Creative entrepreneurship (original) (raw)
Related papers
Modapalavra e-periódico, 2021
The study presented aims to raise questions about the perception of creative producers and their ability to participate and adapt to the emerging economy model, based on the development of creativity and authoral processes of product creation. To this end, it took into account the transformations observed over the past decade wich presented Lisbon as a city with potential to become an exponente in innovation and creative entrepreneurship. From documentary surveys of recent economic indexes and identification of initiatives, brands and copyright producers, some of the factors that favored the development of the sector were verified. The data that make up the research were based on interviews with entrepreneurial designers, whose speeches provided material for further analysis. The analysis of the perspective of the professionals participating in the research points to factors responsible for the processes that contributed to the restructuring of the economy.
Conditions for entrepreneurship development in creative industries in Portugal
Advances in economics and business, 2015
Creative Industries are at the core of the development of modern societies, fuelling innovation and promoting the development of new business models. However, the adequate conditions for the development of Creative Industries is not usually spontaneous, and must be developed. At the same time, likewise other types of entrepreneurs, creative entrepreneurs present some idiosyncratic characteristics that make them “special”. In the present paper we present the preliminary results for Portugal, of a large study conducted among creative entrepreneurs in some Southern European countries and in the UK, under an EU project. The principal objective of this paper is to present the conditions that established creative entrepreneurs in Portugal consider vital for their establishment and the inherent development of their businesses. We conclude that the development of creative entrepreneurship has implicit specific characteristics that differentiate it from the overall entrepreneurship picture, ...
Creative Economy and Small Business Entrepreneurship: A Case Study in a Design Company
2015
The creative economy theme has had great emphasis in the last few years due to its important role in the economical, social, political and cultural spheres through generating economic growth, cultural diversification, intellectual capital production among other aspects. The article presented here has as its main goal the identification of the main characteristics of a small business design company in Ceará, Brazil, the impacto f its activities and the difficulties within the creative economy area. The methodology employed is characterized by exploratory and descriptive aspects, being of a qualitative nature. As for the procedures, this research is bibliographical and a field study, being analyzed a case of a design and branding company, located in the city of Fortaleza, Ceará. The results have shown importante characteristics of the activity in the design sector within the creative economy area, which theoretical concepts are indicated through bibliographical review. Among them, inn...
The Creative Economy -Nurturing Innovative Entrepreneurship in Europe
2013
Bachelor in Business Administration Degree Programme European Management Specialisation option European Management Instructor(s) Michael Keaney, Principal Lecturer The refined understanding of the drivers beneath the post-industrial economy has spurred the evolution of the economic concept of the creative economy. Advanced economies alternated from industrialized economy towards a creative economy, where extraordinary value is an intrinsic component of products and services. It is apparent that these industries are becoming increasingly an important sector and fortitude of Europe's future competitiveness. The purpose of this dissertation was to have a more depth understanding of the concepts of creative economy and creative and cultural industries in the European context and particularly in Finland. The aim of the study was to examine from the policy point-of-view the possible challenges that creative and cultural industries and individuals have in the future. Additionally, in the analysis the intension was to recognize possible gab's between legislations and implementation which affects small and medium sized creative and cultural industries. This study was conducted by thorough an extensive literature review, providing an overview into creative economy. Some conclusions can be drawn from the findings that suggest that there is a gap between the intended influence of current initiatives and the actual results.
The Creative Entrepreneur: A Framework of Analysis
Procedia - Social and Behavioral Sciences, 2016
The term "creativity" is quite often used around us, especially lately, as today most people strive to be creative. The main reason for this is that creativity seems to represent an advantage in front of others. Entrepreneurs are extremely proactive and it is this orientation towards action which leads to their success in business, but also in their personal lives. The "creative entrepreneurship" has become a term which refers to the business activity of entrepreneurs belonging to the creative industries. The creative entrepreneur is the type of entrepreneur concerned with the creation and exploitation of creative or intellectual capital. He or she is an investor in his or her talent, but also in that of others. The aim of this paper is twofold: to offer an overview on creativity and creative entrepreneurship, and to make a comparative literature review of the creative entrepreneurs' characteristics.
