German Opera: From the Beginnings to Wagner (review) (original) (raw)

This review evaluates the two books on German opera, focusing on Maes's comprehensive examination of Shostakovich's works and his interactions with the socio-political climate of Soviet Russia, as well as Warrack's balanced treatment of Wagner and the preceding composers. Both authors aim to enlighten a broad audience, though Warrack's omission of later developments in German opera and his unique citation style are noted weaknesses. The overall contributions highlight the significance of historical context and the interplay of music and text in opera.