E. Nedelkopoulou 'The Mediated Double Body: An Instance of Ab-sence and Alterity in Mixed-media Theatre' (2010) (original) (raw)
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Dorota Sosnowska
archée revue d'art en ligne : arts médiatiques & cyberculture, 2018
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Body as Medium. Between Theory and Technology of Theatre
Dorota Sosnowska
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Nele Wynants, Kurt Vanhoutte
Foundations of Science, 2011
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Cara Berger
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(with Alston, A. and Moyo, A.) Editorial. Platform Journal of Theatre and Performing Arts, 7(1), pp. 5-9. ISSN (Print) 1751- 0171X
Paola Crespi
2013
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“Post-Cinematic Theatre and Performance.” Review of Piotr Woycicki’s Post-Cinematic Theatre and Performance. Theatre & Performance Design 2.1-2 (2016): 181-182.
Melissa Poll
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Intermediality in a Solitary Place, Blending the Media. Art in the Theatre/ Theatre in the Arts Conference Gdansk Shakespearean Theatre, the University of Gdansk and the Adam Mickiewicz Institute, 1-5 August, 2009.
Sozita Goudouna
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A Pathognomy of Performance: Theatre, Performance and the Ethics of Interruption [2002 thesis version]
Simon Bayly
2002
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Emeline Jouve
TransAtlantica, 2017
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Agitated States: Performance in the American Theater of Cruelty . By Anthony Kubiak Staging Consciousness: Theater and the Materialization of Mind . By William W. Demastes
Una Chaudhuri
TDR/The Drama Review, 2003
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Blackness as Medium. Body in Contemporary Theatre Practice and Theory
Dorota Sosnowska
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Dramatic Space and Performer ’ s Body , a Case Study (2015)
Marina Cristea
Studia Dramatica UBB, 2015
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The Crisis of Semiosis in Theatre Studies and Performance Studies
Dries Vandorpe
2022
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Theatricality from the Performative Perspective
Truc-Chose Bidule-Chouette
SubStance, 2002
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The Mirror of Performance: Kinaesthetics, Subjectivity, and the Body in Film, Television, and Virtual Worlds
Lori Landay
Journal of Cinema and Media Studies, 2012
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Production into Presence (from POIESIS, eds. Nathan Brown & Petar Milat, Multimedia Institute Zagreb: March 2017)
Goran Sergej Pristas
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Worlds, BODIES, MATTERS THEATRE OF THE LATE TWENTIETH CENTURY
valentina valentini
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On Theatricality
Richard Rushton
Performance Research, 2019
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Theatricality as Protean Experience in Hybrid Forms of Contemporary Art
Mateusz Chaberski
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Decoding the Political Implications of Immersive Theatre
Jenny Roche
Performance Research, 2017
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Krpič, T. 2016. The Spectator's Cognitive Substitution of the Absent Performer’s Phenomenal Body. Amfiteater 4 (1): 28-41.
Tomaž Krpič
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The Discursive Formation of Theatricality as a Critical Concept1
Glen McGillivray
2009
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Critical Techno-dramaturgy: Mobilizing Embodied Perception in Intermedial Performance
Stephen Fernandez
2016
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Theater, Theatricality and the semiotics of theater.docx
Soumick De
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Sally Jane Norman
2012
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The Question of the Scene: On the Philosophical Foundations of Theatrical Anthropocentrism
Esa Kirkkopelto
Theatre Research International, 2009
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“LOOK AT ME!” PERFORMING THE BODY AND SELF ON STAGE
Gabriella Tóth
Gender Studies, Ed. Reghina Dascal, Timisoara, University of The West, pp. 173-186.
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Essay on Stage: The Artistic Practice Introducing a Germ into the Cultural Matrix
Tomaž Toporišič
Creating for the Stage and Play, Arti della Performance: orizzonti e culture, Collana diretta da Matteo Casari e Gerardo Guccini:, 2021
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Drama and Desire: Theorising entangled performance practice
Kate Katafiasz
Performance Philosophy
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Krpič, T. 2013. Some Reflections on the Relation Between Text, the Performing Body and Sensations in Postdramatic Theatre and Performance. Maska 28 (155-156): 58-70.
Tomaž Krpič
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Aesthetic Negotiations of Identity ‒ Between Embodied and Disembodied Performance
Laura Pavel
Ekphrasis , 1/2015, 2015
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Theatres of the Crisis of the Self,Theatres of Metamorphosis,Theatres of Self and No-Self
Thanos Vovolis
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“mise-en-scène and/or mise-en-cadre?”: Questions from the book Post-Cinematic Theatre and Performance
Cláudia Madeira
Cinema: Journal of Philosophy and the Moving Image, 2015
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Duality and Dramaturgy in Live Performance
Guy Harries
2014
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Textures of Thought: Theatricality, Performativity, and the Extended/Enactive Debate (2016)
Teemu Paavolainen
Peter Garratt (ed.), The Cognitive Humanities: Embodied Mind in Literature and Culture, 71–92. Basingstoke: Palgrave Macmillan, 2016.
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