Visceral Fermentations: Duration, Intimacy and Collaboration (original) (raw)
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Constantly resisting time and space, performance is an art that historically spotlights the artist within a certain spatial and temporal frame (the here-and-now), in relation to an audience and a specific political, social and cultural context. By allowing the artist to be its first spectator and searching for a simultaneous exchange between performer and spectator, performance art proposes conditions of socialisation that challenge normative structures of power and spectatorship. Starting from an understanding of the artists as researchers working perceptually, reflexively and also qualitatively, this thesis explores the field of performance art and focuses on their relation to the artwork as intimate, subjective, and transformative. The core of my ethnographic fieldwork was developed between October and December 2014 within the frame of two international festivals based in Northern Italy (Turin and Venice) dedicated to the practice of performance art — torinoPERFORMANCEART and the Venice International Performance Art Week. A highly ethnographic, reflexive and subjective approach is combined with a diversified theoretical frame of reference. Phenomenology and embodiment as points of philosophical departure provide the necessary threshold to overcome the dualistic Cartesian subject widely questioned in performance art: a holistic approach to performance as a series of dialogical, relational, and transformative processes thus allows for deeper investigation on its practice and alternative understandings of its documentation. Contemporary art theories further expand the discussion of performance and tackle some of its critical points and enduring ambivalences. Intending to make a contribution to the already existing efforts of those anthropologists working at the crossroads between art and anthropology, as well as to welcome fruitful dialogues with the artists it engages, the attempt is to trespass fixed positions and binary pathways of thought by exploring the potentials of experience, its continuities and transformations that creatively involve and intersect ethnographies and artistic researches.
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