges however not all. The work centers around chase down a noteworthy procedure that guides the externally weakened by permitting them to listen to what's self-addressed as text and it's accomplished by the tactic that catches the image through a camera and converts the content accessible as voice signals. This planned framework provides a path to people with Hearing weakening to image scan that is in morphology by discourse to message modification procedure and that we, in addition, provides a route to the vocally disabled to handle their voice by the guide of text to voice transformation strategy. each one of those 3 arrangements was regulated to be in an exceedingly solitary exceptional framework. each one of those exercises consists o...
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Anais do XI Simpósio Internacional de Cognição e Artes Musicais - SIMCAM 11, 2015
With the advancement of computing technology, graphical representations of language and music were naturally incorporated to the digital media. Even though in modern personal computer there is an audio output, it is undeniable that the most relevant data output is visual (shown on the computer screen). In these circumstances, the visually impaired user has a major disadvantage to operate computers and retrieve its information in the same level of the sighted ones. As for music made with computers, blind musicians may face the challenge of being forced to handle graphical symbols, via aiding softwares, as the only possible way of operating these tools. However, these same musicians may present aural advantages, as compared to the sighted ones, to the perception of certain acoustics aspects, such as timbre recognition and sound localization. This theoretical work presents 4 themes of further development that will promote accessibility and explore the aural enhanced capabilities of blind musicians by means of computational resources. They are: 1) Stenographic musical notation, 2) Global reader; 3) Haptic-controlled soundscape synthesis; 4) Adaptivesynesthetic generative music model. Themes 1 and 2 are predominantly related to the accessibility, while themes 3 and 4 explore the aural advantages of the blind musicians. These themes are here introduced, described and discussed.
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Music is a multi-dimensional experience informed by much more than hearing alone, and is thus accessible to people of all hearing abilities. In this paper we describe a prototype system designed to enrich the experience of music for the deaf by enhancing sensory input of information via channels other than in-air audio reception by the ear. The system has two main components-a vibrating 'Haptic Chair' and a computer display of informative visual effects that correspond to features of the music. The Haptic Chair provides sensory input of vibrations via touch. This system was developed based on an initial concept guided by information obtained from a background survey conducted with deaf people from multi-ethnic backgrounds and feedback received from two profoundly deaf musicians. A formal user study with 43 deaf participants suggested that the prototype system enhances the musical experience of a deaf person. All of the users preferred either the Haptic Chair alone (54%) or the Haptic Chair with the visual display (46%). The prototype system, especially the Haptic Chair was so enthusiastically received by our subjects that it is possible this system might significantly change the way the deaf community experiences music.
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