Henry James’s “The Aspern Papers” and the iconography of Venice in American painting in the late 19th century (original) (raw)

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Henry James’s “The Aspern Papers” and the iconography of Venice in American painting in the late 19th century

Gabriella BolognaGabriella Bologna

Abstract

“Seventh International Symposium on Iconicity in Language and Literature”. June 9-14, 2009. University of Toronto (Victoria College), Toronto, Canada

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