Disguised Commentary on the Qur'an (original) (raw)

2020, Australian Journal of Islamic Studies

Mathnawī, Jalāluddīn Rūmī's magnum opus, is among the most quoted mystico-didactic epic poems in the world. This research provides an assessment of the 13th century scholar's work as exegetical commentary on the Qur'ān. A theological approach has been adopted to identify the major teachings in the work. In this study, after a brief introduction of Rūmī and his vision of the Qur'ān, the research evaluates the Mathnawī from historical, mystical, exegetical and literary perspectives. It identifies the stories of prophets and their people in his poetic lines and provides a holistic categorisation of issues about them found also in various Qur'ānic verses as a possibility of commentary on the Qur'ān. To establish a meaningful relationship in terms of the form and content in the work, stories of prophets mentioned in the Qur'ān are analysed to facilitate comprehensive assessment. This also serves as a guide to Rūmī's interpretation of the Qur'ān. It was discovered that Rūmī, in his work, pays particular attention to the spiritual attributes of each prophet. An overall evaluation of the Mathnawī shows Rūmī not only uses Qur'ānic verses or words but also rational arguments, stories and anecdotes to drive home his commentary on the Qur'ān.

The Question of Form and Content in Rūmī’s Mathnawī

2020

Mathnawī, Jalāluddīn Rūmī’s magnum opus, is among the most quoted mystico-didactic epic poems in the world. This research provides an assessment of the 13th century scholar’s work as exegetical commentary on the Qur’ān. A theological approach has been adopted to identify the major teachings in the work. In this study, after a brief introduction of Rūmī and his vision of the Qur’ān, the research evaluates the Mathnawī from historical, mystical, exegetical and literary perspectives. It identifies the stories of prophets and their people in his poetic lines and provides a holistic categorisation of issues about them found also in various Qur’ānic verses as a possibility of commentary on the Qur’ān. To establish a meaningful relationship in terms of the form and content in the work, stories of prophets mentioned in the Qur’ān are analysed to facilitate comprehensive assessment. This also serves as a guide to Rūmī’s interpretation of the Qur’ān. It was discovered that Rūmī, in his work, ...

Sahl Tustarī’s (d. 283/896) Esoteric Qur’ānicCommentary and Rūmī’s Mathnawī : Part 2

In the first part of this article1 we exposed how Rūmī’s Mathnawī had been profoundly influenced by Sahl ibn ʿAbdullāh al-Tustarī’s (d. 283/896) Exegesis of the Tremendous Qur’ān (Tafsīr al-Qur’ān al-azīm).2 We also raised the issue of the possible influence of other works by classical Sufis and exegetes upon Mawlānā’s grand poem. In particular, we discussed the impact of The Spiritual Realities of Qur’ānic Exegesis (Ḥaqā’iq al-tafsīr) by Abū ʿAbdu’l-Raḥmān al-Sulamī (d. 412/1021) and the Laṭa’if al-ishārāt, the mystical commentary on the Qur’ān by Abū’l-Qāsim al-Qushayrī (d. 465/1074), upon Rūmī’s Mathnawī. We demonstrated how certain passages from the Mathnawī are so deeply steeped in these classical Sufi mystical exegeses that one can, by way of circumstantial evidence, adduce that Rūmī himself had read and come under the influence of these authors’ works. In this second and final part of our article, the exploration of other Sufi motifs found in the Mathnawī continues. Here, we will try to show how Mawlānā’s expressions of a number of other Sufi mystical theories, ethical principles, and esoteric doctrines drew upon the esoteric interpretations of the various passages from the Qur’ān by Tustarī and Sulamī, as well as upon the works of other great mystical commentators. We hope in this manner to be able to answer the question posed in the first part of the article as to why it was that Rūmī celebrated the rhyming couplets of his Mathnawī as the ‘Decoder of the Qur’ān’ (Kashshāf al-Qur’ān).

The Qur'an and Adab The Shaping of Literary Traditions in Classical Islam Edited by Nuha Alshaar

The Qur'an and Adab The Shaping of Literary Traditions in Classical Islam Edited by Nuha Alshaar, 2017

Though there have been many studies on the Qur’an’s import ance in tafsīr (Qur’anic comment ary), there are compar at ively few which look at the recep tion of the Qur’an in other forms of liter at ure. This volume seeks to rectify the gap in the schol ar ship by placing the Qur’an in its broader cultural and liter ary contexts. It explores the rela tion of Arabic (and Persian) clas sical liter ary tradi tions (adab) to the Qur’an from pre-Islamic times until the fifteenth century CE, focus ing on the various ways in which the clas sical liter ati (udabāʾ) engaged with the Qur’anic text, linguist ic ally, concep tu ally, struc-tur ally and aesthet ic ally, to create works that combined the sacred with the profane, thereby blur ring the bound ar ies between formal tafsīr and adab. Through a detailed intro duc tion and a series of case studies, the volume rethinks the concept of adab and the rela tion of scrip ture to human istic tradi tions in clas sical Islam and ques tions the general clas si fic a tion of adab as belles- lettres. It explores the reli gious aesthetic found in differ ent types of adab works – poetry, liter ary criti cism, epistles, oratory tradi tions, antho lo gies, ‘mirrors for princes’, folk lore and mystical/Sufi liter at ure. The key themes of the contri bu tions are the inter tex tu al ity between pre- lslamic poetry and the Qur’an, and the innu mer able approaches to the Qur’an by clas sical authors and poets. Discussed here are the various cita tion tech niques employed in the udabāʾ’s borrow ing of Qur’anic language, concepts and stories. The chapters explore how the use of these tech niques reflect a hermen eut ical involve ment with the Qur’an and how the choice of these tech niques was deter-m ined by the liter ary conven tions of the partic u lar genres and contexts within which the udabāʾ were working, as well as by their authorial inten tion, and theo lo gical and ideo lo gical outlooks. Also high lighted here is the link between the func tions ascribed to Qur’anic quota tions in a specific text and the need to convey a partic u lar message to specific audi ences. Collectively, these contri bu tions by leading schol ars offer a new, inter dis cip lin ary approach to under stand ing the inter ac tion of the liter ary tradi tions of clas sical Islam with the Qur’an. Conversely, the analysis of these liter ary works enhances the under stand ing of the Qur’an’s recep tion during the period studied. Students and special ists in the field of Qur’anic Studies, Literature and Religion will welcome this volume.

An Introduction to ‘Ulum-al-Qur’an: The Field of Qur’anic Studies

Article, 2022

This article introduces the history and development of ʿUlūm al-Qurʾān, provides a mental map of its major disciplines, highlights its key classical contributions, and gives examples of how this field furnishes a deeper connection to the multi-layered nature of the Qur’anic text. First, we define the terms Qur’an and ʿUlūm al-Qurʾān. Second, we introduce some classical masterpieces in the field. Third, we introduce and elaborate on Imam al-Bulqīnī’s taxonomy of 50 Qur’anic sub-disciplines grouped in six categories: 1) circumstances of revelation, 2) transmission, 3) phonetics and elocution, 4) rhetorical devices, 5) interpretive principles, and 6) rhetorical styles.

Loading...

Loading Preview

Sorry, preview is currently unavailable. You can download the paper by clicking the button above.