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The Effect of Music on Brain Activity an Emotional State
Engineering Proceedings, 2021
This study explores the potential of music as a therapy element in digital therapy programs to improve mental health and well-being. Music induces an emotional component in the individual that translates into changes in their brain activity, which can be monitored through electroencephalography. A scoping review was conducted to identify the most recent relevant publications related to the effect of music on brain activity and emotional state in digital therapy programs. From 585 identified publications, six relevant publications were selected that meet all the requirements defined in the study.
The mechanism of music for reducing psychological stress: Music preference as a mediator
The Arts in Psychotherapy, 2016
In order to examine the mechanisms through which music might alleviate psychological stress, a study of the effects of music listening following induced stress was conducted. Female music education students (N = 200) were randomly assigned to eight groups, after experiencing induced stress via a mental arithmetic test. Individuals in each group listened through headphones to one piece of music classified in terms of the levels of arousal and valence of music, and familiarity. Participants rated their tension and state anxiety levels before and after music listening, as well as their levels of valence and arousal for music, music preference, and familiarity, after listening. The results revealed that the levels of arousal and valence, and the degree of music preference predicted tension and state anxiety levels, and the effects of music valence and arousal on stress reduction were partially mediated by music preference. The most important factor in reducing stress was the degree of liking for the music, but not the degree of familiarity with the music. Our findings have important implications for individuals, and clinicians, who use music to reduce stress.
Individual Differences in Emotional Response to Music
2013
of the Music Therapy Program at Appalachian State University, has been very helpful throughout the early formulation of this research, and I wish to thank you for your suggestions and guidance. I thank my friends and family for their encouragement and patience with me during this season of my life. I really appreciate your interest and the care that each of you has shown me. v
Interplay between music, emotion and cognitive function in health and disease
Communicative & Integrative Biology, 2009
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The Science and Psychology Behind Music and Emotion
Music has been used for thousands of years as a means of emotional expression. The goals of this paper are to (a) review current literature on how music induces emotion (b) explore the mechanisms of how this happens both physiologically and psychologically and (c) to look at the role of desired effect and musical preference to move towards a general conclusion of what drives listeners' musical choices. This paper approaches this by looking at structural theories of music including those of Krumhansl (1997) that music has inherent qualities that instill specific responses in the listener. The paper then continues by addressing a Jungian perspective often employed in music therapy. Here, music is used to express what is otherwise inexpressible. The Behavioral Perspective section postulates that music can prime listeners by making them predisposed through associations to feel positive or negative emotions. This theory is carried over to an analysis of music and consumerism where emotional priming can serve as a bridge to an association with a product. The Physiological Effects section explores research on music's somatic connection indicating that pleasant music reduces stress and may decrease the body's post-stress responses. The Music and Performance section analyzes the Mozart effect and its potential relationship to the arousal and mood hypothesis, stating that the improved spatial IQ scores recorded in the Mozart effect may have more to do with the arousal generated by all classical music rather than Mozart's music itself. The paper concludes with an analysis of what drives listeners and the Arnett (1991a; 1991b; 1992) heavy metal studies, which show that music is the way adolescents deal with emotional upheaval and how music can be used as a means of achieving catharsis.
Music Hath Charms The Effects of Valence and Arousal on Recovery Following an Acute Stressor
Music and Medicine, 2010
The purpose of this study was to investigate the effects of the valence and arousal dimensions of music over the time course of physiological (skin conductance level and heart rate) and subjective (Subjective Unit of Discomfort score) recovery from an acute stressor. Participants experienced stress after being told to prepare a speech, and were then exposed to happy, peaceful, sad, or agitated music. Music with a positive valence promoted both subjective and physiological recovery better than music with a negative valence, and low-arousal music was more effective than high-arousal music. Repeated measures analyses found that the emotion conveyed by the music affected skin conductance level recovery immediately following the stressor, whereas it affected heart rate recovery in a more sustained fashion. Follow-up tests found that positively valenced low-arousal (i.e., peaceful) music was more effective across the time course than an emotionally neutral control (white noise).