Estetica ENGLISH EDIT (original) (raw)

Portraying is basically the act of drawing line. The line, with which today's human being is very familiar, falls into deeper meanings than expected when the reality is considered that it is an abstract element not being actually present in the nature. Being impossible to be observed in the nature, the line is the unique indicator of the ability of the human being to achieve solid results with abstract principles, such that the people drawing the first cave pictures starting from this could comprehend "what" they were by this means. This mentioned feature of the line, being an integral part of art from day one, sets light also to the importance of art for the construction of the ontological existence of the human being. However, the habit of analyzing the cave pictures as the first concrete expression of the human being's religious orientation generated a sense of art history assessing the art over production. Thus, the art, as a creative action defining the human being ontologically, was converted into a show where the "actor-observer" limit is very much underlined. For this reason, the Ready Made objects of Duchamp can be perceived as a very strong attempt to remind again the forgotten ontological ground of the creative action specific to the human being. Assessing the art as limited to production, the known approach claims that the ready made objects of Duchamp remove the mentioned creative action. With this approach in force, the historical avant-garde removed all elements of production related to form and believed in that it left the art alone with its primary and pure state. The action presented by Deniz Sagdic under the title " Ready-ReMade " is within this regard a showdown against the thought that discussed the art on the ground of production, namely form almost throughout history. This showdown starts with the selection of production objects as a formal ground for content production after they are used by persons for production purposes, namely they become "produced objects". Sagdic called the consumption range of production objects in the relative situation as " produced object ". Considering the historical evolution of the production objects; the fact that the hand-crafted objects made at home in the communities, where the first settled life had begun, had become an exchange object in time at feast areas increased the social importance of these small productions having the origin of art within themselves. The objects fired or carved from materials such as wood, stones or bones were then converted into the symbolist meaning witnessing the memories in the past, and became the seeds sprouting the facts that we call "history". This feature of objects became the personal objects enabling the human being to be accepted as individual within society within the scope of an internalization mechanism, and in one sense made it possible for the society members to gain the character of "person". Considered today as the origin of goods exchange, the object exchanges performed in the socialization areas of the first settled life were, rather than a materialistic expectation, one of the main dynamics enabling the human being to individualize. Related to the production; the industrial revolution, when the most important breakdown after agriculture was experienced, is such a milestone also in terms of the creation of new social categories. Created for the existing needs starting from the discovery of agriculture and relatively throughout the periods after the industrial revolution, the production mechanisms were converted into the model of designing needs rather than satisfying needs as of 60s that started a new era named as the new industrial era by some people. Thus, the production objects corresponding to the produced needs became the consumption objects. Apart from the consumption objects' social functions defining the "identity" of the individual, the world encircled with consumption objects reconstructed the nature, from which the human being got disconnected an immemorial time ago, with these consumption products. In this regard, the function of the consumption object produced and the termination of this function created a relative intermediate area. Although today's human being is not aware of this intermediate area, it feels it such that it leaves the consumed object as a full waste near the garbage rather than in its impenetrable depth. Deniz Sagdic endeavors to enlarge this intermediate