La Chola Conference 2022 CFP (original) (raw)

2022 La Chola Conference Program: High Visibility Hynas

La Chola Conference Program, 2022

As a member of the planning committee of the La Chola Conference... This is the conference Program for the 2022 La Chola Conference entitled "High Visibility Hynas: La Chola in Pop Culture." The conference was held October 21 - 23, 2022 at the University of Colorado, Boulder. Program design by Dr. Gabriela Rios at the University of Colorado Boulder. Conference organized by The Homegirl Association of Chola Vida.

2023 La Chola Conference Program

La Chola Conference 3 Program, 2023

This is the program for the 2023 La Chola Conference happening at Yakima Valley College in Yakima, Washington on October 13 - October 15. Program compellation and layout by Dr. Veronica Sandoval, Portland Community College and Dr. Gabriela Raquel Rìos, University of Colorado Boulder

2024 La Chola Conference Program

2024 La Chola Conference Program, 2024

This is the program for the 2024 La Chola Conference. Program Design and Compilation By Dra. Veronica Sandoval and Serina Payan Hazelwood (Members of the Homegirl Association and the 2024 La Chola Conference Planning Committee) Updated 10/2/2024 with the final conference edits.

Online International Conference - CFP

Metacritic Journal for Compartive Studies and Theory, 2021

Submission: Please submit your paper proposal to metacriticjournal@gmail.com including: your name and affiliation, a paper title, a 150 words proposal with 5 key words, and a 100 words bio- note. Submission deadline: March 15, 2021 Acceptance Notice: March 22, 2021 For details, please see attached pdf.

Conference Round-Up Summer 2012

This essay offers a review of Powers of the False (Institut Francais, London, 18-19 May), SCSMI Conference (Sarah Lawrence College/NYU, New York, 13-16 Jun.), Film-Game-Emotion-Brain (University of Amsterdam, 14-21 Jul.), and Film-Philosophy Conference (Queen Mary – University of London/King’s College, London/Kingston University, 12-14 Sept.). It also offers a 'position piece' on why film-philosophy and cognitive approaches to film should seek links rather than rifts.