Berasik Ritual Performance of the Bajau/Sama: An Embodiment of Spiritual Characters (original) (raw)

Image of Spiritual Self-Integrity of the Ethnic Bajau in the Ritual Theatre Igal

Environment-Behaviour Proceedings Journal

This study explored the portrayal of the self-integrity of the ethnic Bajau in the ritual theatre performance of igal. The study's objective is to confirm a portrayal of self-integrity between the ethnic practitioners and the audience through the ethnography method that emphasizes the link between behavior and culture. The theoretical applications of communitas and liminality are applied to analyze how both aspects display the self-integrity portrayal of the ethnic Bajau in the dramatic structure of the ritual theatre igal panangsang. The findings affirm that the ritual theatre igal panangsang serves as the self-integrity portrayal of the ethnic Bajau of Sabah. Keywords: Igal; Spiritual; Ritual Theatre; Self-Integrity eISSN: 2398-4287 © 2023. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of ...

Igal: The Traditional Performing Arts of the Bajau Laut Community in Semporna, Sabah

Master's thesis, 2013

This thesis examines the concept and meaning of igal, an indigenous dance tradition of the Bajau Laut community in Semporna, Sabah. Igal or ‘dance’ to the Bajau Laut community signifies more than just a ‘dance’. This thesis posits that igal represents Bajau Laut’s culture, heritage, worldview, and cultural memory; through its epistemology and the construction of its form and content. The practice and performance of igal in Bajau Laut cultural landscape articulates the psychological impression of concept and meaning, and is signified as the Bajau Laut restored behavior. Thus, it is necessary to uncover the concept and meaning of igal through investigative studies on its practices and performances within the Bajau Laut traditional landscapes as well as stage performances. This thesis adopted Ferdinand de Saussure’s dyadic model of decoding the sign - signifier and signified; to investigate, interpret and understand the holistic conception of meaning of igal in the Bajau Laut society. This thesis also incorporated Richard Schechner’s concepts of performativity and restored behavior to elucidate the culturally structured movement system of the Bajau Laut community as a performative, symbolic and reflexive “performance.” This thesis attempts to discuss that igal as a structured movement system, is a performative expressions of an explicit and implicit coded aspect of Bajau Laut culture.

Babalian and Community Rituals of Dusun Tatana Ethnic in Sabah, Malaysia: A Preliminary Study

2016

The belief system and cosmology of the Dusun Tatana ethnic which formulate the existence of Kinorohingan or Kinoingan (God or Creator of universe), is central in understanding the practice of rituals among this community. The word Tatana which means ‘earth people’ forms one of the 79 sub-ethnics of Kadazandusun in Sabah who are found mainly in the Kuala Penyu division of West Sabah, Malaysia. Tatana has a long history and tradition which are embedded not only in their myths, legends and oral stories but also in their ritual ceremonies and healings. These traditional/ cultural and ritual activities are considered as trajectories of their wisdom, maturity as well as about their cosmology and the existence of life. However, comprehensive studies on the Tatana’s rituals such as talang pongoh, mikajang, mamanta and barasik are very much lacking. This research traces the roles played by the babalian within their community by exploring and analysing their roles, methods and healing paraphe...

THE FORM AND THE MEANING OF RITUAL TRADITION TANDHAK SETREN AND THE ROLE OF TANDHAK DANCER (In Padepokan Gunung Ukir Batu City)

2020

The title "The Form and The Meaning of Ritual Tradition Tandhak Setren and the Role of Tandhak Dancer" is a type of traditional art that lives on Gunung Ukir hillside of Torongrejo village, Joenrejo sub-district, Batu-East Java. This phenomenon is very interesting and unique when in millennial era some people still having mystical belief. The problem of study in this research is how the form of visualization and the meaning of symbolic message in the ritual sequence and it is believed that some people still do it. The results of this study, not only analyse the origin of setren ritual but also describing the power that influence tandhak dancers when they have performed setren ritual. This empirical data is expected to broad our horizons, especially spiritual tourism object in Batu-East Java. The tradition meaning of setren ritual for tandhak dancer is a means of mental practice, because from setren it can influence self-confidence "feeling more beautiful and attractiv...

Ngalai Ritual : A Communal Healing Performance

SHS Web of Conferences

This study delves into the ngalai ritual performance practiced by Bajau Samah community in Kota Belud, Sabah, Malaysia which serves as a healing method. The study was done using a qualitative approach through the ethnographic strategy application concentrating on the relationship between behaviour and culture. In terms of performance, ngalai is a combination of the elements of dance, singing, music and acting. Traditionally, the ngalai ritual is performed for healing purposes that is based on the animistic religious beliefs which is derived from believe in the existence of spirits (metaphysical entity). Individual who is able to see spirits is said to be capable and have the privilege of curing a disease caused by tulah (plague) due to the interference of spirits. “The community of ngalai practitioners believe that the physical world is influenced by the metaphysical world, especially where it concerned the existence of other worldly beings, the myths and spirits associated with the...

Musical Studies on “Timang Tuah” Ritual by the Ibans in Sarawak

Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities, 2019

This paper seeks to explore the musical journey of a symbolic ritual among the Ibans in Sarawak Borneo Malaysia known as Timang Tuah as an effort to preserve and spread awareness to the global community of its existence. Adapting the qualitative approach in collecting and processing the data, this paper aims to describe the processes involved in the ritual and investigate the relevance of the ritual among the current Iban community in Sarawak. Semi structured interviews and passive observations were carried out to record the whole process of the ritual and additionally questionnaires were distributed to investigate its resonance among the audience. Findings have shown that the ritual is done according to specific purposes which includes appeasing spirits during harvest and ushering in luck. The melody of how the songs are carried out also depends on the range and and the skills inherited by the lemambang. It was also revealed that the younger generation are not aware of this ritual t hus signaling the needs of preservation efforts by the authority involved.