Simpozionul „Tradiția patristică în actualitate”, editia I, Iași, 29-30.09.2022 (original) (raw)
Related papers
CaieteARA. Arhitectură. Restaurare. Arheologie
The rupestrian church of Corbii de Piatră is placed in Argeș district and it is dug into the stone. The mural painting had been examined in situ and in laboratory to detect the technique and pigments. It was found that the mural painting had been done in al fresco technique on a aerial lime as substrate. The arriccio and intonaco layers are 3-4 mm thick. The murals of Corbii de Piatră church belong to Byzantine frescoes of XII-XIV century. The mural painting has a poor state of conservation because of humidity and low temperature during winter. Units forming colonies from airspore are in connection with part of the day and season. On the walls and vault there is a thick layer of biofilm made of algae and cyanobacteria. On the paper there are different colors of spots produced by fungi. On the wood of icons and chairs it was identified Coniophora puteana, a very dangerous fungus. Wood is also degraded by other fungi and insects. The mortar contains mostly calcite and quartz. The effl...
Dr. Gabriela Rusu-Păsărin este conferenŃiar la Facultatea de Litere a UniversităŃii din Craiova, unde susŃine cursuri de comunicare audiovizuală, comunicare politică, comunicare şi persuasiune. A publicat cărŃi, articole şi studii în domeniile: comunicare în spaŃiul public, jurnalism cultural, etnografie şi folclor. Este realizator-coordonator la Radio Oltenia Craiova (post public regional al SocietăŃii Române de Radiodifuziune), promovând astfel o perspectivă aplicată a jurnalismului cultural şi a comunicării audiovizuale. Rezumat Prima carte de legi în limba română (1640), Pravila de la Govora, sau Mica Pravilă este totodată un corpus referenŃial de tradiŃii şi credinŃe populare referitoare la ceremonialul existenŃial. Scopul este de a realiza o analiză comparativă a celor două nivele de referinŃă, mentalul tradiŃional românesc şi rigoarea bisericească, cea din urmă funcŃionând sub influenŃa stravechilor legi bizantine şi a canoanelor stabilite de sinodul Bisericii Orientale. Cred...
Revista de istorie și teorie literară, 2023
Nicola Nicolau: an Intellectual with an Unfair Posterity: This is the first in a series of three articles discussing the life and work of Nicola Nicolau (1762-1837), a Romanian merchant and scholar from the Transylvanian town of Brașov (Kronstadt, in the Habsburg Empire). Its chapters deal with Nicolau’s family and life, the books published by him, the question of their authorship, their sources, their circulation, and, finally, with Nicolau’s teaching activity. While settling, on the basis of primary sources, a number of earlier hypotheses and debates, it proposes some new hypotheses, which should be checked against further primary evidence.
Geography and encyclopaedism. Revisiting Gheorghe Lazăr: Between 1810 and 1822, Gheorghe Lazăr (1779/82-1823) composed or compiled four geography textbooks for the use of the Romanian schools of Transylvania and Walachia: a mathematical geography (1810), a geography of Transylvania (1815), an astronomical geography (1820), and a world geography (1822), respectively. The first two were destined for publication in Transylvania, but his superior blocked all attempts. The last two were used in the St. Sava College of Bucharest, and – according to a 1822 manifesto – the world geography was being prepared for publication. Like most of Lazăr’s Nachlass, they have been lost after his death. The present article discusses all the available information about these books and attempts to identify their sources on the basis of contextual data. It also underlines Lazăr’s long lasting interest for the subject matter of geography, which has been neglected by both his biographers and the historiography of geographical studies in Romanian culture. My thesis is that it should be understood as part of Lazăr’s encyclopaedicism, another dimension of his intellectual formation and academic profile which has been neglected. The last section, which places Lazăr in the context of the geographical textbook production during his mature life and the decades following his death, shows that many other manuscript textbooks have met with the same fate: they failed to reach the printing press and – sooner or later – have been lost.
Crisia LII, Supliment nr. 1, 2022
When we started the archaeological research in the Bronze Age tell settlement and Middle Ages Monastery at Sântion, back in 2015, we paid special attention to landscape research near the site. During the documentary stage we encountered some remarks that indicated that the landscape around the site had changed radically over a few decades, which would underline the idea that the archaeological landscape from the Bronze Age it was quite different from what we see today. Subsequently we searched for the maps that allow to determine the extent of the changes in the Crișul Repede river course and to analyze the relation between the tell-settlement and Crișul Repede river. In 2022, after a period marked by financial shortages and the break forced by the COVID-19 epidemic, we managed to resume work on this site.
Coordonate Ale Barocului Sârbesc Din Banat - Tradiții Și Influențe
ИСХОДИШТА
This study proposes a reconceptualization of the so called “Serbijan Baroque” reflected in the creation of eighteenth-century imperial province of the Banat. The corpus of this investigation consists of written sources and works of art, structurally analysed and decoded as traditional versus modern Baroque additions. Aesthetic influences of Byzantine, Russian, Ukrainian, Wallachian and Moldavian tradition were surpassed by the dynamism of the Baroque. The change of ideas led to a synthesis in the province of the Banat where the promoters of Serbijan Baroque, were sometimes mentioned as post-Brancovan style promoters (Wallachian Baroque). Nikola Neșcovici and Nedelcu Popovici are two trend settlers in whose evolution one can identify tradition and the need for modern iconography invested with didactic and moralizing values inculcated by the formation workshops.These vagrant painters settled in the imperial Banat and adopted Western iconographic formulas for the Serbijan Orthodox chur...