The Pandemic Visual Regime: Visuality and Performativity in the Covid-19-Crisis (2023) (original) (raw)

2023, The Pandemic Visual Regime: Visuality and Performativity in the Covid-19-Crisis, in: Julia Ramírez-Blanco and Francesco Spampinato, The Pandemic Visual Regime. Visuality and Performativity in the COVID-19 Crisis, pp. 195-216.

Abstract

A decisive effect of the worldwide spread of the coronavirus is the transformation of digital lifestyle media into state-used recording, storage and distribution media. With the pandemic spread of the virus, the tectonics of digital power may have shifted the way forward. The global threat posed by the corona virus is transforming mobile media and their software applications into state-organized surveillance technologies. Because the Big Five of the digital economy, the Internet companies Microsoft, Apple, Google, Facebook and Amazon have faced competition in the area of data collection and analysis. On the occasion of Covid-19, national health authorities, secret services and police apparatus, together with IT companies, initiated a systematic collection and evaluation of usage data. Mobility tracking is regarded by health authorities and government officials as a reliable data basis for enforcing political decisions as legitimate. Seen in this way, digital media take over the empirical basis of political action. The disciplinary techniques of state surveillance and punishment are migrating into all areas of digital communication and affect mobile media (geo-tracking), stop corona apps (monitoring), social media (blaming) and selfies (self-evidence). In a global comparison, I will compare different national strategies and also include non-western countries. In this context, I am investigating the biosurveillance in China, Singapore and Hong Kong (SenseTime, TikTok etc.), the secret service control in Israel and the use of robotics in Tunisia. What are the consequences of these shifts in the procurement of information in the era of the corona control system? In my contribution, I deal with image-political and mediatechnological aspects of the data visualizations of mobility, which were used by Internet companies, national governments and health authorities for different purposes in the context of the Covid-19 pandemic.

Key takeaways

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AI

  1. The pandemic transformed digital media into surveillance tools for state control, affecting political action.
  2. Health authorities used mobility tracking as a legitimate data basis for enforcing pandemic policies.
  3. Visuality emerged as a critical aspect of pandemic communication, exposing social inequalities and human fragility.
  4. Citizen-driven mutual aid networks showcased alternative organizing practices amidst state failures during the pandemic.
  5. Artistic expressions and data comics humanized pandemic experiences, emphasizing emotional connections to health data.

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  331. Julia Ramírez-Blanco is a Ramón y Cajal Researcher at Com- plutense University, Madrid. Her work connects art history, utopian studies, and activism. She is author of Artistic Utopias of Revolt (Palgrave, 2018); 15M: El tiempo de las plazas (Alianza, 2021);
  332. Amigos, disfraces y comunas (Cátedra, 2022); La ciudad del Sol: Le mouvement 15M entre formes et performances (Édi- tions Lorelei, 2023). Member of the Research Collective of the C4AA, she also has co-led the research and exhibition project Grande Révolution Domèstique-Guise on feminist utopias. She has amply collaborated with the Museum of Contemporary Art of Barcelona (MACBA) and has curated the 15M materials for the recent reorganization of the permanent collection of the Reina Sofia Museum in Madrid. In Reina Sofía, she is part of the core group of "Tejidos Conjuntivos, " the Museum's Study Pro- gramme in Critical Museology, Artistic Research Practices, and Cultural Studies. Ramón Reichert is a visiting professor for philosophy of science and methods of social research at the Cooperative State Univer-