Crossbreed, Change, Betray (original) (raw)

Remodelling Homologies: Adaptation Between Betrayal and Incommensurability

The November 1997 issue of Index magazine featured a rather unusual piece by avantgardist John Jesurun, which apparently had surprised even the editors – and this despite having commissioned the contribution themselves. Building on the already troubled conversion from James M. Cain's 1941 novel Mildred Pierce to the 1945 film produced by Jerry Wald via multiple screenwriters and many more rewrites, this essay approaches the theme of betrayal so conspicuous in both works less from the narrative angle than from a processual angle inspired by the principle of incommensurability. To this end, it juxtaposes the 'classical' adaptation from the Hollywood studio era with Jesurun's experimental reimagining of the betrayal theme as a homology-based remodelling.

Playing False : representations of Betrayal

2017

Tagungsbericht: Playing False : representations of Betrayal 16. bis 17. September 2011, Lincoln College, Oxford University From antiquity through the present, from the political sphere to the most personal relationships, betrayal is a ubiquitous and multifaceted phenomenon. Because of its many forms, however, betrayal demands an intensive examination within an interdisciplinary forum that transcends the narrower, political or literary spheres of betrayal, and that strives to address the multiplicity of its representations, rather than reducing it to a single definition. It is precisely such a forum that the conference, "Playing False: Representations of Betrayal" created, which Dr. Betiel Wasihun and Kristina Mendicino organized

XENOPHILIA

Contemporary posthumanisms can be understood as operations of subtraction. Each suspends or ‘unbinds’ some epistemological and ethical privilege attaching to the human: whether as a vital embodied subject or the free rational subject of post-Kantian thought. However, each posthumanism combines a subtractive or abstractive epistemology with an erotics of alienation, a xenophilic urge to splice a future that does not simply reproduce the present but is - in some still unimaginable way - disconnected from it. I start from the assumption that the subtractive orientation alone cannot explain the orientation of the posthuman to the future. To understand the posthuman we must understand the erotic or ‘desiring’ aspect that enjoins this production of the new (Roden 2018). This text was presented remotely at on May 3, 2019 at the conference A Sad & Lonely Constellation: Navigating the Antinomies of Technological Hope at the Caffè Letterario in Milan. ASALC proposed "to navigate through the thick swarm of hopes surrounding the body of Artificial Intelligence as it accelerates towards us." The panel can be seen be seen here https://youtube.com/watch?v=SD42RWdR8qc

Imagining Futuretypes| The Aliens Are Us: The Limitations That The Nature of Fiction Imposes on Science Fiction About Aliens

International Journal of Communication, 2016

This becomes problematic, however, when the characters in a story are aliens. Because all such stories are written for human readers, we, the readers, must judge the aliens’ behavior in terms of our human value system—one that is not the aliens’ own. Even if a writer did somehow contrive to frame a story within what purports to be an alien value system, or to write a story in which only aliens and no humans were involved, it would still be for a human audience, which cannot but compare the aliens’ actions with those a human might take.

Subtractive catastrophic xenophilia

Identities: Journal for Politics, Gender and Culture, 2019

Subtraction is a critical method whereby a cognitively inaccessible reality is thought in terms of its inaccessibility or “subtraction” from discourse. In this essay I begin by considering the role of subtraction in Alain Badiou’s work, where the method receives its most explicit contemporary articulation. I then generalize subtraction beyond Badiou’s ontology to explore a productive aporia in posthumanist theory. The implicit subtraction of posthumanist epistemology and ontology, I claim, confronts theorists of the posthuman with an inescapable tension between their philosophical language and its deployment within the historical situation I call the “posthumanist predicament.” This reveals an equivalence between ontological subtraction and an empty compulsion to become what one cannot yet think, or “xenophilia.” That is, between a philosophy of limits that forecloses the thought of the posthuman (qua defined structure or subject) through subtraction and an implicit desire to construct or “become” this subtracted, unpresented posthuman.

Despising The Old Rugged Cross

In one classic science fiction plot, antagonists attempt to gain control of the future by attempting to alter the past. Though it might not be as exciting as a Dalorian speeding at 88 miles per hour, maniacal forces in our own reality are attempting to accomplish nearly the same thing by drastically reconceptualizing our understanding of history.

Cosmic Slop: Possibilities of Alien Futures (From the Past)

Electronic Workshops in Computing (eWiC), 2018

The elite imaginaries of our world hold a monopoly over the future, drawing power from the particular 'utopias' they promote as a kind of currency to induce a psychosomatic investment in a specific future of society. This displaces the material and temporal content of actually lived exploitation today. In considering the ways in which power now operates predictively as much as retrospectively, we explore the conditions for shaping an asymmetrical politics of transformation beyond the hyperbolic tropes of our current future. To this end, we argue that alien-theory can help to conjure new tomorrows through a focus on the creative power of non-being, disconnection, exploitation and alienation. In collecting together critical threads running through 'science fiction capital', cyborg theory, Afrofuturism and Xenofeminism, we synthesize a series of 'alien-on-earth' approaches to this futures-crisis in the context of a neoliberal present where our relationship with the experience of alienation has been fundamentally changed, altered and reformed. In speaking to the ways in which we can begin to decolonise this future-monopoly, we explore the concept of chronopolitics as a collective effort for unearthing different histories, mapping alternative spatio-temporalities and reshaping our present conditions in the now of time.

Anatomy of the Fall Chapter 1. Alien Evil

As CEO of Earth for alien Ubermensch, the Devil uses a darkly ironic sense of humor to rule, in addition to the Creation science of God. We are genetically and phenotypically programmed for sin and the Fall, such as Dark Triad or Tetrad personality disorders, and only aliens have an immortal afterlife. Ubermensch have no morality, treating humans as farm animals. There is no Son of God, and no one dies for your sins. Germany and Austria are the lost Israelite tribe of Gad, and we are all from the House of Enkidu, genetically engineered humans as in the Epic of Gilgamesh. All haplotypes were created by the Devil's adjutants, there is no evolutionary ranking of populations, and all haplotypes have been given the same occult religious beliefs. God is missing, and aliens are running cosmic imperialism, led by an individual called Satan, Iblis, Lucifer, Beelebub, Set, and many other names. All religions expect a savior or Messiah at End Times, but this is more ironic humor. End Times is a burnt offering to the gods, a