Creative Economy: Challenges related to entrepreneurship and culture that must be overcome in postpandy times (ATENA EDITORA), 2023
The pandemic caused by coronavirus has provided negative impacts around the world. There are more than 4.3 million deaths, a problem that demonstrates resilience in the face of combat fronts created by public, private and governments. In Brazil, Covid-19 pandemic impacted the economy, as in closing thousands of companies, and the pandemic responsible for changing the profile of the local entrepreneur. It is also noticeable the devastating effect of the pandemic on the Brazilian socioeconomic scenario, and one of the sectors that suffered the most from restrictive measures was that of the creative industry, since in April 2020, only 37% of the segment companies were operating, almost Ten months later, 53% were reopened. Aiming to analyze the way sector behaves to resist the crisis, understand the behavior of entrepreneurs, to verify how the creative industry was impacted and, analyzing the importance of the impact of COVID-19 in the segment, the exploratory, bibliographic, documentary research was adopted. and explanatory. As main results already consolidated, it was noted that several professionals in this area have moved to resist the crisis, and there is much information on the segments of this industry with significant success in the face of the situation that still moves to the end.
CROSS INOVATION APPROACH AND THE CREATIVE INDUSTRIES: A CASE STUDY IN THE CITY OF LISBON, PORTUGAL
Given the cultural diversity of Europe, and the inextricable link between culture and creativity, creative industries also represent a great asset and a source of global competitive advantage. In this regard the EU launched the project Cross Innovation, aimed at identifying and sharing innovative experiences among the participating cities, and more specifically seeking to identify how the creative industries can interact with other industries in other sectors. This project was taken part by 11 European cities such as Amsterdam, Berlin, Birmingham, Stockholm, Linz, Lisbon, Pilsen, Vilnius, Warsaw, Rome and Tallinn. The purpose of this article is to describe the process performed in Europe and show that this can be used by other cities and even other regions to leverage the innovation process using the potential of the creative industry. It was utilized a documentary research on the project (reports, websites, documents submitted by respondents) and there was performed a field study, with personal interviews with those responsible for the agencies involved in the project (Town Hall, University of Lisbon, companies, including others) in one of the participant cities: the city of Lisbon, in Portugal. When researching the results of this project, specifically in the city of Lisbon, it is seen that there was learning in the sense of how the city can arrange a mediation policy from this process of rapprochement between the sectors of the economy of a region and Creative Industries, and the results in terms of knowledge generation are visible.
Cross Innovation approach and the creative industries: a case study in the city of Lisbon, Portugal
International Journal of Innovation, 2016
Given the cultural diversity of Europe, and the inextricable link between culture and creativity, creative industries also represent a great asset and a source of global competitive advantage. In this regard the EU launched the project Cross Innovation, aimed at identifying and sharing innovative experiences among the participating cities, and more specifically seeking to identify how the creative industries can interact with other industries in other sectors. This project was taken part by 11 European cities such as Amsterdam, Berlin, Birmingham, Stockholm, Linz, Lisbon, Pilsen, Vilnius, Warsaw, Rome and Tallinn. The purpose of this article is to describe the process performed in Europe and show that this can be used by other cities and even other regions to leverage the innovation process using the potential of the creative industry. It was utilized a documentary research on the project (reports, websites, documents submitted by respondents) and there was performed a field study, ...
2012
Creative industries and creative occupations have increasingly been attracting attention in recent years, in both policy and academic fields. Not enough literature has yet been produced on the topic to overcome the fuzziness and all-embracing definitions of the creative class, the lack of objectivity in the criteria to select who is creative or not, the limitations of data used and problems of highly aggregated occupational categories which jeopardize an accurate analysis of these workers. This paper presents a survey and mapping of the main methods for measuring the creative class and industries and proposes a combined industry and occupationbased approach for estimating the scale of creative employment in Portugal. Using micro data from 2009 Quadros de Pessoal database, which encompasses over 3 million workers, we found that creative employment in Portugal amounts to 6.9% of total employment (i.e., 215525 workers), with the most important creative sectors being "advertising and marketing"