A grave subject:" Hollywood Cemetery and the ideology of death in mid-nineteenth century America (original) (raw)
Related papers
Monuments and Memories: The Evolution of British Columbian Cemeteries, 1850-1950
Material Culture Review Revue De La Culture Materielle, 1987
C'est dans les cimetières que les gens expriment le plus tangiblement et le plus ouvertement leurs réactions à la mort. L'article s'attache aux cimetières de Colombie-Britannique; il analyse l'évolution de leur esthétique de 1850 à 1950, la façon dont ils étaient compartimentés et les monuments funéraires qui s'y trouvaient. Le jardin du XIX e siècle on la famille ^rendait visite» à ses défunts a graduellement cédé le pas, au XX' siècle, à des pelouses, ce qui a rendu la présence de cimetières de moins en moins manifeste. Bien qu'il ne serve plus de refuge à la famille du défunt, le cimetière demeure un lieu où les distinctions sociales sont bien établies, tout au moins pour la classe moyenne qui en contrôle la regimentation. Les gens ont fini par délaisser les cimetières, préférant conserver intérieurement le souvenir de leurs proches.
Hallowed Ground, Place, and Culture : The Cemetery and the Creation of Place
Space and Culture, 2006
Throughout most recorded history, human societies have used various types of cemeteries for burial purposes; this theme points to humanity's need to construct a meaning behind death and reflect life into the places where the dead are interred. Whether the bodies of the deceased are placed in the ground, within elaborate tombs, or simply in the presence of ancient or contemporary monuments, their location holds symbolic meaning as well as practical historical meaning for the surrounding living community. This article explores cemetery culture and architecture and their contribution to the social construction of the cemetery landscape. After exploring the historical development of the modern cemetery, the cemeteries of New Orleans, Louisiana, are used as a case study to illustrate how the cemetery, as a place, is influenced by culture and has cultural significance.
For part of its short tenure, the Mt. Pleasant Plains Cemetery (1870-1890), served as the largest African American cemetery in the District of Columbia. However, no sooner than it was founded, local residents and city officials conspired to have it subsequently condemned and the land reappropriated. Largely succeeding in their efforts to remove the cemetery and the memory of those interred, the lives of more than 8,400 African Americans and several European Americans remain concealed underground for more than a century. In 2005, soil erosion revealed the remains of several burials and with it the memory of the historic cemetery resurfaced. Using data acquired from an on-going archival and archaeological survey, this paper will demonstrate how deliberate attempts to erase the historical memory of the African American presence have coincided with the disenfranchisement of African Americans in the capital of the United States of America. Furthermore the case of Mt. Pleasant Plains Cemetery serves as an ardent reminder of importance of maintaining public memory in the face of urban development.
Reinventing the Old West: Concordia Cemetery and the power over space, 1800-1895
2014
I am very fortunate to have received so much support in writing this dissertation. I would like to thank my dissertation chair, Yolanda Chávez Leyva for her patience and understanding. Her knowledge and love for this region made working with her exciting and inspirational, and with her guidance, I articulated this project that will hopefully inspire others. I want to thank my committee Jeffrey Shepherd, Maceo C. Dailey, and Dennis Bixler Márquez for their support. I have known Dr. Bixler Márquez for many years and he has always encouraged me to climb upwards rather than remain flat-lined. Thank you Edith Yañez and Alma Acosta for all you do to keep the Department of History running smoothly. I am grateful to all the professors I worked with, including
Ideology in Historic Cemeteries: A Case Study from St. Paul, OR
A cultural landscape and material culture analysis of the two historic cemeteries in St. Paul, Oregon has recently shed light on the various social and cultural forces that shaped the ‘deathscape’ of this small rural community during the late 19th and early 20th centuries (Boulware 2008). Using the findings put forth in this study, a reexamination of the mortuary material culture and cultural landscape is conducted through the theoretical lens of ideology. A review of this often baffling concept will lay the foundation for this continuing investigation into the lives of early St. Paul residents.
Parceling the Picturesque: "Rural" Cemeteries and Urban Context
2009
Author(s): Wunsch, Aaron Vickers | Advisor(s): Crawford, Margaret | Abstract: Moving beyond traditional studies of the picturesque as a European-born artistic phenomenon, this dissertation connects the naturalistic treatment of landscape to a particular city's cultural and economic transformation in the early industrial age. Three narrative strands unite the project. The first traces the arrival of garden-like graveyards on Philadelphia's periphery. Known after 1830 as "rural" cemeteries, these places were incubators for new conceptions of home, community, and outdoor aesthetic propriety. Closely related to this geographical shift was a vocational one. Beginning in the antebellum decades, several occupations involved in the division and depiction of land recast their services in new terms. Although Philadelphia's landscape architecture profession eventually emerged from this ferment, my focus is on the period just prior to coalescence - a period when surveyors,...
Cemeteries as cultural landscapes
Mortality, 2003
This review calls attention to two classics which challenged me to grapple anew with fundamental questions: why do we have cemeteries, and what they are about? So many different things go on in cemeteries beside disposal and mourning. Why? And how do these various activities influence how we define and think about cemeteries? In 1930, W. Lloyd Warner brought the anthropological research model developed during his study of the Australian aborigines to his research on Yankee City, a New England community selected as a microcosm of the larger American society. The fifth volume in the Yankee City series interpreted the collective symbolic life of the city and included a section on the cemetery. The book's initial chapters dealt with the economic and socio-political symbolism ordering the community, while the concluding chapters integrated Freudian symbolism and Christian iconography. This review concentrates on those chapters where Warner presented a theoretical and methodological model, exploring the characteristics and multiple meanings of the cemetery as a cultural landscape. Drawing on Durkheim's theoretical lead, Warner analysed the cemetery as a 'collective representation', a sacred, symbolic replica of the living community that expressed many of the community's basic beliefs and values. Materially, the cemetery is a specific type of socially bounded space where daily funerals and Memorial Day celebrations ritually order relationships between the spiritual dead and the secular world of the living. The funeral symbolically removes the