original ) (raw )Putting Images in their Place: The Visual Programme of a Medieval Buddhist Monastery According to the Citrakarma of Kuladatta’s Kriyāsaṃgrahapañjikā
Louis Copplestone
Journal of the Varendra Research Museum, vol. 11, 2024
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Rediscovering Monasticism through Art
Łukasz Sawicki
Religion 9 2019, Volume 10, Issue 7, 423, 2019
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Between men and gods, small motifs in the Buddhist art of Eastern India, an interpretation, in:Function and Meaning in Buddhist Art, Proceedings of a seminar held at Leiden University, 21-24 October 1991, ed. K.R. VAN KOOIJ and H. VAN DER VEERE, Groningen: Egbert Forsten, 1995, pp. 59-79.
Claudine Bautze-Picron
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Images, Relics, and Jewels: The Assimilation of Images in the Buddhist Relic Cult of Gandhara--or Vice Versa." Artibus Asiae 65, no. 2 (2005).
Juhyung Rhi
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Picturing Monks and Connoisseurs and Monasteries as Sites of Aesthetic Engagement
Marsha Haufler
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Monasteries, Mountains, and Maṇḍalas: Buddhist Architecture and Imagination in Medieval Eastern India - Doctoral Dissertation (2024)
Louis Copplestone
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Title: Subaltern Utterances and Imageries in Two Caryās of Śavaripā and Kāhṇapā Appropriation of Folk-Tribal Aesthetics by the Tantric Buddhist Mahāsiddhas
Pronoy Chakraborty
Research Journal of Folklore, 2020
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"Intrusive Art" at Ajaṇṭā in the Late Middle Period: The Case of Bhadrāsana Buddhas
Nicolas Revire
Religions 13(9): 771, 2022
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Buddhist Art Through a Modern Lens: A Case of a Mistaken Scholarly Trajectory
Susan Huntington
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Representations of Indasalaguha, rock-cut monasteries and the shifting attitudes towards Buddhist asceticism.pdf
pia brancaccio
in South Asian Religions and Visual Forms in their Archaeological Context, edited by V. Lefevre. Tunhout: Brepols, 2016
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Nalanda, Srivijaya and Beyond: Re-exploring Buddhist Art in Asia
Gauri Krishnan
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Buddhist Monastic Centers of Eastern India and Southeast Asia: Revisiting their Cross-Cultural Linkages
Dr Abira Bhattacharya
2018
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In Situ: Buddhist Art and Ritual at the Imperial Court
Melissa McCormick
2012
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‘Art, Religion and Narrative: A Comparison of Early Christian and Early Buddhist Indian Art’ Codex Aquilarensis 37 (2021) 537-53
Jas Elsner
Codex Aquilarensis , 2021
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The Buddhist Icon and the Modern Gaze
Bernard Faure
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In the Absence of the Buddha: "Aniconism" and the Contentions of Buddhist Art History
ashley thompson
A Companion to Asian Art and Architecture, 2011
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Attracting the Heart: Social Relations and the Aesthetics of Emothin in Sri Lankan Monastic Culture (Topics in Contemporary Buddhism)[1 New edition]
Chipamong Chowdhury
2010
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Living with the Dead as a Way of Life: A Materialist Historiographical Approach to Cemetery Asceticism in Indian Buddhist Monasticisms
Nicholas Witkowski
Journal of the American Academy of Religion, 2019
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Reclining Images at Crossroads: Buddhist, Roman Christian and Vaiṣṇava
R.K.K. Rajarajan
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Review on the book: Dmitry Ivanov. Buddiiskie kollektsii Kunstkamery [Buddhist Collections of the Kunstkamera]. Saint Petersburg: Museum of Anthropology and Ethnography, RAS, 2021.
Alexander Zorin
Alexander Zorin “Review of the book: Dmitry Ivanov. Buddiiskie kollektsii Kunstkamery [Buddhist Collections of the Kunstkamera]. Saint Petersburg: Museum of Anthropology and Ethnography, RAS, 2021”, Revue d’Etudes Tibétaines, no. 71, June 2024, pp. 218-229., 2024
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Icons and Iconoclasm in Japanese Buddhism: Kūkai and Dōgen on the Art of Enlightenment By Pamela D. Winfield. New York: Oxford University Press, 2013. Pp. xix + 207. Hardcover, 115.00;paper,115.00; paper, 115.00 ; p a p er ,
Mark MacWilliams
Religious Studies Review, 2016
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Book Review of Vidya Dehejia's The Body Adorned: Dissolving Boundaries between Sacred and Profane in India's Art
Lisa N Owen
Journal of the American Oriental Society, 2010
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The Formation of Early Buddhist Visual Culture
Klemens Karlsson
2006
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"The ‘Effeminate’ Buddha, the Yogic Male Body, and the Ecologies of Art History in Colonial India,” Art History 38, no. 5 (November 2015): 916–939.
Sugata Ray
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The Art of Buddhism in the world
Bhikṣuṇī T NL
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The Buddhist Visnu: Religious Transformation, Politics, and Culture. By John Clifford Holt. New York: Columbia University Press, 2005. 448 pp. ISBN 0-231-13322-7 (cloth); 0-231-13323-5 (paper)
John Holt
The International Journal of Asian Studies, 2006
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(2016) "Introduction,” co-authored with Wei-cheng Lin. Ars Orientalis 46: 7-12. In themed issue "Performative Agency of Buddhist Art and Architecture in Asia," co-edited by Michelle C. Wang and Wei-cheng Lin
Michelle C. Wang 王慧蘭
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“Interpreting ‘Brahmanization’ in the Indian Buddhist Monastery with J. Z. Smith”
Nicholas Witkowski
Thinking with J. Z. Smith: Mapping Methods in the Study of Religion, 2023
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Does Iconography Really Matter? Iconographical specification of Buddha images in pre-esoteric Buddhist art_2023
Juhyung Rhi
Gandharan Art in Its Buddhist Context, 2023
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Mara-Vijaya of the Buddha: A Case Study of Buddhist Art from Peninsular India
Sabita Kumari
Towards Excellence
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“’Opting Out’ in Theravada Buddhism and Medieval Catholicism: A Comparative Look at Monasticism as Alternative Structure.”
Ilana F Silber
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The Portrait of Buddha An Anthropological Approach Towards the Tibetan Religious Painting-The Thangka
Shijun Zhang
Déjà lu, 2023
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Gandharan Art in Its Buddhist Context: Papers from the Fifth International Workshop of the Gandhāra Connections Project, University of Oxford, 21st-23rd March, 2022
CARC Classical Art Research Centre
2023
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Foreword: Tantric Buddhist Praxis and the politics of inclusion
Pronoy Chakraborty
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"Translating the Tibetan Buddhist “Thangka” (An Adapted MA thesis)." Tibet Journal, Spring/Summer 2016, XLI, No. 1 (July 2016).
Laura A . Weinstein
2016
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