The Strange Case of the Nuragic Offerers Bronze Statuettes: A Multi-Analytical Study (original) (raw)

A Roman bronze statuette with gilded silver mask from Sardinia: an EDXRF study

Applied Physics A, 2013

A Roman bronze statuette from the 2nd Century BC was recovered from a nuragic sanctuary close to Florinas, in the north of Sardinia. The facial portion of the statuette is covered by a silver mask, partially gilded and attached to the bronze by tin-lead welding. The silver mask was carefully analyzed by portable energy-dispersive X-ray fluorescence (EDXRF), a nondestructive and non-invasive method. The aim of the analysis was to reconstruct the layered structure of the silver gilt mask, and to determine homogeneity and thickness of the gold, silver and lead-tin sheets. This is possible by using the internal ratio of the X-ray lines, i.e. starting from the surface, Au (Lα/Lβ), Ag (Kα/Kβ), Au-Lα/Ag-Kα and Pb (Lα/Lβ).The results were compared with those obtained with simulated X-ray spectra, obtained both experimentally and by using the Monte Carlo simulation technique. R. Cesareo () Istituto per lo Studio dei Materiali Nanostrutturati,

N Schiavon et alii, An Energy Dispersive X-Ray Fluorescence Spectrometry and Montecarlo Simulation Study of Iron-Age Nuragic Small Bronzes ("Navicelle") from Sardinia, Italy

Spectrochimica Acta Part B 123, 2016

A spectrometric protocol combining Energy Dispersive X-Ray Fluorescence Spectrometry with Monte Carlo simulations of experimental spectra using the XRMC code package has been applied for the first time to characterize the elemental composition of a series of famous Iron Age small scale archaeological bronze replicas of ships (known as the "Navicelle") from the Nuragic civilization in Sardinia, Italy. The proposed protocol is a useful, nondestructive and fast analytical tool for Cultural Heritage sample. In Monte Carlo simulations, each sample was modeled as a mul-tilayered object composed by two or three layers depending on the sample: when all present, the three layers are the original bronze substrate, the surface corrosion patina and an outermost protective layer (Paraloid) applied during past restorations. Monte Carlo simulations were able to account for the presence of the patina/corrosion layer as well as the presence of the Paraloid protective layer. It also accounted for the roughness effect commonly found at the surface of corroded metal archaeological artifacts. In this respect, the Monte Carlo simulation approach adopted here was, to the best of our knowledge, unique and enabled to determine the bronze alloy composition together with the thickness of the surface layers without the need for previously removing the surface patinas, a process potentially threatening preservation of precious archaeological/artistic artifacts for future generations.

X-ray fluorescence spectroscopy and Monte Carlo characterization of a unique nuragic artifact (Sardinia, Italy)

Spectrochimica Acta Part B: Atomic Spectroscopy, 2016

The chemical composition of a unique bronze artifact known as the "Cesta" ("Basket") belonging to the ancient Nuragic civilization of the Island of Sardinia, Italy has been analyzed by combining X-ray Fluorescence Spectroscopy (XRF) with Monte Carlo simulations using the XRMC code. The "Cesta" had been discovered probably in the XVIII century with the first graphic representation reported around 1761. In a later draft (dated 1764), the basket has been depicted as being carried upside-down on the shoulder of a large bronze warrior Barthélemy (1761), Pinza (1901), Winckelmann (1776). The two pictorial representations differed only by the presence of handles in the most recent one. XRF measurements revealed that the handles of the object are composed by brass while the other parts are composed by bronze suggesting the handles as being a later addition to the original object. The artifact is covered at its surface by a fairly thick corrosion patina. In order to determine the bronze bulk composition without the need for removing the outer patina, the artifact has been modeled as a two layer object in Monte Carlo simulations.

X-ray fluorescence spectroscopy and Monte Carlo characterization of a unique nuragic artifact (Sardinia, Italy), in: Spectrochimica Acta Part B, 121, 2016, pp. 18-21

The chemical composition of a unique bronze artifact known as the "Cesta" (Basket) belonging to the ancient Nuragic civilization of the Island of Sardinia, Italy has been analyzed by combining X-ray Fluorescence Spectroscopy (XRF) with Monte Carlo simulations using the XRMC code. The "Cesta" had been discovered probably in the XVIII century with the first graphic representation reported around 1761. In a later draft (dated 1764), the basket has been depicted as being carried upside-down on the shoulder of a large bronze warrior Barthélemy (1761), Pinza (1901), Winckelmann (1776). The two pictorial representations differed only by the presence of handles in the most recent one. XRF measurements revealed that the handles of the object are composed by brass while the other parts are composed by bronze suggesting the handles as being a later addition to the original object. The artifact is covered at its surface by a fairly thick corrosion patina. In order to determi...

