The Record Players: DJ Revolutionaries (Bill Brewster and Frank Broughton) (original) (raw)
How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop, the Machine Speaks (Dave Tompkins)
Dr. tobias c. van Veen
Dancecult, 2012
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Caleb Kelly, Cracked Media: The Sound of Malfunction (Cambridge, Mass, MIT Press, 2009)
Caleb Kelly
2009
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Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording
Rob Haskins
ARSC Journal, 2014
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Sound Recording Technology and American Literature, from the Phonograph to the Remix
Jessica E Teague
Cambridge University Press, 2021
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The Poetics of Rock: Cutting Tracks, Making Records (review
Susan Schmidt Horning
Technology and Culture, 2004
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Sound Scripts journal vol 1
Jonathan W. Marshall
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Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording. By David Grubbs. London: Duke University Press, 2014. 220 pp. ISBN 978-0-822-35576-2
Chris Adams
Popular Music, 2015
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(2016) Eds. Klein, E. and Bennett, S. Perspectives on Popular Music and Sound Recording. iaspm@journal [online] Vol. 6, #2 ISSN: 2079-3871
Eve Klein, Samantha Bennett
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East Meets Left: Fourth Annual San Francisco Electronic Music Festival Evening of fixed-media compositions presented by The New San Francisco Tape Music Center, Som Arts, San Francisco, California, USA, 27 July 2003
David Bithell
Computer Music Journal, 2004
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Voices across the ocean
Nicola Scaldaferri
Sonic ethnography, 2020
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Kassabian, Anahid. Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York: Routledge, 2001 Roberston, Pamela Wojcik, and Arthur Knight, eds. Soundtrack Available: Essays on Film and Popular Music. Durham: Duke University Press, 2001
barry salmon
Journal of Popular Music Studies, 2006
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Sound Scripts journal: vol 2, 2009
Jonathan W. Marshall
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Vox-Exo: Horrors of a Voice
Tristam V Adams
2019
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Glossary for a Techno-Sonic Control Society
Marc Couroux
courtesy of theocculture.net, 2013
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Vinyl Freak: Love Letters to a Dying Medium
Jonathan Schroeder
Popular Music and Society, 2017
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A sonic fiction of boring dystopia
Macon Holt
2017
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‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007)
Marcin Stawiarski
Sound Effects: The Object Voice in Fiction, 2015
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Cutting-up Beach Boys: the Body, the Tape Recorder and the Nova/SMiLE Splice
Jonas Ingvarsson
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Forgotten Histories of the Audiobook: Tape, Text, Speech, and Sound from Miguel Barnet and Esteban Montejo's Biografía de un cimarrón to Andy Warhol's a, A Novel
Tom McEnaney
Journal of Musicology, 2019
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Deleted Expletives: Vibration and the Modernist Vocal Imaginary (2013)
Simon Bayly
Vibratory Modernism, 2013
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Reading Pop Production: Sonic Markers and Musical Identity
Eirik Askerøi
2013
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Techno Terra-ism: Feral Systems and Sound Futures. In Graham St John (ed.) FreeNRG: Notes From the Edge of the Dance Floor (Commonground, 2001).
Graham St John
In Graham St John (ed.) FreeNRG: Notes From the Edge of the Dance Floor, pp. 109-137, 2001
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[Joanna Demers] Listening through the Noise The A(b-ok.org)
Masha Kolenkina
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Sound Matters: Mediation, Mimesis, and Embodiment in Soundscape Music
Andrew Czink
Canadian Acoustics, 2010
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Displaying the Beauty: the Beachcomber-Bowerbird approach to composition
Lisa Whistlecroft
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‘Voice-trace’ in James Chapman’s How is this Going to Continue?
Marcin Stawiarski
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Review of Drew, Rob, Unspooled: How the Cassette Made Music Shareable.
Navid Bargrizan
H-Sci- Med-Tech, H-Net Reviews., 2024
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Against the Tyranny of Musical Form: Glitch Music, Affect, and the Sound of Digital Malfunction
Scott Haden Church
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Soundcloud Rap and Alien Creativity
Matthew T Phillips
Journal of Popular Music Studies, 2021
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‘Recording: From Reproduction to Representation to Remediation?’ (2009)
Georgina Born
Pp. 286-304 in Nicholas Cook et al (eds.), The Cambridge Companion to Recorded Music. Cambridge: CUP, 2009
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EDM Theory and Fiction: The Conceptual Dimension of Musical Waves. A Conversation with Steve Goodman/Kode9
Guglielmo Bottin
Sound Stage Screen, 2023
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Four for Trane: Jazz and the Disembodied Voice
Tony Whyton
Jazz Perspectives, 2007
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The Art of Unstable Radio (from Islands of Resistance: Pirate Radio in Canada; 2010)
Anna Friz
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Voices, Violence and Meaning: Transformations of Speech Samples in Works by David Byrne, Brian Eno and Steve Reich
Maarten Beirens
Contemporary Music Review, 2014
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REVIEW | Vinyl Freak: Love Letters to a Dying Medium
Nabeel Zuberi
IASPM@Journal
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