Don’t tell me the fetal fetish is anything but a temporal phantasy of anti-Blackness and heteropatriarchy (original) (raw)

Troubling temporalities of fetal personhood

This paper integrates queer and psychoanalytic theories of temporality to explore the raft of new laws and the resulting cases that imbue the fetus with status as a person, with all the attendant rights and privileges that confers. In the face of these laws, women are increasingly depicted as being in a liminal state of "could be pregnant," thus, objects of heightened medical and social surveillance. Exploring the affective dynamics of the culture, fetuses are seen to embody displaced anxieties and vulnerabilities such that fetal protection functions to reinforce dissociation.

Can the Fetus Speak?: Revolutionary Wombs, Body Politics, and Feminist Philosophy

Ariel Dorfman's La última canción de Manuel Sendero (The Last Song of Manuel Sendero) and Carlos Fuentes's Cristóbal Nonato (Christopher Unborn) explore conception, gestation, and birth as points of origin for humanity and citizenship alike by giving voice to life/lives that cannot speak for itself/themselves. Dorfman and Fuentes employ metafictional techniques and postmodern aesthetics, interrogate history in order to express their political commitments to rights, resistance, and revolution, and link textual production and human reproduction in order to posit national futures. Reading these works through a feminist lens, I weigh the poetic and philosophical implications of telling a story from the point of view of gametic, embryonic, or fetal, but decidedly male, narrators against the symbolic exclusion and silencing of mothers that bear them. When rendered a biopolitical frontier in symbolic or actual terms, the pregnant body poses particular philosophical quandaries that require further investigation. As such, this essay weaves together discourses on poetics, philosophy, and politics in order to uncover the perplexity that the pregnant mother, as figure for the nation, induces.

The Slave, the Fetus, the Body: Articulating Biopower and the Pregnant Woman

Contemporary Argumentation and Debate, 2008

Many slaveholders attempted to justify the institution of slavery in the United States by claiming that the practice of slavery was actually in the interests of the slaves themselves. Not only are these arguments invalid because they justify inhumane treatment and the imprisonment of innocent human beings, they also contain a dangerous paternalism (a "speaking for") that has not vacated the social sphere. Indeed, this same logic-the notion that bodies can be regulated and controlled for their own protection-is presently being used to speak for the fetus in order to justify fetal rights. Borrowing from Berlant (1997), these fetal rights arguments work against the interests of the mother, constituting pregnant women as chattel and reinforcing the governing logics of a fetal and infantile citizenship.

Bodies that Birth: Vitalizing Birth Politics

Bodies that Birth puts birthing bodies at the center of questions about contemporary birth politics, power and agency. Arguing that the fleshy and embodied aspects of birth have been largely silenced in social science scholarship, Rachelle Chadwick uses an array of birth stories, from diverse race-class demographics, to explore the narrative entanglements between flesh, power and sociomateriality in relation to birth.

Jones, S. (2015) “Torture Born: Representing Pregnancy and Abortion in Contemporary Survival-Horror”, Sexuality & Culture, 19:3.

In proportion to the increased emphasis placed on abortion in partisan political debate since the early 2000s, there has been a noticeable upsurge in cultural representations of abortion. This article charts ways in which that increase manifests in contemporary survival-horror. This article contends that numerous contemporary survival-horror films foreground pregnancy. These representations of gravidity reify the pressures that moralistic, partisan political campaigning places on individuals who consider terminating a pregnancy. These films contribute to public discourse by engaging with abortion as an individual, emotional matter, rather than treating abortion as a matter of political principle or a political "means to an end." This article not only charts a relationship between popular culture and its surrounding political context, but also posits that survival horror - a genre that has been disparaged by critics and largely ignored by scholars - makes an important contribution to sexual-political discourse. These films use horror to articulate the things we cannot say about abortion.

Abjection and Mourning in the Struggle over Fetal Remains

Contemporary Political Theory

Should the remains of aborted fetuses be treated as human corpses or medical waste? How can feminists defend abortion rights without erasing the experiences of women who mourn fetal death or lending support to pro-life constructions of fetal personhood? To answer these questions, I trace the role of abjection and mourning in debates over fetal remains disposal regulations. Critiquing pro-life views of fetal personhood while challenging feminists to develop richer and more compelling accounts of fetal remains, I argue that embracing the ambiguity and diversity of pregnant bodies can strengthen rather than undermine reproductive autonomy. I conceptualize reproductive autonomy relationally, contending that it entails the pregnant subject's authority to construct as well as interpret her lived body, including the fetus. Additionally, because the embodied self is inextricable from social context, reproductive autonomy also requires community support. To support these claims, I develop an account of pregnant bodies as ontologically multiple and advocate embracing abjection rather than suppressing it. Finally, I object to fetal remains regulations because they inscribe fetal grievability into the law. [FULL TEXT AVAILABLE HERE: https://rdcu.be/b3Xic\]

"The Most Dangerous Place": Race, Neoliberalism, and Anti-Abortion Discourses

Crisis pregnancy center advertisements like billboards that ask whether a downcast woman of color is "Pregnant? Scared?" appear to be a locus of the overlapping factors of United States racial politics, bodily control, and a neoliberal sensibility. In order to investigate these relationships, I situate analyses of anti-abortion media products alongside current U.S. political discourses. What is the relationship between the elements of racism and bodily control in CPC visual rhetoric and growing neoliberal culture? This project brings these factors into a dialogue by analyzing the anti-abortion rhetoric shaped by CPC organizations and the white U.S. mainstream. As I discuss in Chapter One, antiabortion organizations target specific communities and use large-scale media advertising to retain disproportionate control over the image of abortion in the U.S. cultural imaginary. The second chapter details how that imaginary and the current political situation overlap in immigration, population, and border panic that reduces Latinas to sexualized stereotypes. In Chapter Three, I report on the U.S. medical and political vi systems' shameful oppression of black women's reproductive freedom in order to situate the advertising rhetoric of three more anti-abortion organizations. The discourses these groups perpetrate are all reflected in the moral individualism of a growing neoliberal social politic. In sum, anti-abortion organizations use neoliberal rhetoric and racialized advertising to perpetuate destructive discourses of what it means to be a person of color in reproductive crisis. These discourses approach race with entrenched stereotypes, paternalistic moralizing, and euphemistic concern for low-income people of color. A critical feminist lens helps draw serious attention to dangerous patterns in anti-abortion rhetoric and the politics of race and reproductive justice.

Reproductive Racism in Danielle Evans’s “Harvest:” Black, Chicana, and White Motherhoods in the Context of Reproductive Rights Discourses

Gender Studies, 2021

The paper explores the short story “Harvest” (2010) by African American writer Danielle Evans and traces the figurations of the racialized aspects of gender in “Harvest” within the theoretical frameworks of Black and Chicana feminisms, motherhood studies, and intersectionality. After situating the Black and Chicana characters’ anxieties around egg donation in the historical context of reproductive rights, economics, and the politicization of Black and Chicana women’s bodies, I discuss how the intersections of gender, race, ethnicity, and class impact the racialized gender identity of especially the Black protagonist and to a smaller extent that of her Chicana and white friends as well. I argue that the current practices of egg donation depicted in the story are imbricated in the wider system of racial capitalism that values women’s childbearing capacities differentially in terms of their race.