(2022) De historicus als implicated subject (original) (raw)

2022, BMGN-Low Countries Historical review, vol. 137

This paper is a contribution to the discussion file 'Uit de egelstellingen' (From the hedgehog positions) about integrity and levelling in the historiography of the Second World War, following the criticism of the thesis of Ad van Liempt about Albert Gemmeker, the camp commander of Westerbork. In my contribution , I situate the critique to Van Liempt’s approach to the Nazi past – both in his dissertation on Gemmeker (2019) and in his editing of the documentary series De Oorlog (The War, 2010) – in a broader debate about the Dutch historiography of the Second World War and the Shoah. I follow various attempts by Van Liempt and others to arrive at a ‘neutral’ historiography, in which moral considerations of ‘right’ and ‘wrong’ are deliberately set aside. I argue that this pursuit of a position, apparently exalted above all parties involved, denies that historians themselves are implicated in their historiography. Inspired by the work of Michael Rothberg, I show that the position of the bystander – as much as that of perpetrator, victim or resistance fighter – determines the dynamics of historical events. The same applies to the ‘implicatedness’ of historians in their writing of history as it unfolds in the present.

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The ‘Bystander’ in Recent Dutch Historiography

The Dutch historian Bart van der Boom has written a controversial book about Dutch society under German occupation. Its title translates as "‘We know nothing of their fate’: Ordinary Dutchmen and the Holocaust." With his book, van der Boom seeks to weigh in on the debate about whether the Holocaust should be attributed to the Nazi regime alone or whether gentile societies throughout the occupied territories played a crucial role in aiding the mass murder of the Jews. It became a public issue after van der Boom won a prestigious book award in the autumn of 2012 in response to which a number of Dutch scholars published critical reviews. Occasionally, the current discussion is described as the second round of a Dutch Historikerstreit, a controversy among historians about the place of the Holocaust in the Netherlands. The debate is relevant to historians of the Nazi regime and of the Holocaust and its memory beyond the confines of Dutch historiography because it tackles not only academic issues such as the interpretation of sources and the theoretical and methodological standards being employed but also the intricate relationship between academic historiography and public discourses about history and memory.

Plagiarism, Fraud and Whitewashing: the Grey Turn in the History of the German Occupation of the Netherlands, 1940-1945.

Plagiarism, Fraud and Whitewashing: the Grey Turn in the History of the German Occupation of the Netherlands, 1940-1945., 2020

The ‘grey’ of ‘levelling’ view of the Netherlands during the Second World War in which the difference between victims and perpetrators is minimalized has become mainstream history in Dutch historiography. The influential books and documentaries of journalist and historian Ad van Liempt and a fraudulent family memoir serve as case studies (chapters 7 and 8).

We All Bleed History: Alternative Historical Viewpoints Expressed in Maus, All Quiet on the Western Front and Schindler's List

Facts, Distortions and Erasures, 2018

We were told that beauty lies in the eyes of the beholder. As it happens, the same stands true for history. A historical event changes dramatically, depending on who is narrating the story. In Art Spiegelman's Maus, we hear Vladek Spiegelman's retelling of the Holocaust. As a survivor of both the war and the Auschwitz concentration camps, Vladek's story is filled with the grim remembrances of a man who had to do whatever it took to survive. Erich Maria Remarque shows us the battles of World War I, but from the point of view of a German soldier in All's Quiet on the Western Front. In popular culture, Germany is often reproduced as the antagonist in the great wars. However, Remarque shows us that for a soldier nothing exists on the battlefield other than death, violence, and a few glimmers of friendship. Schindler's List is yet another intriguing version of the Holocaust where Oskar Schindler, a member of the Nazi Party, does all that he can to save the Jewish workers in his factory. This is not just the viewpoint of someone close to the infamous party, but also glimpses of kindness and compassion in one of the darkest times in human history. My paper will attempt to understand the importance of these alternative glimpses into history and try to problematize the concepts of "truth" and "history".

Lived multidirectionality: "Historikerstreit 2.0" and the politics of Holocaust memory

Memory Studies, 2022

This essay assesses the acrimonious debates about Holocaust memory that took place in Germany in 2020-2021 and that have come to be known as Historikerstreit 2.0. These debates call up older controversies, especially the 1986 Historikerstreit (Historians' Debate) in which Jürgen Habermas took on conservative historians who sought to relativize the Nazi genocide. The Historikerstreit concerned the relation between Nazi and Stalinist crimes and the question of German responsibility for the Holocaust; today's controversies involve instead the relation between colonialism and the Holocaust and racism and antisemitism as well as the ongoing crisis in Israel/Palestine. As the current debates reveal, the dominant Holocaust memory regime in Germany is based on an absolutist understanding of the Holocaust's uniqueness and a rejection of multidirectional approaches to the genocide. While that memory regime represented a major societal accomplishment of the 1980s and 1990s, it has reached its limits in Germany's "postmigrant" present. Yet, as an example of migrant engagement with the Holocaust illustrates, German society already includes alternative practices of memory that could transform the German model of coming to terms with the past in productive ways.

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