Gothic Structures of Being in Emily Bronte’s ‘Wuthering Heights’ (original) (raw)
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Jungian Archetypes in Emily Brontë's „Wuthering Heights“
2020
This final paper explores the effects of archetypes on a romantic relationship portrayed in Emily Bronte’s Wuthering Heights. Focusing primarily on the two main characters in the novel, Heathcliff and Catherine, the aim is to explain the nature of their controversial relationship in the light of the psychoanalytical theory, i.e. the theory of archetypes and the collective unconscious first developed by Swiss psychiatrist and psychoanalyst Carl Gustav Jung. The paper puts emphasis on the role and influence of the anima/animus archetype, which is considered rather important in romantic relationships. This archetype represents two polarities within the psyche, with the animus being the masculine principle in women, and the anima the feminine principle in men. Applied to Bronte’s protagonists, Jung’s theory is used to argue that, contrary to popular belief, their love is actually not genuine. Instead, it is suggested that their mutual affinity can be traced back to a psychological mecha...
An Analysis of Wuthering Heights from the Gothic Traditional Perspective
Emily Bronte, the 19th-century British writer, occupies an important and unique position in British literary history and though she only had one novel-Wuthering Heights, she was still one of the most influential writers in the world literature. The paper will analyze the gothic style in Wuthering Heights mainly from four aspects, including the theme selection, characterization, depiction of the environment and the use of supernatural factors.
Gothic Experiences in Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hall
This paper thoroughly analyses the theme of the gothic imagination in the works of Charlotte, Emily, and Anne Bronte, specifically in Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hall. The novels portray romantic and sublime scenes with elements of terror, horror, and the uncanny, which intensify the expression of the gothic feelings experienced by the characters. The study also explores women's suffering in the context of gothic thought. Various factors inherent to the gothic genre contribute to the 19thcentury readers' fascination with the supernatural and thrilling emotions. This work explores gothic experiences depicted in novels using gothic tropes and critical approaches such as Marxism, feminism, or psychoanalysis. The use of the framing narrative technique remains a distinctive aspect of this study which worthily includes The Tenant of Wildfell Hall, a book that many critics have wrongly overlooked when interpreting the Bronte sisters' novels in the light of the gothic trend. The analysis considers the common gothic features that characterize the novels, rather than treating them separately. This reinforces and enhances the scope of the analysis of the Gothic vision of these Victorian novelists.
JETIR International Journal, 2024
In English literature, there is a fairly broad classification of the gothic genre. The study delves into the consequences of Julia Kristeva's 'Power of Horror' theory in order to gain a deeper comprehension of the Gothic genre. The present research compares the themes of historical and contemporary Gothic literature, showing how gothic genres thematically vary with time. The initial gothic novels were mostly concerned with exaggerated thriller and horror themes, such as monsters, demons, and supernatural evils. The emphasis of the current gothic novels is primarily based on social issues of exploitation, subjection, and suffering for weaker groups of people. The contemporary gothic novels began to shape from real criminal cases or actual life events, compared to the superstitious and convictions in traditional ones. The criticism of local social views, race, politics, gender, and religion that characterizes contemporary Gothic literature is combined with aspects of the paranormal, magic realism, and satire. The writers and artists of Gothic literature altered the Gothic subgenre by including certain characteristics like mystery, darkness, and obscured areas. The exaggerated romances of the traditional gothic novels were given less emphasis in their contemporaneity while seeking to examine psychological insights. Gothic writers began to develop their emotional impacts through the gothic aspects, which allowed gothic literature to offer a fitting atmosphere that corresponded within the genre. This article attempts to present an overview of Emily Bronte's Wuthering Heights (1847) from past gothic novels and Toni Morrison's Beloved (1987) as contemporary classic gothic novels, contrasting thematically how they developed.
