THE MUSIC FOR THE PIANO AFTER CLEMENTI (original) (raw)
The Early Muzio Clementi’s Sonatas: At the Origins of London Pianism
Olesia Stepanova
2016
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BIANCA MARIA ANTOLINI, CONSTANTINO MASTROPRIMIANO, EDS MUZIO CLEMENTI: COMPOSITORE, (FORTE)PIANISTA, EDITORE. ATTI DEL CONVEGNO INTERNAZIONALE DI STUDI, PERUGIA, CONSERVATORIO DI MUSICA, 4–6 OTTOBRE 2002, IN COLLABORAZIONE CON LA SOCIETÀ ITALIANA DI MUSICOLOGIA Lucca: Libreria Musicale Italiana, ...
Rudolf Rasch
Eighteenth-century Music, 2009
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Franchi G., Relationship between Muzio Clementi's minor mode piano sonatas and the use of the minor mode in the Classical Form (10-14 settembre 2021)
Giacomo Franchi
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The Anxiety of Influence? Echoes of Clementi's Sonata Opus 34 no. 2, First Movement in Beethoven's Sonate Pathétique, Opus 13, First Movement
James S . MacKay
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A Piano Concerto without Orchestra? Clementi’s Opus 33 no. 3, First Movement, and Beethoven’s Opus 2 no. 3, First Movement, Compared
James S . MacKay
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About Valerio Mazzuoli's new book: the pianistic elements found in Chopin. By Henderson Fürst
Valerio Mazzuoli, Henderson Fürst
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Ранні фортепіанні сонати М. Клементі: біля витоків лондонського піанізму
Olesia Stepanova
2016
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Music theory of Giovanni Maria Artusi in the polemical writings and in the music of Marco Scacch
aleksandra patalas
2007
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General Piano Sonata in the Creativity of M. Clementi and J. N. Hummel: From Early Classicism to Romantism
Olesia Stepanova
MUSICAL ART: HISTORICAL AND THEORETICAL DISCOURSE, 2020
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Mutual Deformity: Ignaz Moscheles’ Seventh and William Sterndale Bennett’s Fourth Piano Concertos
Benedict Taylor
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From the reprise overture to Liszt’s B minor Sonata. Romantic creations in an eighteenth century formal ‘corset’?
Anna Ryszka-Komarnicka
2013
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Chopin in the writings and music of 20th-century Polish composers
Beata Bolesławska-Lewandowska
The Culturology Ideas, 2023
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LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Dragos Tanasescu' s Treaties of Pianistic Technique
Lucian B Zidaru
Dragos Tanasescu's Treaties of Pianistic Technique , 2005
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Cristofori's piano workshop and Giovanni Ferrini
Dr. Denzil Wraight
The Cembalo a Martelli from Bartolomeo Cristofori to Giovanni Ferrini, 2019
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The Importance of Ligeti's Piano Etudes in Compositional and Pianistic Aspects: Why It is Necessary to Analyze Ligeti Etudes Prior to Learning
Toros Can
2011
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"A Re-evaluation of the Keyboard Sonatas of Domenico Scarlatti in the Santini Collection in Muenster."
Anthony Hart, Studi Musicali
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The music of Tomas Marco: a holistic approach, with particular regard to selected works for violin: volume 1
Roberto Alonso Trillo
2012
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The Cristofori piano and the Baroque orchestra
Emanuel Winternitz
College Music Association: Eight Annual Meeting, Metropolitan Museum of Art
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The ‘Theatralised Canon’. Aldo Clementi’s Musical Dramaturgy
Graziella Seminara
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Negotiating borrowing, genre and mediation in the piano music of Finnissy
Ian Pace
Critical Perspectives on Michael Finnissy, 2019
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Program notes, 3, 5, & 10 March 1952: Mieczyslaw Horszowski--Bartolommeo Cristofori and the first hundred years of the pianoforte
Emanuel Winternitz
Metropolitan Museum of Art: Concerts for Members, 1952
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Some Remarks on the Formation of the Classical Style: Instrumental Music by Amandus Ivanschiz
Maciej Jochymczyk
Musicology Today, 2013
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Perspectives on the Late Piano Music of Oskar Morawetz and John Weinzweig
Elaine Keillor
Intersections: Canadian Journal of Music, 2013
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A Successor of Corelli: Antonio Montanari and his Sonatas
Michael Talbot
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Robert Schumann’s Miniature Piano Pieces Related To Literary Ideas
Hyun Tekin
2017
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CHOOSE ONE WORK OF THE ROMANTIC PERIOD WRITTEN BY A "COMPOSER- PERFORMER" AND DISCUSS THE PIECE, THE INSTRUMENT AND THE COMPOSER/PLAYER IN THE CONTEXT OF THE ROMANTIC IDEAL
Chrisni Mendis
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Franz Liszt’s Piano Sonata in B Minor: Precedents for an Analytical Evolution
Bryan A . Whitelaw
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Two New Acquisitions for the Giulini Collection: the 1883 and 1892 Érard Pianos, in Liszt e il suono di Érard/Liszt and the sound of Érard, ed. by Nicolas Dufatel, Briosco, Villa Medici Giulini, 2011, pp. 328-345
Giovanni Paolo Di Stefano
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Alexander Moyzes and His Piano Sonata in the Context of Slovak Music Between the Wars
Ivan Koska
2015
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Renzo Piano_Alessandro Traldi – Un proscenio per l'universo di Emilio Vedova
Maria Grazia Eccheli
2016
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Carlo Ambrogio Lonati and Giuseppe Colombi: new attribution of solo sonatas from the Biblioteca Estense
Piotr Wilk
Musica Iagellonica, 2004
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Context, Form and Style in Sterndale Bennett’s Piano Concertos
Jeremy Dibble
Nineteenth-Century Music Review, 2016
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Liszt and Modernity. About : B. Moysan, Liszt, virtuose subversif, Symétrie.
Martin Guerpin
2010
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„Tote aber leben länger“. The Second Viennese School and its Place in the Reflections of Selected Composers from the Second Half of the Twentieth Century (Lutosławski, Ligeti, Lachenmann, Harvey)
Ewa Schreiber
Musicology (Muzikologija), 2020
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A Reevaluation of Haydn's Keyboard Sonatas of 1773
Cody Franchetti
Art and Design Review, 2022
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