Theodore Prodromos and the use of the poetic work of Gregory of Nazianzus: Appropriation in the service of self-representation (original) (raw)
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Theodore Prodromos: Miscellaneous Poems. An Edition and Literary Study. Oxford 2023.
2023
In twelfth-century Byzantium, poetry played a key part in various contexts of textual production and consumption. One of the leading poets of this period was Theodoros Prodromos, whose surviving corpus comprises approximately 17,000 verses. Even though most of his poetry has been presented in modern critical editions, a group of his works has been overlooked by modern philologists and literary scholars alike. The selected corpus—conventionally designated as Miscellaneous Poems—consists of texts on various themes and in a wide range of genres, ranging from cycles of religious and secular epigrams to riddles, ethopoiiai, and works of a self-referential and essayistic nature. This book includes the first critical edition and study of these poems, accompanied by English translations and commentaries. Their study contributes to a more nuanced picture of Prodromos' intellectual profile, expanding his image as the 'poet laureate' of the Komnenian court and providing entirely new insights into his activity in the different settings of Constantinopolitan intellectual life. The book also sheds new light on the complex relationship between patronage and other aspects of literary activity and the circulation of the same text in different performative contexts.
The Human Being in the Poetry of Gregory of Nazianzus
Studia Patristica. Vol. 115. Papers presented at the Eighteenth International Conference on Patristic Studies held in Oxford 2019 Edited by Markus Vinzent , 2021
The poems of Gregory of Nazianzus are meant to bring together the desire for beauty emerging from contemplation (θεωρία) and the progress towards the good. They express the pedagogical intention to lead young people to more useful teachings, echoing the attitude towards Greek poetry in Plato’s Republic, Plutarch’s De audiendis poetis, and Basil’s Ad adolescentes. The article investigates how the verses considered as a pleasant medicine (φάρμακον) depict the human condition in its present fragility, as well as in its journey to deification. It analyses metaphors attached to human vulnerability (e.g. swan, ant, ship, shadows, dream, dust, the movement in circle) in contrast with the motif of light reflecting the participation in the divine. Moreover, I approach the notion of ‘image of God’ imprinted in the human being, and I analyse how the divine image makes possible the ascent (return) from ‘misery’ and ‘mortal condition’ to resplendence, spiritualisation and incorruption.
Callimachus and Callimacheanism in the Poetry of Gregory of Nazianzus (Diss.)
Callimachus and Callimacheanism in the Poetry of Gregory of Nazianzus, 2019
In this study, I analyze the poetics of Gregory of Nazianzus (ca. 330–390 AD), who was one of the first Christian poets writing in Greek to leave an extensive corpus of poetry (about 17,000 lines). Gregory’s work is striking not only for its breadth but also for its wide variety of themes and metrical schemes. As my focal point, I have chosen Gregory’s reception and adaptation of the poetry and poetics of Callimachus of Cyrene (ca. 290–230 BC). Callimachus was the first poet in the western tradition to enunciate an aesthetic and came to typify for subsequent authors an approach to poetry that privileged finely-wrought, compressed, and erudite compositions. I argue that for Gregory, Callimachus’ works are more than simply one more source to exploit for nice turns of phrase; rather, Callimachus pervasively shapes Gregory’s entire approach to poetic composition. This is seen not only in Gregory’s allusions to Callimachean works, which are numerous and occur quite frequently in programmatic contexts, but also in features of Gregory’s work like poikilia (variety) and a strong authorial persona that have their best precedent in Callimachus’ variegated oeuvre. In chapter one, I survey Callimachus’ reception in the second and third centuries AD. By examining the three most extensive works of hexametric didactic extant from this period (Dionysius’ Periegesis, Oppian’s Halieutica, and ps.-Oppian’s Cynegetica), I argue that Callimachus is a uniquely useful influence for probing how later poets create their poetic personae and enunciate their own aesthetic. Chapters 2–5 treat Gregory’s poetry. I have organized them around four traits that scholars have consistently associated with Callimachean poetry: originality, fineness (leptotēs), erudition, and self-awareness. In chapter two, I show how Gregory adapts the untrodden path motif found in the prologue to Callimachus’ Aetia. I contend that Gregory’s formal experimentation should be regarded as a deliberate embrace of Callimachean polyeideia. Chapter three has as its subject Gregory’s poetic style. I show that for Gregory, Callimachus typifies the concise and technically capable poet, as Gregory consistently advocates for concise speech through allusions to Callimachus’ works. In the fourth chapter, I attend to Gregory’s erudition. His self-proclaimed mastery of both pagan and Christian literature is a foundational aspect of his poetic persona. Though the patent didactic intent in some of Gregory’s verse is at odds with Callimachus’ practice, I argue that when Gregory deploys erudition for polemical and cultural ends he fits neatly within the tradition of Alexandrian didactic. In chapter five, I consider Gregory’s poetic self-awareness. I argue that, following Callimachean precedent, Gregory created sequences of multiple poems thematically linked by ring-compositions and self-allusions. I conclude that Gregory edited his poems much more extensively than has previously been recognized. My work illuminates on the one hand how pervasively Callimachus shapes Gregory’s approach to poetic composition. Yet I have also identified a number of significant ways in which Gregory consciously departs from his Callimachean model.
This paper discusses the presence of emotions in the autobiographical and epigrammatic poetry of Gregory of Nazianzus. Gregory’s poetic corpus includes emotional descriptions of personal events, a long poem ‘against anger’, as well as numerous funerary epigrams on family members. The paper focuses on the emotions of fear, shame and anger, as they appear mostly in Gregory’s De Vita Sua. A close study of these cases throws light on Gregory’s rhetorical techniques, while some of his references to fear reveal that he is not unwilling to speak of his own personal weaknesses. The paper also explores some particularly poetic ways in which a late-antique Christian poet conveyed emotions, such as the triumph of the resurrection and the joy of baptism.