Sublime of horrific passion in Emily Bronte's 'Wuthering Heights'
Langlit: An international peer reviewed open access journal (ISSN-2349-5189, Impact factor-5.61) UGC APPROVED, 2022
The passion in life is both delightful and destructive. In passionate love men and women unconsciously desire their own demise but this is the sublime. Here sublime is a vision of infinity which dissolves our identity in an agreeable kind of way. The fiction Wuthering Heights though with the use of Gothic elements evoked terror, it, nonetheless conveyed strong sublime effect with a destructive romance. Destructive passion, reflecting irrational and the grotesque associated with Gothicism. The passion of Heathcliff and Catherine is a kind of sublimation which is destructive, dangerous, and awe-inspiring and at the same time presents death, abuse, vengeance, and self-loathing, embody grotesque. Edmund Bruke's description of sublime as ''delightful horror'' that has the implication of raising up to or beyond the limit. Through self-destructive limitless passion their souls lifted up by sublime. This paper explores the sublime of this fiction; especially the destructive passion between two protagonists Catherine and Heathcliff. Heathcliff's love for Catherine which is a sentiment fierce and inhuman; a passion that tormented Catherine by its quenchless and ceaseless ravaging effect. But they elevate the soul to its highest pitch being oneness with each other. It is the life of Eros which is the painful travelling in its provocation for the bliss of extinction.
Recurring Patterns: Emily Brontë’s Neurosis in Wuthering Heights
Attempts to present a rational explanation of Emily Brontë's Wuthering Heights have been a growing concern since its publication in 1847. The abundant, yet incoherent, interpretations of Wuthering Heights, make the need for this research timely. This article focuses on ways to achieve a truer and more rational interpretation of the novel. The study indicates that in order to solve the enigma of the novel, the conscious and unconscious thoughts of the author, performing within the text, have to be discovered. The research approach adopted in this study is what is referred to as psychobiography or the Freudian psychoanalytic criticism. The findings of this research underline that Emily Brontë grew up in an oppressive milieu, and she compulsively created phantasy worlds within which she continuously repeated certain patterns. The main conclusion to be drawn from this article is that Emily Brontë was a neurotic person whose unconscious obsessions are projected in Wuthering Heights.
The Othered Half: Monstrosity, Identity, and Romance in Emily Brontë’s Wuthering Heights
Using various theories of monstrosity, degeneration, and the morphic figure in Gothic studies, this essay explores explicitly the manifestation of Gothic archetypes and tropes in Emily Bronte's Wuthering Heights. The essay further explores figures of the werewolf, the vampire, and the revenant in the general sense, deconstructing the romance of Heathcliff and Cathy, and the interplay of masculinity and femininity, along with a 'natural', atavistic horror, at work in the text.
2020
Emily Brontë (1818-1848) wrote Wuthering Heights in 1847 at a point of collision between Romantic thought and Victorian ideals. Her novel exemplifies a developed and deliberate effort to represent a world ruled by forces out of one’s control, the most evident example of this being the supernatural force that overtakes the novel. In her precise focus on the language and natural landscape that bind this novel together, her characters emerge as representative of the psychological complexity produced by the coexistence of the mundane and the extraordinary. My thesis focuses on the effects of the natural landscape and the forces that at times control it, but I also look at the psychological effects that these forces have on, in particular, the novel’s two main characters: Cathy and Heathcliff. Emily Brontë immersed these two characters in the natural world, highlighting their triumphs and tumultuous love. In better understanding this connection, I first look at the power behind nature, t...
THE GOTHIC AND SUPERNATURAL METAMORPHOSES OF THE BYRONIC HERO IN WUTHERING HEIGHTS AND JANE EYRE
This paper focuses on the interplay of romantic and Gothic elements in the two most famous novels of Charlotte and Emily Brontё: Jane Eyre and Wuthering Heights. Special attention is paid to the metamorphoses of the Byronic hero in those novels as well as to the presence of supernatural and Gothic elements in them. At the beginning, the paper discusses the Byronic heroes in the two novels Jane Eyre and Wuthering Heights and their characteristic features as Byronic heroes. I likewise identify other types of Byronic heroes in Jane Eyre. The following chapters are concerned with the supernatural and gothic elements in Wuthering Heights and Jane Eyre starting with an introduction of Gothicism, its appearance and development. I further consider the question of whether Wuthering Heights is Gothic or realist. Having in mind the sub types of Gothicism, I place Jane Eyre in the group of new Gothic romances which is confirmed by many critics. Key words: Byronic hero, Gothicism, supernatural, realism, mysticism