Amira Ziyan, Hiding in the Light: A Synergy of Contrasts as a Visual Code of “Otherness” (original) (raw)
Culture, Life and Intersectional Identity in Israeli Druze Photography
Lindsey Pullum
Anthropology of the Middle East, 2019
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A Space of Their Own: Arab Women Artists in Israel: Identity of a ‘Double-Minority’
Shahar Distelfeld
2018
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"Camera Illuminante" - Arab Photography Post Arab Revolutions
Alaa Badr
REGAC - Revista de Estudios Globales y Arte Contemporaneo
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Orientalism Repeated: Shifting Time in Jumana Manna's A Sketch of Manners and the Politics of Photography in Palestine
Nisa Ari
Third Text, 2016
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The veil as a tool of expression in the work of Arab women artists, 2000 to 2019
Dr Eiman Alrashaidi
2020
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Creating Kurdistan: Photography as Discursive Documents
Liam Devlin
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Camera Illuminate - Arab Photography Post Arab Revolutions
Alaa Badr
REGAC - Revista de Estudios Globales y Arte Contempor�neo
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Journal of Visual Culture: The JVC Palestine Portfolio
marquard smith, hanan toukan, Stephen Sheehi, Mahmoud M Alshaer, Mazen Kerbaj, Susan Greene, Ariel Caine, Sunaina Maira, Jae Emerling, Lina Hakim
Journal of Visual Culture, 2021
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Seeking Gender Identity in the Contexts of Atayal: An Art Project
Ciwas Tahos
Pacific Arts Journal , 2022
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Review of The Arab Imago: A Social History of Portrait Photography by Stephen Sheehi
Nancy Micklewright
Trans Asia Photography (TAP) Review, 2017
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Symbolic spaces: Marginalized Bedouin women's art as self-expression
Ephrat Huss
Journal of Humanistic Psychology, 2007
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Unsettling Visual Politics: Militarized Borders in the Work of Palestinian Artist Raeda Saadeh
Nayrouz Abu Hatoum
American Quarterly, 2019
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Reading Camera Lucida in Gaza: Ronit Matalon's Photographic Travels
Maya Barzilai
Comparative Literature
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Performing Visual Strategies: Representational Concepts of Female Iranian Identity in Contemporary Photography and Video Art, in: Scheiwiller, Staci Gem (Hg.), Performing the Iranian State. Cultural Representations of Identity and Nation, London 2012, 173–192
Julia Allerstorfer
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The Racialisation of Jews in Israeli Documentary Photography
Noa Hazan
Routledge, 2010
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Women, Art & the Veil
Caitlin Barnebee
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The Image sans Orientalism: Local Histories of Photography in the Middle East
Lucie Ryzova
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Nadje Al-Ali and Deborah Al-Najjar We are Iraqis: Aesthetics and Politics in a Time of War. Syracuse: Syracuse University Press, 2012. 266 pp. isbn 978-0-8156-3301-3.
Sonja Mejcher-Atassi
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Breaking the Pattern and Creating New Paths – Feminist Mizrahi Women Artists in Israel
Tal Dekel
Revista de Historia de Arte, 2015
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“The Veiled Muslim Woman as Subject in Contemporary Art: The Role of Location, Autobiography, and the Documentary Image.” Implicit Religion, 16(4): 387–412.
Valerie Behiery
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Culture and Politics in the Visual Arts of the Occupied Territories
Olga Gonzalez
2009
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Borders and Bridges: Configuring the Feminine in Lalla Essaydi's Photography
Naïma Hachad
Francosphères, Liverpool University Press , 2013
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Decolonising the Photography of Palestine: Searching for a Method in a Plate of Hummus
Stephen Sheehi
Imaging and Imagining Palestine: Photography, Modernity and the Biblical Lens, 1918–1948, 2021
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"Camera Orientalis: Reflections on Photography of the Middle East," Journal for the Society for Contemporary Thought and the Islamicate World 167, August 2017.
Sarah-Neel Smith
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SELF-PORTRAITURE AND THE RISE OF "ARAB" ART: TAREK AL-GHOUSSEIN, HASSAN MUSA AND WALID RAAD
Kathy Zarur
University of Michigan, Department of Art History, Doctoral Dissertation, 2014
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Book review: Lina Khatib, Image Politics in the Middle East: The Role of the Image in Political Struggle. In: Journal of the Anthropology of the Contemporary Middle East and Central Eurasia (ACME)
Sarah Dornhof
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The Limits of Representation. The Transformation of Aesthetics in Syrian Artistic and Social Discourse, in Arablit V, n.9-10, dicembre 2015, a cura di Francesco De Angelis e Paola Viviani
Fatima Sai
Arablit, 2015
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“Weapons of the Resilient: A Postscript to ‘She Who Tells a Story: Women Photographers from Iran and the Arab World’” in Jadaliyya (2014).
Pamela Karimi
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“Alternative Narratives of the Veil in Contemporary Art.” Comparative Studies of South Asia, Africa, and the Middle East (CSSAAME), 32(1): 130-46.
Valerie Behiery
Comparative Studies of South Asia, Africa and The Middle East, 2012
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To Be Black and Beautiful in Israel
Efrat Yerday
Anthropology of the Middle East © Berghahn Books, 2019
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Theses : CALLIGRAFFITI ARABE DANS LA CULTURE VISUELLE CONTEMPORAINE : TENSIONS URBAINES ET CIRCULATION DES IMAGES
Hela Zahar, Ph.D
Hela Zahar, 2018
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Regarding the Images of Others, Journal of Middle East Women's Studies, Summer 2015
Maymanah Farhat
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"Body and Sexuality in Works by Women Artists, Members of Studio of Her Own", Tseno Ureno (Cat.), Ben-Gurion University, 2017 (Curator: Chaim Maor), 2017, pp. 142-149.
Dr. David Sperber
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“Orientalism Now: Arafat’s Kaffiyah – the Constructing and the Deconstructing of an Image,” Gerhard Wolf and Kathrin Müller (eds.), Bild. Ding. Kunst (Berlin and Munich, Deutscher Kunstverlag, 2015), 69-79 (colour plates: pp. 216-219).
Avinoam Shalem
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The ethnographic politics and poetics of photography, skin and race in the works of Yoko Tawada
Jeremy Redlich
2012
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