African Theatre—docility and Dissent (original) (raw)

The paper discusses the role of theatre in Africa as a tool for social commentary and dissent, contrasting its influence against government censorship and the often marginalized status of live performances. It argues that while contemporary African governments recognize the persuasive power of drama, many fail to support it adequately, instead opting for suppression or manipulation for state agendas. Specific examples from various African countries illustrate both the potential of theatre to provoke thought and societal change, and the restrictions faced by artists in expressing dissent.