Collecting and archiving information from living artists for the conservation of contemporary art (original) (raw)

The conservation of contemporary art has evolved significantly in response to past controversies regarding treatment practices, particularly surrounding the preservation of optical qualities and the original intent of artists. This paper discusses the complexities of modern conservation strategies, emphasizing the need for a robust dialogue between the artist’s intent, the artwork, and the viewer. It highlights historical debates, such as those triggered by John Richardson's critiques in the 1980s, which challenged traditional conservation methods and underscored the importance of understanding surface characteristics in the treatment of modern and contemporary artworks.