Analysis of Sagunto Ibero-Roman votive bronze statuettes by portable X-ray fluorescence

Radiation Physics and Chemistry, 2019

The main objective of this work was the study of chemical composition of an important collection of Ibero-Roman votive bronze statuettes exposed in the Archaeological Museum of Sagunto (Spain). Precision and accuracy of the measurements were obtained developing a proper analytical method, also avoiding any possible damage to the studied objects using a portable energy dispersive X-ray fluorescence system. Principal Components Analysis (PCA) to discriminate between groups based on ratios Fe/Cu, Pb/Cu, Sn/Cu, Ag/Cu, Ni/Cu and Impurities/Cu were employed to observe differences between the used smelting, manufacturing processes and raw materials. The characterisation of bronze statuettes cross-referenced with archaeological data, gave important suggestions to clarify issues regarding manufacturing processes, quality and chronologies of the studied objects.

Alloy characterization of a 7th Century BC archeological bronze vase — Overcoming patina constraints using Monte Carlo simulations

Spectrochimica Acta Part B Atomic Spectroscopy

In this work we evaluate the composition of a bronze alloy using X-ray fluorescence spectrometry (XRF) and Monte Carlo (MC) simulations. For this purpose, a 7th Century BC archaeological vase from the SW Iberian Peninsula, displaying a well formed corrosion patina was analysed by means of a portable X-ray fluorescence spectrometer. Realistic MC simulations of the experimental setup were performed with the XRMC code package which is based on an intensive use of variance-reduction techniques and uses XRAYLIB a constantly updated X-ray library of atomic data. A single layer model was applied for simulating XRF of polished/pristine bronze whereas a two or three layers model was developed for bronze covered respectively by a corrosion patina alone or coupled with a superficial soil derived crust. These simulations took into account corrosion (cerussite (PbCO3), cuprite (Cu2O), malachite (Cu2CO3(OH)2), litharge (PbO)) and soil derived products (goethite (FeO(OH)) and quartz (SiO2)) identi...

Characterization of a Unique Nuragic Bronze Navicella with a Combination of X-ray Fluorescence Spectrometry and Monte Carlo Simulation

Materials , 2023

This paper describes the results obtained from an archaeometric study of a bronze Nuragic small boat model (Sardinia, Italy) dating from the Early Iron Age. This model is of particular interest as it is a unique Nuragic boat model containing a human figure among its decorations. This study was carried out using a combination of non-invasive techniques with energy dispersive X-ray fluorescence spectrometry (ED-XRF) integrated with Monte Carlo (MC) simulations and Raman spectroscopy, which allowed the characterization of the alloy of the artifact

A mineralogical approach to the authentication of an archaeological artefact: Real ancient bronze from Roman Age or fake?

2016

A bronze statue, coming from a judicial seizure and representing a satyr (Silenus), was examined to determine its provenience and the historical period of production. The iconological aspects, colours, patina and conservation state are strictly compatible with ancient bronze production in Imperial Roman age but a doubt on the authenticity was cast by the presence of nineteenth and twentieth century copies of original Herculaneum statues produced by Chiurazzi smelter. Analyses by optical microscope, XRD and SEM–EDS have been performed to characterize the samples collected from the surface of the statuette, a little piece of alloy and the casting core. The right arm of the statuette was broken and in the internal part, some charred tissues were present, allowing to perform a 14 C-AMS dating. Three possible dating has been assigned, but not before the 1640 ± 30 AD. Strong corrosion features like a well-formed and stratified patina were present, suggesting a long lasting alteration and indicating that patina's investigation cannot be the only criteria for authentication in this case. Gypsum in the casting core and a ternary alloy in the bronze, like the one used in the Chiurazzi forgery have been found. The origin from Vesuvius area is confirmed by the finding of minerals present in subsilicic alkalinic volcanic environment.

X-ray fluorescence analysis of bronze sculptures by Giuseppe Renda

2022

In this study the elemental composition analysis of three bronze sculptures by Giuseppe Renda (one of the most famous interpreters of the Neapolitan Verism in the 19 th and 20 th centuries), respectively named "La Fortuna", "Scugnizzo" and "Non mi toccare", was performed, for the first time, by means of portable X-ray fluorescence (XRF) spectroscopy. The analysis of the investigated artefacts, closely related to the sample preparation and preservation, was carried out with the aim of improving the knowledge of the Southern Italy bronze art of the second half of the 20 th century and in order to suggest to restorers the best interventions to minimize the conservation problems that could affect the durability of the precious artefacts. Noteworthy, the achieved results represent useful and essential tools to obtain information on the execution technique, in a completely non-invasive way, and to address management issues of the investigated artworks.