original ) (raw )The Expressiveness of African-American Music
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2016
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Lucas Hommen Henry
2005
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Andrew J Eisenberg
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Frances Morris
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Robert Futrell
Sociological quarterly, 2006
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Subversive Sounds: Race and the Birth of Jazz in New Orleans
Charles Hersch
The American Historical Review, 2008
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Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions
Gabriel Solis
Daedalus, 2019
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Transgressive Leadership and Theo-ethical Texts of Black Protest Music
AnneMarie Mingo
Black Theology, 2019
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Journal of Musicology, 2021
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Negotiating freedom: values and practices in contemporary improvised music
David Borgo
Black Music Research Journal, 2002
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Vijay Iyer
Black Art and Aesthetics: Relationalities, Interiorities, Reckonings, 2023
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Celebrating Jazz: Hybridising the Jazz Identity in Performance and Literature
Nicky Crane
Dissertation 2014, University of Sheffield
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Signifying the Sound: Criteria for Black Art Movements
Corey N Reed
The Journal of Aesthetic Education, 2023
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Nigerian Music and the Black Diaspora in the USA : African Identity, Black Power, and the Free Jazz of the 1960s
Martin A M Gansinger
2016
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Sharmi Basu
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Africa in Stereo: Modernism, Music, and Pan-African Solidarity. By Tsitsi Ella Jaji.
Mark Lomanno
2016
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Bracey, John H., Sonia Sanchez and James Smethurst, Eds. SOS – Calling All Black People: A Black Arts Movement Reader. Boston: Univ. of Massachusetts, 2014. 666 pages. ISBN 978-1-62534-031-3. Book Review by Dr. M. Benson
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African Music, Ideology and Utopia
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Ethnic and Racial Studies, 2019
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Critical Sonic Practice: Decolonizing Boundaries in Music Research
Leila Adu-Gilmore
2021
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