Wet Collodion and a pair of lenses. Carlos Relvas's stereoscopic photography: the digital reunion of negatives and prints (original) (raw)

The beginning the photographic activity of Carlos Relvas (1838-1894) is closely connected to stereoscopic photography. This fact has not always been quite clear since Carlos Relvas’s stereoviews have remained one of the least known sides of his photographic work. The dispersion of his stereo cards among several public and private collections, as well as the long period of inaccessibility to his archive of negatives, hindered the perception of the meaningful work that Carlos Relvas carried out in the production of stereoscopic views of Portugal. One of the main challenges of the 21st-century studies of photography lies in the opportunity to publish online images from early photography collections. Digital media can enhance these collections and expand their reading. Among the main beneficiaries will be photographic negatives, which will gain new heuristic importance in this new environment of mediations. That was our intuition by developing a digital catalogue for the collections of ...