The Space of Literature (original) (raw)
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Maurice Blanchot and Jean-Paul Sartre: On Literature and Imagination
Arcadia, 2020
Kafka Shared Between Jean-Paul Sartre and Maurice Blanchot (On Literature and Imagination). Ever since their translation in the course of the 20 th century, the works of Kafka have been widely appreciated by French intellectuals. Kafka's greatest admirers include Maurice Blanchot and Jean-Paul Sartre, both of whom consider his work an exemplary illustration of their own poetical-philosophical views. This is remarkable, because Blanchot's and Sartre's respective views are generally conceived of as opposites. Apparently, then, these two authors who are so divergent in their philosophical views and literary criticism, as well as in their own literary works, find themselves on the same page in their appreciation of Kafka. I will argue that this shared appreciation not only reveals some unexpected points of agreement between them, but also facilitates an interesting intellectual encounter between Blanchot and Sartre in the late 1940 s. It is, we will see, only on the basis of an agreement with regards to Kafka's work that their ways can part. Open access via: https://doi.org/10.1515/arcadia-2020-2010
French Studies: Literature, 1900–1945
The Year's Work in Modern Language Studies, 2020
, 122 pp < https://hal.archives-ouvertes.fr/hal-01794385/document > is a collection of cultural and literary studies by a range of junior academics, mostly doctoral students of the Centre d'Histoire Culturelle des Sociétés Contemporaines, that enriches our understanding of the history of the body seen through a variety of contexts and methodological lenses. While Marie Kawthar Daouda, 'La Ver de terre amoureux du cadavre : sublimation du corps putride dans l'héritage romantique du finde-siècle' (81-92) draws insightfully on construals of the dead body in fin-de siècle literature, the essay by Marion Simonin 'Corps sensible, corps imaginaire. La poésie de Jules Supervielle et Henri Michaux' (62-70) explores from an illuminating philosophical perspective how evolving concepts of the body had an impact on Supervielle's and Michaux's poetic depiction of corporeal reality. Portraits dans la littérature: De Gustave Flaubert à Marcel Proust, ed. Julie Anselmini and Fabienne Bercegol, Garnier, 472 pp. is a collection of studies that came out of an international conference on the same topic held at Cerisy in August 2016. The essays provide a broad panorama of the relations of portraiture to French literature in late-nineteenth and early twentieth century, thereby bringing under scrutiny a literary reference point that is seldom mentioned by critics or historians of literature. Of particular interest is Stéphane Chaudier, 'Proust et l'art du portrait' (53-79) which evokes P.'s uses of the literary portrait no longer with respect to its artistic equivalent but now in its own right. Paradoxically, as he argues, P.'s portraits are not what they seem from the perspective of representativity, their very ambiguity being only one of the author's many subtle devices.
Some Overseas Angles on the History of French Literature
Contemporary European History, 1999
Martyn Cornick, The Nouvelle Revue Française under Jean Paulhan 1925–1940 (Amsterdam and Atlanta: Rodopi, 1995), 224 pp., Fl. 65, $40.50, ISBN 9-051-83767-6.Nicholas Hewitt, Literature and the Right in Postwar France: The Story of the ‘Hussards’ (Oxford and Washington, DC: Berg Publishers, 1996), 218 pp. (hb.), £34.95, ISBN 1-859-73029-9.Denis Hollier, Absent Without Leave: French Literature under the Threat of War, trans. Catherine Porter (Cambridge, MA and London: Harvard University Press, 1997), 256 pp. (pb.), £18.50, ISBN 0-674-21271-1.Jeffrey Mehlman, Geneologies of the Text: Literature, Psychoanalysis, and Politics in Modern France (Cambridge and New York: Cambridge University Press, 1995), 262 pp., hardcover, ISBN 0-521-47213-X.Jennifer E. Milligan, The Forgotten Generation: French Women Writers of the Inter-War Period (New York and Oxford: Berg Publishers, 1996), 236 pp. (pb.), £14.99, ISBN 1-859-73118-X.
Reading Contemporary French Literature
Zea Books
This book focuses upon a dozen French writers who have helped to set the terms for contemporary French literature and its horizon of possibility. Though they have pursued significantly different paths, each one of them is committed to the principle of literary innovation, to making French literature new. They work in full cognizance of literary history and of the tradition that they inherit, even as they reshape that tradition in each of their books. They invite their readers to take a critical stance with regard to those books, and to participate actively in the construction of literary meaning. Both bold and mobile in their own practice, they encourage us to be just as agile in our own readerly practice, offering us a rare degree of franchise in a literary dynamic founded on the notion of articulation. Writers discussed include Raymond Queneau, Edmond Jabès, Georges Perec, Marcel Bénabou, Jacques Jouet, Marie NDiaye, Marie Cosnay, Bernard Noël, Jean Rolin, Jacques Serena, Julia De...
Journal of World Literature. Special Issue: Rethinking World Literature Studies in Latin American and Spanish Contexts (2017), 2017
This paper reconceptualizes the ways in which marginal modernists have used and appropriated French culture, against the reductionist and pejorative accusation of Francophilia on the part of the critical tradition. It analyzes the tension between their desire for Paris and the French signifier. With special attention to the writings of Rubén Darío and Jules Supervielle, it underscores their attempts to displace and dislocate the worlds of modernism structured around Paris, and how this opens new interpretative horizons to conceptualize world literature, not as a field or a corpus, but as a critical and aesthetic discourse set on dislocating the world. Keywords French signifier – dislocation – negative cosmopolitanism – distance – dis-worlding
UCO FRCH 4123 Survey of French Literature
This course surveys French literature from the Middle Ages to the Revolution of the late 18th century. Students are expected to gain a detailed understanding of the principal writers and schools of thought of the time periods covered. Of primary focus are the socio-historical context within which these major texts were written and their particular contribution to the broader picture of French literature and history. This course will help students comprehend the role these texts played in building modern French culture. Group discussions and writing assignments will allow students to develop their analytical skills and will be essential to developing their comprehension of the texts. The course will set students up for further in-depth study of early French literature.