A King Named Nicki: Strategic Queerness and the Black Femmecee (original) (raw)

Pretty Gang: The Hyperfeminine Hip-Hop of Nicki Minaj

Kalyn Dobbs

View PDFchevron_right

Black Women Queering the Mic: Missy Elliott Disturbing the Boundaries of Racialized Sexuality and Gender

Nikki Lane

Journal of Homosexuality, 2011

View PDFchevron_right

Nicki-aesthetics: the camp performance of Nicki Minaj

Uri McMillan

Women & Performance: a journal of feminist theory, 2014

View PDFchevron_right

Music Videos as Black Feminist Thought – From Nicki Minaj's Anaconda to Beyoncé's Formation (In Feminist Encounters, Fall Issue 2017)

Lectito Journals, Kata Kyrola

View PDFchevron_right

" My Crown Too Heavy Like the Queen Nefertiti " : A Black Feminist Analysis of

Dr. Brianne A Painia

View PDFchevron_right

‘‘The Other White Meat’’: Princess Superstar, Irony, Sexuality, and Whiteness in Hip Hop

Robyn Diner

Canadian Review of American Studies, 2006

View PDFchevron_right

“Frontin’ gangsta, gettin’ down with thyself: Hip hop, sexuality, and feminism in AfroDite Superstar”

Melody Hoffmann

View PDFchevron_right

Beyoncé: Disrupting the Erotic Space within the “Queen-Ho” binary

Choi YH

View PDFchevron_right

“I’m A Stripper, Ho": The Sonics of Cardi B’s Ratchet, Diasporic Feminism

Karen Jaime

Performance Matters

View PDFchevron_right

“I’ma school that bitch”: Gay Rappers Defying Binaries and Expressing Fierceness

Kirsten Zemke

Rethinking Difference in Gender, Sexuality, and Popular Music Theory and Politics of Ambiguity, 2018

View PDFchevron_right

Azealia Banks: ‘Chasing Time’, erotics, and body politics

Stan Hawkins

Popular Music, 2018

View PDFchevron_right

I'm a "Savage": Exploring Megan Thee Stallion's Use of the Politics of Articulation to Subvert the Androcentric Discourses of Women in Hip Hop Culture

Azra Rajah

Educational research for social change, 2022

View PDFchevron_right

Phallic Girls of Pop: Nicki Minaj's sampled anaconda and the semiotics of contradiction

Barbara Bradby

View PDFchevron_right

Using Female Empowerment as a Cover Story for Whiteness and Racial Hierarchy in Pop Culture: Interrogating the Intersections of Racial Appropriation and Feminist Discourse in the Performances of Fergie, Gwen Stefani, and Lady Gaga

Rebecca Clark Mane

2012

View PDFchevron_right

"Where My Girls At?": Negotiating Black Womanhood in Music Videos

Grace Kang

View PDFchevron_right

The Essence of Res (ex) pectability: Black Women's Negotiation of Black Femininity in Rap Music and Music Video

Shanara Reid-Brinkley

Meridians: feminism, race, transnationalism, 2008

View PDFchevron_right

'Not The Tidy Narrative We’d Like: Rihanna, Beyoncé and the recuperative mechanisms of Neoliberalism' - International Conference: Re-visiting the Black Atlantic: Gender, 'Race' and Performance 11th and 12th June 2019, University of Liverpool, UK - Programme

Sascha Buchanan

2019

View PDFchevron_right

Writin’, Breakin’, Beatboxin’: Strategically Performing “Women” in Hip-Hop

Jessica N Pabón-Colón

Signs: Journal of Women in Culture and Society , 2017

View PDFchevron_right

'She Ugly': Black Girls, Women in Hiphop and Activism--Hiphop Feminist Literacies Perspectives

elaine richardson

Community Literacy Journal, 2021

View PDFchevron_right

Before Bodak Yellow and Beyond the Post-Soul: Cardi B Performs AfroLatina Feminisms in the Trance

Omaris Z Zamora

The Black Scholar: Journal of Black Studies and Research, 2022

View PDFchevron_right

The Hyperfeminine Hip-Hop of Nicki Minaj

President Donnie D U A N E Jackson General

Presidentduane , 2022

View PDFchevron_right

A " Man's Woman " ? Contradictory Messages in the Songs of Female Rappers, 1992-2000

Matthew oware

View PDFchevron_right

2005: Pop goes the rapper: a close reading of Eminem's genderphobia Popular Music

Vincent Stephens

2020

View PDFchevron_right

Oppositional consciousness within an oppositional realm: The case of feminism and Womanism in Hip Hop, 1976- 2004

Dionne Stephens

View PDFchevron_right

Beyond Mainstream Feminism: Beyoncé as a Black Feminist

Cecilie Bülow Andersen

View PDFchevron_right

“All Girls Are Barbies”: A Feminist Critique of Nicki Minaj’s Barbie Persona

Nicki Minaj

2012

View PDFchevron_right

A rhetorical analysis of the meaning of the “independent woman” in the lyrics and videos of male and female rappers

Mia N . Moody

ts-si.org

View PDFchevron_right

Gender and Sexuality Representations in Hip Hop

Tia C. M. Tyree

2013

View PDFchevron_right

Sista Girl Rock: Women of Colour and Hip-Hop Deejaying as Raced/Gendered Knowledge and Language

Todd Craig

View PDFchevron_right

Beyoncé's Black (Ab)Normal: Baaad Insurgency and the Queerness of Slaying

Marquis Bey

View PDFchevron_right

‘Naughty Girls and Red-Blooded Woman: Representations of Female Heterosexuality in Music Video’, Feminist Media Studies, vol. 5, no.1, (2005), co-authored with Diane Railton

Paul Watson

View PDFchevron_right

"I Love to Love You Baby": Beyoncé, Disco Aesthetics, and Black Feminist Politics

Samantha Pinto

Theory & Event, 2020

View PDFchevron_right

From Queen Latifah to Lil’ Kim: The Evolution of the Feminist M.C

Jacquelyn Jordan

Maneto Undergraduate Research Journal, 2018

View PDFchevron_right

'She don't need no help': deconsolidating gender, sex and sexuality in New Orleans bounce music

Christina Schoux Casey

Gender and Language, 2018

View PDFchevron_right

Bandz Won't Set Her Free: A Critical Analysis of Censorship in Rap Music

Nance M Musinguzi

2013

View PDFchevron_right