框中美人——清代绘画中的女性形象 (original) (raw)

The“Shèng Nǚ” Solution to Female Main Character in the 《剩者为王》Movie’S: Feminism Analysis

Journal of Language, Literature, and Teaching

The title of this research is the“shèng nǚ” label solution to female main character in the 《剩者为王》movie’s: feminism analysis. In this study the background of the rise of female phenomena aged over 27 years but still does not have the desire to get married so that researchers adjust the formulation of the problem how women look for ways to be free from the shackles of which are labeled shèng nǚ to them, especially in the film “shèng zhě wéi wáng”. The purpose of this research is carried out to describe the way the shèng nǚ women are in order to be in accordance with the norms of the community in their own country. In this assessment, researchers use qualitative descriptive methods and data validity through triangulation by using the film "Shèng Zhě Wéi Wáng" as a source of data .Researchers used the theory of existential feminism from Beauvoir (1956) as a supporter of this research. Lastly, Researchers found out that there are many ways that shèng nǚ can do in order to be in...

中國大陸當代藝術批評 : 理論模式和歷史視角 : 中國藝術批評家的概念方法

2015

Depuis 1979, les critiques d'art en Chine ont accompagné le développement de l’art contemporain, participant à la renaissance de la vie intellectuelle durement éprouvée sous le règne de Mao. Les revues d'art reflètent l’évolution de leur réflexion. Dans ma thèse je présente d’une part ce paysage intellectuel dans lequel s’est construite la critique d’art chinoise, et d’autre part, après avoir analysé comment certains concepts passent d’une langue à l’autre, j’aborde les textes théoriques et leur réception dans le milieu académique. Attirés au départ par la pensée occidentale, un champ référentiel qui s’étend de Platon à Danto, les critiques chinois se sont tournés ensuite vers le corpus classique, voire le Livre des mutations, pour forger des outils “propres à la Chine” afin de ré-écrire une histoire de l’art contemporain chinois délivrée du carcan post-colonial, mais au risque de se prendre au piège d’un nationalisme insidieux encouragé par le Parti. Les larges extraits que...

西方学界中国近代慈善史研究述评 爱德华 麦科德 “Xifang xuejie Zhongguo jindai cishan shi yanjiu shuping” [A critical review of Western studies on the modern history of Chinese philanthropy].

Anhui shixue [Anhui historical studies], 2020

This paper suggests that attention to Chinese philanthropy is not, however, as limited as often suggested because this topic has often been “embedded,” or hidden, in other subject areas that resulted in their exclusion from bibliographies under the keywords philanthropy or charity. The main example of this “embedding” can be seen in studies of missionary history, which often included significant exposition of the philanthropic work of missionaries in China despite not being categorized under the “philanthropy” subject heading. A complete understanding of Western studies of Chinese philanthropy cannot ignore the contributions of these studies. This paper also argues that the dominance of missionaries in Western perceptions of philanthropy in China for a long time hindered, or even distorted, the growth of the history of Chinese philanthropy as a specialized area of research. It was only with the development of other trends in Western studies of Chinese history, beginning with an emphasis on “China-centered history,” that eventually helped to correct the distortions in Western perceptions about Chinese philanthropy. These development ultimately contributed growing attention to this subject that finally promises to bring more strength and better balance to the study of Chinese philanthropy in the West.