Botto, António. The Songs of António Botto, translated by Fernando Pessoa and edited with an introduction by Josiah Blackmore. U of Minnesota P, 2010 (original) (raw)

The Cantigas of Pero Meogo. Edited with Introduction and Commentary

Rip Cohen

Vîrtual Center for the Study of Galician-Portuguese Lyric, 2014

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"António Botto's Impossible Queerness of Being"

Anna M. Klobucka

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Selected Poems of Albino Pierro, 2002. A Bilingual Edition (Basilicata dialect and English translation)

Luigi Bonaffini

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Cantalesia, by Achille Serrao. Poems in the Neapolitan Dialect. A Trilingual Edition

Luigi Bonaffini, Achille Serrao

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Bridging Archives: twenty five unpublished English poems by Fernando Pessoa

Pessoa Plural―A Journal of Fernando Pessoa Studies

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2015

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The First Foreign Edition of the Poems of Agostinho Neto

Francisco Topa

Signum: Estudos da Linguagem, 2020

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The Lyrical Art of Ana Cristina Cesar / Antonio Donizeti da Cruz and Dhandara Capitani

Antonio Donizeti da Cruz

Journal of Digital Art & Humanities, 2020

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Sonnet 101 with Prof. Pessoa: Fernando Pessoa's Marginalia on an Anthology of 19 th -Century English Sonnets

Pessoa Plural―A Journal of Fernando Pessoa Studies

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2017

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The Writer’s Soundtrack in Cien botellas en una pared

Sarah Piazza

2016

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Songs About Singing: A Metapoetics of the Cantigas d'Amigo

Rip Cohen

JScholarship, 2012

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From Folksong to Lyric Theater: The Evolution of the Cantigas d'amigo

Rip Cohen

Por s’ Entender Bem a Letra. Homenagem a Stephen Reckert. Org. Manuel Calderon, José Camões, and José Pedro Sousa. Lisbon: Imprensa Nacional-Casa da Moeda, , 2011

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Cangoma Calling: Spirits and Rhythms of Freedom in Brazilian Jongo Slavery Songs

Stephen Bocskay

Ellipsis, 2015

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CÉSAR VALLEJO: SOME NEW TEXTS (PART I - POETRY)

Carlos Fernández López

UCL Centre of César Vallejo Studies Newsletter, 2007

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The Reception of Fernando de Rojas's Celestina in Italy: A Polyphonic Discourse

Enrica Maria Ferrara

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Francisco López de Zárate's 'Canción real' in Vicencio Carducho's Diálogos de la Pintura (1633): An Annotated Edition of the Poem with an Introduction and English Translation

Tyler Fisher

Hispanic Research Journal, 2007

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(2002) Severin, Dorothy. Two Spanish Songbooks: The Cancionero Capitular de la Colombina (SV2) and the Cancionero de Egerton (LB3). Liverpool, UK: Liverpool University Press/Institución Colombina, 2000. [Hispania 85 (2002): 260-61.]

Frank A Dominguez

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The Influence of Giovanni Bottesini (1821-1889) on Pedro Valls (1869-1935): An Analysis of Homenaje à Bottesini (1906) by Pedro Valls

George Amorim

2009

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Twenty-two New Translations: English renditions of Pessoa's heteronymous Portuguese poems

Pessoa Plural―A Journal of Fernando Pessoa Studies

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2015

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Elicio, Erastro y Galatea en clave poética

Sara Santa-Aguilar

Criticón, 2018

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Obras completas de Rodrigo de Ceballos (review)

Jane M Hardie

Notes, 2001

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A Transcriacao Musical de El Poncho: o nativismo uruguaio de Fabini e Silva Valdés, na Guitarra de Rapat e Carlevaro

Ricardo Barceló

Geografias Culturais da Música, do Som e do Silencio, 2020

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Modus Operandi of Pavlo Carrer: The Case of Marco Botzaris

Stamatia Gerothanasi

SERIES MUSICOLOGICA BALCANICA, issue No. 1. (IMS Regional Association for the Study of Music of the Balkans), 2020

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The Lyrical Art of Ana Cristina Cesar (Antonio Donizeti da Cruz e Dhandara Capitani)

Antonio Donizeti da Cruz

Journal of Digital Art & Humanities, Vol.1, Iss.1, pp. 25-32., 2020

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The Antologia per chitarra (1961) by Ricordi, edited by Miguel Abloniz [2011-12]

Marco Bazzotti

DotGuitar.it, 2011

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Silencio Sonoro" de Sor Juana: respuestas musicales a su poesía

Emilie L. Bergmann

Cuadernos de Música, Artes Visuales y Artes Escénicas, 2008

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Playing God: Alberto Caeiro’s “Num meio-dia de fim de primavera” and Pier Paolo Pasolini’s

Aria Z Cabot

Carte Italiane, 2015

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Hispanic Baroque Ekphrasis: Góngora, Camargo, Sor Juana by Luis Castellví Laukamp (Review)

Antonio J. Arraiza Rivera

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Book Review: "Cangoma Calling: Spirits and Rhythms of Freedom in Brazilian Jongo Slavery Songs," edited by Pedro Meira Monteiro, Michael Stone.

Michael Iyanaga

Latin American Music Review, 2015

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Lyric Ruptures: Góngora’s Soledad primera, Lines 222–232

Emilie L. Bergmann

Confluencia, 2015

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On Pessoa's The Student of Salamanca

Pessoa Plural―A Journal of Fernando Pessoa Studies

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2016

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Adapting old cuentos que todos conocen: Don Juan Tenorio in the borderland

Ana Antón-Pacheco

Estudios Ingleses de la Universidad …, 2008

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The Expressive Zone: Frames, topics,attractors and expressive processes in 17th Century Hispanic Art Song

Ruben López-Cano

En Eero Tarasti (ed.), Global Signs. Proceedings of the 2003-2006 Summer Congresses of the International Semiotics Institute. Acta Semiotica Fennica XXIX. Helsinki. , 2008

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The Incomplete English Poems of Fernando Pessoa

Pessoa Plural―A Journal of Fernando Pessoa Studies

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2016

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Assonance and the Roots of the Cantigas d' Amigo (2013)

Rip Cohen

Virtual Center for the Study of Galician-Portuguese Lyric , 2013

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Señora, donde hay música no puede haber cosa mala": Music, Poetry, and Orality in Don Quijote

Chad M Gasta

Hispania-a Journal Devoted To The Teaching of Spanish and Portuguese, 2010

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