Of clocks ticking: Heterotopic space, time and motion in William Kentridge’sThe Refusal of Time(2012) (original) (raw)

Of clocks ticking: Heterotopic space, time and motion in William Kentridge’s The Refusal of Time (2012) delves into the interplay of time as both a scientific concept and a human phenomenon, highlighting Kentridge's artistic exploration through visual and technological means. The artwork is examined via Foucault's notion of heterotopia, focusing on its representation of space, time, and motion, which challenge conventional understandings of time, especially in relation to automatons and historical figures in science and technology. The analysis reveals Kentridge's commentary on meta-narratives surrounding these themes, with a historical backdrop that situates the work among significant technological and philosophical advancements.