The New Theatre of the New Artists Group and the Russian Avant-Garde (original) (raw)
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Vladislavs Nastavševs is one of the leading contemporary Latvian theatre directors. Nastavševs’ stage productions are constructed by combining elements of psychological theatre, performance art and postdramatic theatre, deliberately expanding the traditional boundaries between the stage and the audience, actors and spectators. Nastavševs’ performances usually contain visually impressive stage metaphors that generate both emotional and psychophysical influence on the spectators, thus exploring new types of performance perception and blurring the boundaries between life (reality) and theatre (fiction). Vladislav Nastavševs (1978) on üks tänapäeva läti teatri juhtivaid lavastajaid, kes alustas tegevust 21. sajandi teisel aastakümnel. Ta omandas teatrialase hariduse välismaal (Peterburis Vene Riiklikus Etenduskunstide Instituudis ja Londonis St. Martin’s College of Arts and Design, Drama Centre’is). Psühholoogilise teatri, performance’i ja postdramaatilise teatri elemente ühendades on...
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The paper is devoted to the research of Vladimir Nabokov’s conception of theatricality in relation to drama as a literary form and stage performance. It presents the study of Nabokov’s understanding, artistic meaning and function of the conception, as well as the ways of its realization in all Nabokov’s plays. With regard to theatricality, the literary devices of the theatricalization of reality and ‘theatre within the theatre’, used by Nabokov for the purpose of emphasizing the content, expressing the author’s presence, and ironizing towards aesthetic and ethical phenomena, among others have been studied in the material of the plays The Tragedy of Mr. Morn, The Man from the USSR, The Event, and The Waltz Invention. These dramatic works include the whole range of attributes of the theatricalized reality and metatheatre: sporadically appearing scenes of an ‘internal’ play; duality of personages and performance of several roles by the same hero; heroes’ attempts to foretell the cours...