Life in a Zulu village: Craft and the art of modernity in South Africa (original) (raw)
The isimodeni style: traditional beadwork, Zulu trinket or South African sartorial tradition on Durban’s Golden Mile?
Rowan Gatfield
Anthropology Southern Africa, 2019
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Jubilee Dandies: Collecting Beadwork in Tsolo, Eastern Cape : 1897-1932
Anitra Nettleton
African Arts 46:1:36-49, 2013
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Hospitality, Nourishment, Conveyance: Works of Art from the People of Southern Africa
Jonathan Shirland
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South African studio ceramics, c.1950s : the Kalahari Studio, Drostdy Ware and Crescent Potteries
Wendy A Gers (PhD)
MA Thesis, 2000
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“Rural” and “Urban” Locales as Complements: Reflections on the Contexts of Ceramic Art Practice in West Africa
Ozioma Onuzulike
Critical interventions, 2018
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The Modernist trading store in KwaZulu-Natal as evocative material culture
Deborah / Debbie Whelan
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Arts and Africana: hierarchies of material culture
Anitra Nettleton
2010
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Where Is "Africa"? Re-Viewing Art and Artifact in the Age of Globalization:The Sainsbury African Galleries.;African Worlds.;African Voices
Ruth Phillips
American Anthropologist, 2002
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Local craft knowledge and heritage-making in the aftermath of a capacity-building project in southern Africa: Who are the locals?
Per Ditlef Fredriksen
Communities and Cultural Heritage: Global Issues, Local Values, 2021
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Colonial specimen/neocolonial chic: commodification of archival portraits in South African textile design
Annemi Conradie
Critical Addresses: The Archive-in-Practice, 2017
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Untribing Marateng: reconsidering the context and meaning of pottery from central north-eastern South Africa
Alex Schoeman
Southern African Humanities, 2023
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The Making of Dolls and Figurative Clay Sculpture among Black Indigenous People of South Africa
Penelope Mpako
1999
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Found Object, Recycled Art, Readymade or Junk Art? Ambiguity in Modern African Art
Clem Akpang
Arts and Design Studies, 2013
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The African Aesthetic As It Informs The Product Form
Shorn Molokwane
dis.uia.mx
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In pursuit of virtuosity: gendering ‘master’ pieces of nineteenth-century South African indigenous art.
Anitra Nettleton
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The Historical Life of Objects African Art History and the Problem of Discursive Obsolescence
Sylvester Okwunodu Ogbechie
African Arts, 2005
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African Art and the Colonial Encounter: Inventing a Global Commodity. African Expressive Cultures by Sidney Littlefield Kasfir
Lance Larkin
The International Journal of African Historical Studies, 2010
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Appropriating colonial dress in the rock art of the Makgabeng plateau, South Africa
Catherine Namono
2020
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South African Art Now , by Sue Williamson . New York: Collins Design, 2009. 320 pages, 278 color illustrations, 39 b/w illustrations, biographies, chronology, index. $65.00 cloth
Marion I Arnold
African Arts, 2011
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Introducing the pasts and presence of art in South Africa
Chris Wingfield
The pasts and presence of art in South Africa, 2020
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Trace and Facture: Legacies of the “Ready-made” in Contemporary South African Art
Alison Kearney
2019
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Reflecting on Collecting: My Romance with African Textiles
Joanne B. Eicher
2014
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Post-Africanism and contemporary art in South African townships
Bernadette Van Haute
2011
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Women, Bead work and Bodies: The Making and Marking of Migrant Liminality in South Africa, 1850–1950
Anitra Nettleton
African Studies, 2014
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The collection and allotment of African art and handicrafts
Rui Mateus Pereira
The Africas of Pancho Guedes (exhibition catalogue)., 2011
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‘Just a souvenir?’ Entangled identities within an early 20th century American Indian basket collection
Laura Ahlqvist
Journal of Material Culture, 2023
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To cite this article: Paula Girshick (2018) Centers and Peripheries: The Emergence of a Market for African Art in South Africa
Paula Girshick (formerly Ben-Amos)
Centers and Peripheries, 2018
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Spectres of Afrikanerdom in contemporary commodity culture: history, memory, and imagining the self
Theo Sonnekus
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People in Receptacles: The Case of the Indigenous Basket of the Bamenda Grassfields of Cameroon
excel tikere moffor
International Journal of Education and Social Science Research
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At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics
Prita Meier
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Samuele Makoanyane: Reconsidering Ceramics Technology and Connoisseurship in Early Modern Southern African Ceramics
Wendy A Gers (PhD)
de arte, 2020
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2007. Smith, W.B. and Zubieta L.F.. “The power of ancient art”. In: Delius, P. (ed.) Mpumalanga: History and Heritage: 69–90. Mpumalanga, South Africa: University of Kwazulu-Natal Press.
Leslie F. Zubieta
Mpumalanga History and Heritage, 2007
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Kahan Leonard, Donna Page and Imperato Pascal, eds. Surfaces: Color, Substances, and Ritual Applications on African Sculpture. Bloomington: Indiana University Press, 2009. 536 pp. 122 Color Photographs. Bibliography. Index. $75.00. Cloth
Mary Jo Arnoldi
African Studies Review, 2010
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Traditional African Art Technologies and Contemporary Art Practice
Samuel Nortey
2020
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Considering the consequences of light and shadow in some nineteenth-, twentieth- and twenty-first-century South African images
Nessa Leibhammer
2020
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