Die Hauskomponisten am Theater auf der Wieden in der Zeit Mozarts (1789-1791) (original) (raw)

The House Composers of the Theater auf der Wieden in the Time of Mozart (1789-91) 1

David Buch

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The House Composers of the Theater auf der Wieden in the Time of Mozart (1789-91)

David J Buch

publikationen.ub.uni-frankfurt.de

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Eighteenth-century Performing Materials from the Archive of the Theater an der Wien and Mozart's Die Zauberflöte.

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Deborah Burton

Notes, 2010

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“Mozart’s Bawdy Canons, Vulgarity, and Debauchery at the Wiednertheater,” Eighteenth Century Music 13/2 (2016), 238-308.

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The Condition of Mozart: Mozart Year 2006 and the New Vienna

Eric Martin Usner

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Mozart’s Bawdy Canons, Vulgarity and Debauchery at the Wiednertheater

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Review: Christoph Wolff, Mozart at the Gateway to His Fortune: Serving the Emperor, 1788–1791

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H. Kowalski

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A Newly-Discovered Manuscript of Mozart's Die Zauberflöte from the Copy Shop of Emanuel Schikaneder's Theater auf der Wieden

David J Buch

Studia Musicologica Academiae Scientiarum Hungaricae, 2004

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Milada Jonasova

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Dexter Edge

1996

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John A Rice

Newsletter of the Mozart Society of America, 2014

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Mozart: Briefe und Aufzeichnungen. Gesamtausgabe Wolfgang Amadeus Mozart Wilhelm A. Bauer Otto Erich Deutsch Joseph Heinz Eibl

Neal Zaslaw

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CHRISTOPHER J SALMON

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Emanuel Winternitz

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adena portowitz

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Theatrical Objects and the Era of Mozart and Haydn

Daniel McNamara

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Neal Zaslaw

Early Music, 1992

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Mozart's Apartment on the Alsergrund (Newsletter of the Mozart Society of America, Vol. XIV, No. 2, 27 August 2010).

Michael Lorenz

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Mozart and the Practice of Sacred Music, 1781-91

David Black

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Vjera Katalinić

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Roger Moseley

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Syllabus: Music 110 Mozart's Operas

Beverly Wilcox

California State University, Sacramento, 2018

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Review of Mozartian Historian 1978 H&T.pdf

Vera Schwarcz

History & Theory, 1978

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Martin Nedbal

Musicologica Brunensia, 2021

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Neal Zaslaw

1991

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From Historical Concerts to Monumental Editions: The Early Music Revivals at the Viennese International Exhibition of Music and Theater (1892).

María Cáceres Piñuel

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“A Problem Solved: The Identity of Georg Friedrich Richter, Virtuoso ‘Claviermeister’ from Holland, Mozart’s Friend and Partner in the Trattnerhof Subscription Concerts of 1784,” in: Newsletter of the Mozart Society of America XIII/2 (August 2009): 5-9.

Rita Steblin

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In Defense of Josepha Duschek (and Mozart): Patronage, Friendship, and Evidence (in: Mozart in Prague: Essays on Performance, Patronage, Sources, and Reception, ed. Kathryn L. Libin)

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