¿ Ay mama, que será lo quiere el negro?: Racialized Representations of Women in La Sonora Dinamita's Cumbias (original) (raw)
Cumbias y Rebajadas: Aurality, Race, and Class in Monterrey’s colombia Culture
Juan David Rubio Restrepo
Scattered Musics (edited by Martha I. Chew Sanchez and David Henderson), 2021
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Women Artists in the Spanish African-American music scene: identities, discourses and emotions in the public sphere
Begoña Gutiérrez Martínez, Josep Pedro
Mediterranean Journal of Communication [Revista Mediterránea de Comunicación], 2020
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'Una cosa es el indio y otra cosa es la antropología': Racial and Aural (Dis)Encounters in Cumbia's Current Circulation
Juan David Rubio Restrepo
Twentieth-Century Music, 2020
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Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification
Daniel Castro Pantoja
Journal of the American Musicological Society, 2022
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Music, blackness and national identity: three moments in Colombian history
Peter Wade
Popular Music, 1998
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Book review of: Troubling Gender: Youth and Cumbia in Argentina's Music Scene
Daniel Party
Popular Music and Society 35/5, 2012
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REVIEW: Oye Como Va: Hybridity and Identity in Latino Popular Music. Deborah Pacini Hernandez. Philadelphia: Temple University Press, 2010.
Jesús A. Ramos-Kittrell
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Uttering Sonic Dominicanidad: Women and Queer Performers of Música Urbana
Verónica Dávila Ellis
2020
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The Great Woman Singer: Gender and Music in Puerto Rican Music. By Licia Fiol-Matta. Durham and London: Duke University Press, 2017.
Ana Cecilia Calle
Latin American Literature Review
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Vol 4, No 2 (2015): Sound and Dissonance: Music in Latin American Culture
Denise Kripper, Candela Marini
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Spanish Popular Music through Latin American eyes
Ruben López-Cano
En Silvia Martinez y Héctor Fouce (eds). Made in Spain. London and New York: Routledge. Pp. 187-195., 2013
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“Popular Musicology in Latin America: Synthesis of its Accomplishments, Problems, and Challenges” in A Latin American Music Reader Views from the South, Javier F. León y Helena Simonett eds, Illinois University Press and the Society for Ethnomusicology, 2016: 120-145.
Juan-Pablo González
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‘El ritmo no perdona’: Latin American popular music, commercial media and aesthetic coloniality
Juan-Carlos Valencia
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CHOCQUIBTOWN: Young Voices Shattering Afro-Colombian Invisibility
Sandra Gaviria-Buck
Multilingual Discourses
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Music and the formation of black identity in Colombia
Peter Wade
NACLA Report on the Americas, 2002
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Discourse in Música Latinoamericana
Joshua Katz-Rosene
Volume !, 2015
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Chapter 8: White cholos? Discourses around race, whiteness and Lima's fusion music
Fiorella Montero-Diaz
Cultures of Anti-Racism in Latin America and the Caribbean (Ed. Peter Wade, James Scorer and Ignacio Aguilo), 2019
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Deborah Pacini-Hernandez. Oye Como Va! Hybridity and Identity in Latino Popular Music
Simón Calle
Current Musicology, 2011
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The Great Woman Singer: Gender and Music in Puerto Rican Music. By Licia Fiol-Matta. Durham and London: Duke University Press, 2017. 291 pages
Ana Cecilia Calle
Latin American Literary Review, 2018
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The sounds of latinidad: immigrants making music and creating culture in a southern city
Jeannelle Ramirez
Choice Reviews Online, 2015
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Man the hunter: gender and violence in music and drinking contexts in Colombia
Peter Wade
Sex and Violence: Issues in Representation and Experience. Edited by Peter Gow and Penelope Harvey, 1994
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Destroying Patriarchy: Struggle for Sexual Equality in Mexican-American Corridos and Anglo-American Ballads
Bradley Tatar
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Review of The Tide Was Always High: The Music of Latin America in Los Angeles, edited by Josh Kun, and American Sabor: Latinos and Latinas in US Popular Music/Latinos y Latinas en la música popular estadounidense, by Marisol Berríos-Miranda, Shannon Dudley, and Michelle Habell-Pallán
Erin Bauer
Journal of the Society for American Music, 2019
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Works Title The Sounds of Latinidad : Immigrants Making Music and Creating Culture in a Southern City Permalink
Xóchitl C . Chávez
2016
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African Diaspora and Colombian Popular Music in the Twentieth Century
Peter Wade
2008
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Music of El Dorado: the ethnomusicology of ancient South American cultures
Dale Olsen
Choice Reviews Online, 2002
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Cultural Production, Identity Politics, and Historical Context of Four Musical Traditions in Latin America and the Caribbean
Jud Wellington
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Sonorous transits and embodied geographies in Latin American music studies
Tony Rasmussen
Sound Studies, 2018
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SIN LAS MUJERES NO HAY CONJUNTO: MAPPING CHICANA FEMINISMS IN THE PERFORMANCES OF SUSAN TORRES, CLEMENCIA ZAPATA, & RUBY FRANCO APPROVED BY SUPERVISING COMMITTEE
Soledad Núñez
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Understanding “Africa” and “blackness” in Colombia: music and the politics of culture
Peter Wade
Simposio Internacional, 2002
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Southern currents: Some thoughts on Latin American popular music studies
Martha Ulhôa
Situating Popular Musics: IASPM 16th International Conference Proceedings, 2012
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Queer Tactility: Same-sex Intimacies between Women in Chutney and Soca Music
Krystal Nandini Ghisyawan
Middle Atlantic Review of Latin American Studies, 2020
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Review of Silvia Bermúdez, Rocking the Boat: Migration and Race in Contemporary Spanish Music.
Constantin C . Icleanu
Anales de la Literatura Española Contemporánea (ALEC), 2019
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Cocolos Modernos: Salsa, Reggaetón, and Puerto Rico's Cultural Politics of Blackness
Petra Rivera-Rideau
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Creating Our Own: Folklore, Performance, and Identity in Cuzco, Peru, and: Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific (review)
Sydney Hutchinson
2010
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