Heartfelt Thanks to Punch for the Picture: Frederick Douglass and the Transnational Jokework of Slave Caricature (original) (raw)

This paper explores Frederick Douglass's interaction with the British magazine Punch, emphasizing the transnational significance of caricatures and satire in shaping perceptions of slavery. It examines how Douglass utilized Punch caricatures for his political and social commentary, arguing that these images allowed him to renegotiate racial representations and to critique American hypocrisy regarding slavery. The analysis posits that Douglass's engagement with visual satire contributed to a broader discourse on freedom and identity within a global context.