Sensory analysis of textiles: case study of an assortment of stretch denim fabrics (original) (raw)
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A general methodology for analyzing fashion oriented textile products using sensory evaluation
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In a garment company, key features on garment products can generally be characterized using three information sources: (1) physical measures using appropriate devices, (2) normalized sensory evaluation data, (3) consumers' perception on fashion styles of garments. The understanding of the relations between criteria at these three levels is important for designing new fashion oriented textile products. In this paper, we propose a method for evaluating fabric hand and similarity between fashion styles and fabric samples. Next, the relationship between these two sets of sensory data is analyzed using the data clustering algorithm and a number of linguistic similarity and relevancy measures we defined. The effectiveness of the proposed method has been validated using a set of fabric samples and a set of T-shirt products.
Fabric Attractiveness Using Four Sensory Evaluators
Fibres & Textiles in Eastern Europe
All senses elicit emotional responses to goods, services, and the environment. They also play an important role in the process of fashion design and its evaluation. This research is a continuation of several preliminary studies we conducted online to define three attractive and three unattractive colors, textures, smells, sounds, and tastes. In the present study, a sample of textile engineering and fashion design students and experts (N = 54) assessed four groups of 6 fabric samples (sensory evaluators) selected based on the results of the preliminary studies. Each group of fabrics was assessed in one of four sensory modalities (except taste). Two semantic differentials were used to assess each sensory modality: attractive/unattractive and boring/interesting in the case of color, insensitive/sensitive in the case of texture, disturbing/calming in the case of sound, and cheap/luxurious in the case of smell. We found that among the fabrics in six different colors, the pink fabric was ...
Development of an Interdisciplinary Method for the Study of Fabric Perception
Journal of the Textile Institute, 1998
In retail-.store settings, consumers are influenced by visual and tactile information while shopping for textiles and apparel products. In order to simulate some aspects of a real-world shopping context while recognizing the benefit of laboratory control and precisian, textile chemists, physical scientists, social scientists, and designers have developed a new methodology to study perceptual responses to textiles. Based on several studies, a series of recommendations is offered. To simulate an actual purchase setting, we recommend that some variables (e.g. room temperature and humidity) be monitored, but not controlled to tbe point at which applicahility to a real-world context is diminished. We also make specific recommendations regarding viewing versus non-viewing of fabrics and otber logistical variables in relation to our development of a fabric-sorting method and an open-ended response format. A list of common consumer-generated descriptors is provided. Our interdisciplinary method aims to strike a meaningful balance between scientific control and applicability in a real-world context. Brandt. Brown, Bums. Cameron, Chandler. Dallas. Kaiser. Lennon, Pan. Salusso, and Smitley Tahic II Descriptions of the Fabrics 1 100% wool, worsted shirting, plain weave, supplied by Pendleton Woolen Mills. 2 100% wool, woolen shirt flannel, plain weave, supplied by Pendleton W(X)len Mills. 3 65 cotton/35 Kodel polyester-fiber sheeting, supplied by USDA Southern Regional Research Center. 4 100% cotlon, rib knit, .supplied by USDA Southern Regional Research Center.
Influence of Textile Parameters and Ageing on Consumer Behaviour
Textiles producers and designers need to decide on fabric parameters which can fulfil the consumer expectations. The textile consumer always has specific preferences. These preferences apply to the textile properties at the time of purchasing the textiles and also to the perception of how long lasting these properties will be. The gap between consumer behaviour and manufacturer thinking towards the textiles need to be bridged. We tried to study the influence of knitted textile material parameters on the sensory feeling of textiles. We have chosen the key textile parameters relevant to knitting i.e. Fibre type (Cellulosic or synthetic), Fibre fineness (Regular or micro fibre), Yarn Construction (Ring, Open end), Knitting Structure (Jersey, Rib or Interlock) in order to study their effect on the sensory feeling of textiles.Sensory Evaluation is performed by a panel of trained subjects (panellists) using a standard evaluation procedure. This allows the generation of a list of exhaustive sensory attributes describing fabric hand and appearance, and then the determination of relative or absolute scores for fabric samples for each sensory attribute. We also examined the change in handle of fabric with life cycle of the fabric. The change in handle of the fabric after washing is unavoidable because of strong mechanical action during washing. Principal component analysis (statistical data analysis which includes appropriate criteria) was then performed in order to make a better interpretation of the sensory data by plotting the fabric map and sensory attribute map. This work can be used as a tool for textile manufacturers to design the input parameters for knitted textiles: taking account of consumer behaviour for particular fabrics may allow the generation of better emotional response during the life cycle of apparel.
