original ) (raw )Eine Institution zwischen Repräsentation und Macht: Die Universität für Musik und darstellende Kunst im Kulturleben des Nationalsozialismus ed. by Juri Giannini, Maximilian Haas, and Erwin Strouhal
Katherine Arens
Journal of Austrian Studies, 2016
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Introduction: Warburg's Library and Its Legacy
Elizabeth Sears
Common Knowledge, 2012
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“Journal of the Warburg Library (1926-1929)” - Introduction and Excerpts (English)
Laure Cahen-Maurel
Cenquatrevue, 2009
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Anthony Grafton and Jeffrey Hamburger, “Introduction: Warburg’s Library and Its Legacy,” Common Knowledge, vol. 18, no. 1 [=The Warburg Institute: A Special Issue on the Library and Its Readers] (2012): 1–16
Anthony Grafton
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Serving “German music” and “the Great Empire of the Germans”: The German Periodical "Musik im Kriege" (In: Musical History As Seen Through Contemporary Eyes, ed. Benjamin Knysak , Zdravko Blažeković, pp. 125-179)
Antonio Baldassarre
Musical History As Seen Through Contemporary Eyes, 2021
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"The Afterlives of Scholarship: Warburg and Cassirer," History of Humanities, 2 (2017) 1: 245-270 (DOI: 10.1086/690581).
Mario Wimmer
History of Humanities, 2017
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“The Warburg Institute, 1933–1944: A Precarious Experiment in Amalgamation,” Art Libraries Journal 38, no. 4 (2013): 7-15
Elizabeth Sears
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Review of Pamela M. Potter, Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler’s Reich (New Haven and London: Yale University Press, 1998)
David Dennis
German Studies Review, 2000
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Wolfgang Bialas, Anson Rabinbach (eds.), Nazi Germany and the Humanities (Oxford: Oneworld, 2007) in EEJA 40, 1 (2010): 87–91.
Lars Fischer
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‘!e Darmstadt Events’. Archival Strategies, Music-Historical Work and Cultural-Political Research Perspectives on the Development of the Digital Archive*
Doerte Schmidt
2018
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War on Modern Music and Music in Modern War: Voelkischer Beobachter Reception of 20th Century Composers
David Dennis
2010
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Musicology in the "Third Reich": A Preliminary Report
Anselm Gerhard
Journal of Musicology, 2001
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The Nazi War on Modern Music
David Dennis
2011
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“Music in the ‘Cult of Art’ of Nazi Germany” for the “Epistemic Transitions and Social Change in the German Humanities: Aesthetics, Ideology, Culture and Memory” session
David Dennis
2012
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“Music Reception in the Völkischer Beobachter,” paper for the “Music, Politics, and the State” session
David Dennis
1996
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Review of Michael Kater, The Twisted Muse: Musicians and their Music in the Third Reich (New York and Oxford: Oxford University Press, 1997)
David Dennis
1998
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Who killed the concert? Heinrich Besseler and the inter-war politics of "Gebrauchsmusik"
Matthew Pritchard
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Kultur und Musik nach 1945: Ästhetik im Zeichen des Kalten Krieges. Kongressbericht Hambacher Schloss 11.–12. März 2013 (review)
Emily Richmond Pollock
Notes: The Quarterly Journal of the Music Library Association, 2018
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Classical Music in Weimar Germany: Culture and Politics before the Third Reich by Brendan Fay
Brendan Fay
German Studies Review, 2020
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“Warburg Institute Archive, General Correspondence,” Common Knowledge 18.1 (Winter 2012), pp. 32-49 [Special issue: The Warburg Institute].
Elizabeth Sears
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Book Review: Erik Levi. Mozart and the Nazis: How the Third Reich Abused a Cultural Icon.
Johanna F Yunker
Twentieth-Century Music , 2012
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(2018) (mit Freia Hoffmann) Projektvorstellung: Geschichte deutschsprachiger Konservatorien im 19. Jahrhundert, in: Soziale Aspekte des Musiklernens, hrsg. von Bernd Clausen u. Susanne Dreßler, Münster 2018 (= Musikpädagogische Forschung 39), S. 291–304.
Annkatrin Babbe
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Eine Vergangenheit, die lieber vergessen wird? Scholarly Habitus-Forming, Professional Amnesia, and Postwar Engagement with Nazi Classical Scholarship
Helen Roche
History of Humanities, 2020
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E.H. Gombrich and the Warburg Institute, from Art and the Mind: Ernst H. Gombrich mit dem Steckenpferde unterwegs, V&R Unipress, Gottingen 2018, pp. 157-172
François Quiviger
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Chapter 1 and Preface from "A New History of the Humanities" (for the 2015 Summerschool "The Humanities in the World", Bonn, Germany
Rens Bod
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ABY WARBURG AND MNEMOSYNE ATLAS | Aby Warburg and Living Thought [2022]
Monica Centanni
Aby Warburg and Living Thought, 2022
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Opera by the Book: Defining Music Theater in the Third Reich
Emily Richmond Pollock
Journal of Musicology, 2018
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Overcoming the Empty Years: the Role of Philosophy and the Humanities in West Germany after 1945
Nick Di Liberto
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Review of Kultur und Musik nach 1945: Ästhetik im Zeichen des Kalten Krieges, edited by Ulrich J. Blomann
ulrich Blomann
2020
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The Vienna Archives: Musical Expropriations During the Nazi Era and 21st Century Ramifications
Carla Shapreau
2014
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Review of the Symposium “Was ist Musikphilosophie?”, 23–24 November 2019, Leipzig
Julia Freund
RMA Music and Philosophy Study Group Website, 2020
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Archives and blank spots: scholarly perspectives for recovering Polish music (1794–1945)
Marcin Gmys
Interdisciplinary Studies in Musicology, 2019
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“The Other Weimar: The Warburg Circle as Hamburg School,” Journal of the History of Ideas 74 (April 2013): 307–330.
Emily Levine
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Berlin Walls: Dahlhaus Knepler, and Ideologies of Music History
Anne C. Shreffler
The Journal of Musicology, 2003
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How to Establish an Academic Discipline: The Multi-Ethnic Makeup of 19th-Century Austria, Habsburg Positivism, and the (Political) Creation of Musicology and Art History
Alexander Wilfing
Inaugural Conference of the Institute for Austrian and German Music Research, Surrey, September 2021
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