original ) (raw )Two newly discovered sources for the String Quartet in F Major, Opus 44, and the Suite for Piano, Opus 45
Niels Krabbe
Carl Nielsen Studies, 2012
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The Si Placet Repertoire of 1480-1530/De tous biens plaine/Fortuna desperata (Music Release)
Cathy Ann Elias
Notes: Quarterly journal of the music library, 2003
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Daniel Elphick, Music and Letters, vol 99, nº 2, May 2018, p. 304-307.
Igor Contreras Zubillaga
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The Si Placet Repertoire of 1480-1530, and: De tous biens plaine: Twenty-eight Settings of Hayne van Ghizeghem's Chanson, and: Fortuna desperata: Thirty-Six Settings of an Italian Song, and: Counterpoints on a Cantus Firmus (review)
Cathy Ann Elias
Notes, 2003
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Ignaz Pleyel and Ludwig-Wilhelm Tepper de Ferguson: the Mystery of the “Twelve German Songs”
Olga Baird (Yatsenko)
The Musical Times, 2016
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long-title in impeccable eighteenth-century style, reproduced both on the dust jacket and within, and ending with ‘...Said Music All Collected for the Reader’s Delectation
robert gjerdingen
2016
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Review-article: Scholarly Saint-Saëns – Sabine Teller Ratner: Saint-Saëns Thematic Catalogue, Vol. 1 (Musical Times, 2002)
Nigel Simeone
The Musical Times, 2002
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Five Operas and a Symphony: Words and Music in Russian Culture. By Boris Gasparov. pp. xxii + 268. Russian Literature and Throught. (Yale University Press, New Haven and London, 2005, 30. ISBN 0-300-10650-5.)
Pauline Fairclough
Music and Letters, 2006
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Friederike Weißman et al., eds., 'Vom Erkennen des Erkannten': Musikalische Analyse und Editionsphilologie
Benjamin Ayotte
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Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany by Alexander Stefaniak
Erinn Elizabeth Knyt
Notes, 2018
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Problematic Sources, Problematic Transmission: An Outline of the Edition History of the Solo Cello Suites
Zoltán Szabó
PhD dissertation, 2016
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Review: Goethes Musiktheater: Singspiele, Opern, Festspiele, ‘Faust’.By Tina Hartmann. pp. x + 583. Hermaea, NF105. (Niemeyer, Tübingen, 2004, €86. ISBN3-484-15105-6.)
Lorraine Byrne Bodley
Oxford University Pres, 2006
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The musical works of Tobias Zeutschner (1621-75), as documented in occasional school prints. Working on a thematic catalogue of the Breslau [Wroclaw] Organist
Paulina Halamska
2018
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Studies in Music With Text, by David Lewin
Jeannie Ma. Guerrero
2008
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The Collection of Manuscripts of Carl Ditters von Dittersdorf's Symphonies from Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
Miłosz Kula
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Répertoire International de Littérature Musicale
Barbara Mackenzie
Oxford Music Online, 2001
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Seven Trio Sonatas, and: Six Quartets for Flute, Violin, Viola, and Basso Continuo (review)
Michael Talbot
Notes, 2006
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Fontanelli F. (2024), Between Exegesis and Mystification: Anton Schindler, the Unfaithful Popularizer of Beethoven's Sketches, «The Musical Quarterly», CVII/1-2, pp. 34-56
Francesco Fontanelli
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Review of Robert Gjerdingen, Music in the Galant Style (Oxford University Press, 2007)
Matthew Pritchard
Early Music, 2009
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Schubert the Progressive: History, Performance Practice, Analysis, and: Schubert's Song Sets (review)
Cynthia Cyrus
2004
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Indexes in Late Medieval Polyphonic Music Manuscripts: A Brief Tour
Margaret Bent
The Medieval Book: Glosses from Friends and Colleagues of Christopher de Hamel, ed. by James H. Marrow, Richard A. Linenthal, and William Noel (Houten: Hes & De Graaf), 2010
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Reviews of Documents du Minutier central, vol. 2 (1974); L'Iconographie musicale (1978); La Vie des musiciens de Paris (1976)
Margaret K MURATA
MLA Notes 35/2, 1978
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Valerie Rumbold and Iain Fenlon, eds. A Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge. Cambridge: Cambridge University Press, 1992. xii, 168 pp. ISBN 0-521-41535-7
Bernard Katz
Canadian University Music Review, 1994
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Repertory of musical sources from Flemish beguinages: Introduction and repertory
Pieter Mannaerts
in Beghinae in cantu instructae. Musical patrimony from Flemish beguinages (Middle Ages-late 18th c.), 2009
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Profane Vokalwerke, I, and: Symphony No. 2, op. 10 (review)
Anna Celenza
Notes, 2001
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Review of *Music in the Galant Style* by Robert O. Gjerdingen
Paul Sherrill
2011
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The Collected Works of Johann Christian Bach, 1735-1782, vol. 48, Thematic Catalogue and Music Supplement (review)
Sterling Murray
Notes, 2001
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Music and Literature in German Romanticism (review)
Peter Höyng
Goethe Yearbook, 2006
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The musical works of Tobias Zeutschner (1621–75), as documented in occasional school prints. Working on a thematic catalogue of the Breslau [Wrocław] Organist
Paulina Halamska
2012
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Christian Berger, “Musikalische Formbildung im Spannungsfeld nationaler Traditionen des 17. Jahrhunderts: Das 'Lamento' aus Heinrich Ignaz Franz Bibers Rosenkranzsonate Nr. 6” (Acta musicologica, 64, 1992, 17-29)
Geoffrey Chew
Acta musicologica, 1992
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Studies in Music with Text (review)
David Clampitt
Notes, 2006
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The Influence of European Literary and Artistic Representations of the 'Orient' on Western Orchestral Compositions, ca. 1840-1920: From Oriental Inspiration to 'Exotic' Orchestration
Elizabeth J . Markham
Fontes Artis Musicae, 2014
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The Opera Arrangements for Flute and Guitar, nos. 1-20, by Philip Ernst
Tom Moore
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Beethoven's Trills, Webern's Bagatelle, and the Shards of Tradition
Anne C. Shreffler
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The Cambridge Companion to the Symphony ed. by Julian Horton, and: The Cambridge Wagner Encyclopedia ed. by Nicholas Vazsonyi
David Larkin
Notes, 2015
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