Subjective evaluation of the comfort of popular denim: elaboration and validation of the the data
IOP Conference Series: Materials Science and Engineering
The main objective of this study is to describe the process of validation of the inquiry of subjective evaluation of the comfort of the popular jeans, through the accomplishment of a pre-test. Through this research, we intend to define the language corresponding to the understanding of the public participating in the research and to use the scale of responses in accordance with the interpreters' ability to infer the analysis of the parts in question based on the different comfort parameters. The group of evaluators consists of 10 women consumers in the popular markets of Fortaleza, aged between 18 and 40 years. With this research it was possible to elaborate questions and answers focussed to the public understanding in order to choose the attributes of evaluation in analysis, to define the scale of answers and to validate the inquiry as instrument of data collection. The first inquiry model was applied only to the smile scale (Figure 1). In the second inquiry model the combination of numerical and category scales (Figure 2). And in the third inquiry used the scale model that combines the three scales of responses: smiles, numerical and categories as shown in figure 3.
Aesthetical and Emotional Effects of Material on Clothing Design
The Turkish Online Journal of Design Art and Communication, 2019
The purpose of this research is to analyze the aesthetical and emotional effects of the materials with similar sensory properties and the clothing with the same clothing type and model which were made of such materials, among the consumers. The material of the research are four different clothing fabrics (artificial leather, chiffon, denim, and combed cotton). Half-circle skirt model was produced from each fabric in accordance with sizes of ½ scale dress form. The data of research were collected with aesthetic effect measurement tool, emotional response measurement tool and interview forms in two stages. In the first stage, consumer attitudes towards to the fabrics are examined. In the second stage, consumer attitudes towards to relationship between the fabric and the model in the second stage are examined. According to research results, artificial leather and half-circle skirt had the highest level with regard to both aesthetics and emotional effects whereas combed cotton fabric and half-circle skirt had the lowest level. One of the important results of the research is that the levels of aesthetic and emotional effects which come up during the two-dimensional evaluation of the fabrics change when the fabrics turned into a model. Another significant result of the research was that the expressions of the participants were usually based on the personal experiences and the structural features of the fabrics during the evaluations of the fabrics and the models.
Journal of Fashion Marketing and Management: An International Journal, 2021
PurposeThe aim of the study reported in this article was to establish whether the quality of clothes of a given brand is perceived and assessed by consumers at the same level. An additional purpose was to identify the features that characterize the quality of popular, among Polish young female consumers, clothing brands and to classify them according to their quality level (perceived and assessed).Design/methodology/approachThe article presents two approaches to consumer assessment of the quality of clothes: the survey method, in which the product quality was determined by 320 Polish female young respondents (19–25) based on their own previous experiences and impressions related to a particular clothing brand, and a direct assessment of shirts of selected brands using a sensory quality assessment method, a five-point hedonic scale with the verbal anchor (115 evaluators).FindingsThe research has revealed a significant difference between the perception of selected quality features of ...
Use of intrinsic and extrinsic cues to assess textile product quality
Use of iritririsic and extrinsic cues to m e s s quality of textile itetns wus studied. Prodiict-knowledgeable subjects rated the quality of socks und sweaters and completed a questionnaire which asked how they judged quality. Subjects relied tnore on product inforrnatiori (intrinsic cues), i. e., compositional features and performance properties, to assess quality than oti price arid warraritylcertificatioti seals (extrinsic cues). Significance lies in increased uriderstatiditig of thcp process involved in quality assessnient of textile itetns in the marketplace.
Investigating nuanced sensory experiences in textiles selection
Proceedings of the 2016 ACM International Joint Conference on Pervasive and Ubiquitous Computing Adjunct - UbiComp '16, 2016
In this study, research tools are used to investigate designers' textile selection activities and uncover the sensorial experiences that underpin those activities. Such tools were purposely introduced to disrupt the way designers generally interact with textiles and generate conversations around it. The study was conducted in a textile fair during two consecutive years with an expert audience who were in the mind-set of sourcing. This study resulted in four main themes that reveal the importance of the multisensory experience to textile selection, and the complexity of remembering and communicating such experiences in the design process, given how tacit such experiences are.
Research Square (Research Square), 2024
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