Colour Science Research Papers - Academia.edu (original) (raw)

RESEARCH Svetlana Konanchuk (Saint Petersburg). Synesthesia as an Interspecific Artistic Universal and Aesthetic Category. Keywords: aesthetics, aesthetic consciousness, aesthetic experience, neuroesthetics, musical synesthetics,... more

RESEARCH
Svetlana Konanchuk (Saint Petersburg).
Synesthesia as an Interspecific Artistic Universal and Aesthetic Category.
Keywords: aesthetics, aesthetic consciousness, aesthetic experience, neuroesthetics, musical synesthetics, synesthesia, synthesis of arts.

Anton Sidoroff-Dorso (Moscow).
Anthropology of Synaesthesia. A Neurophenomenological Paradigm as a Natural Science Framework for Researching Cross-Modal Cognitive Processes.
Keywords: cognitive synaesthesia, cross-modal metaphor, neurophenomenology, neuroanthropology, normative emergence, perceptual symbol system, anthropology of synaesthesia.

Denis Mylnikov (Saint Petersburg).
Color as an Expressive Element in S. M. Eisenstein’ Concept of «Synaesthetics» (on the Example of the «Feast in Alexandrovskaya Sloboda» from the Film «Ivan the Terribl»).
Keywords: motion picture, conventionality, color, emotions, «Ivan the Terrible», S. M. Eisenstein.

Larisa Berezovchuk (Saint Petersburg).
The Functions of a Color and Music in Film Narration: the “Discourse’ Plan” (on an Example on a Krzysztof Kieslowski’ Trilogy “Three Colors”).
Keywords: film narration, color, movie image, “the story plan”, “the discourse plan”, Krzysztof Kieslowski’ trilogy “Three Colors”.

Viktoriia Antipova (Saratov).
Indonesian Theater of Flat Images: a Symbolic of Shadow and Light.
Keywords: Indonesia, wayang kulit, dalang, gamelan.

Mikhail Zalivadny (Saint Petersburg).
Musical Sets of Variative Structure: from Louis-Bertrand Castel to Bulat Galeyev.
Keywords: general theory of systems, theory of the variable system, music and mathematics, history of music theory, synaesthesia, interrelation of the arts, Louis-Bertrand Castel, Bulat Galeyev.

Irina Viskova (Moscow).
The World of Musical Metaphors in the Creations of Polish Painter Jacek Malczewski.
Keywords: Jacek Malczewski, metaphor in music, Polish painting at the turn of the XIX–XX centuries, Symbolism, Vielle, Lute, Torban, Hurdy-gurdy.

Elena Shakhmatova (Moscow).
M. Matyushin’s Color Philosophy in the Aspect of the Cosmic Worldview.
Keywords: “Victory over the sun”, “extended watching”, avant-garde, futurism, color theory.

Kirill Smolkin (Moscow).
«Music Follows the Light». To the M. K. Čiurlionis’ Idea on the Opera «Jūratė».
Keywords: Mikalojus Čiurlionis, opera «Jūratė», synthesis of arts, music and painting, light-music.

Olga Kolganova (Saint Petersburg).
The Model of the Light-Monument for the October Revolution: The History of Creation and Reconstruction (1927 — 1987 — 2017).
Keywords: Light Monument of the October Revolution, Grigory Gidoni, Naum Mogilevsky, light-architecture, light-sculpture, light-orchestra, light-theater, Art of Light and Color.

PRACTICE
Irina Evteeva (Saint Petersburg).
The interaction of light, pictorial art and sound in the imaginative solution of the motion picture (examples from personal practice).
Keywords: animation, glass painting, directing, author’s layer, light-pictorial scumbling glaze, plastic dramaturgy, internal conflict, texture of the image, dramaturgy of sound.

Vladimir Persov (Saint Petersburg).
Cinematography — the Art for is not a Sound-made, but Sonorical: Specificity for the Sonour Space Formation in I. Evteeva’ Animated-game Motion Pictures.
Keywords: sound fabric, intonation, phonogram, visual space, acoustic space, counterpoint, speech, author's music, animation, sound-visual image.

Olesya Rostovskaya (Moscow — Saint Petersburg).
The ANS Synthesizer: Potential Uses and Development Illustrated by Various Compositions Between 2009 and 2018.
Keywords: ANS synthesizer, electro-acoustic, E. Murzin, new music for ANS, O. Rostovskaya.

Anastasia Maximova (Kazan, Republic of Tatarstan).
From the History of Light-Music Performances in Kazan (1962–2019).
Keywords: group “Prometheus”, Bulat Galeev, synaesthesia, light-music, light-music devices, light-music performances.

Valeriya Nedlina (Almaty, Kazakhstan), Yekaterina Demiterko (Yekaterinburg, Russia).
Sound, Color and Action of a Composition Concept of R. Begenov’s Play “Medea. Material”.
Keywords: spectacle “Medea. Material”, pop-mechanical ballet, Rustem Begenov, biculturalism, intertextual analysis.

LABORATORY.
Dilyara Galiakberova (Republic of Tatarstan).
Infographics as an Object for a Demonstrating Kazan Kremlin Territory Soundscape.
Keywords: sound landscape, sound walk, acoustic ecology, synaesthesia, infographics, architectural environment, museum-reserve “Kazan Kremlin”.

Yaroslav Bezokov (Novosibirsk).
Synthesizer as Light Controller in Interactive Light-Music.
Keywords: interactive light-music, create and programming keyboard light-musical instruments.

Aqnar Sharipbaeva (Atyrau, Republic of Kazakhstan).
The Unique Musical Timbre of the Kazakh Kylkobyz and the Association of Light and Color.
Keywords: ethnomusicology, Kazakh musical instrument, folk instruments, kobyz, kobyz art.

Sergey Zorin (Moscow).
Musical Light Painting and the Optical Theater as an Attempt to Mitigate XXIst Century Audiovisual Pressure.
Keywords: Optical theater, musical light painting, S. Zorin.

Alexey Goltykhov (Moscow).
Light Music — a New Kind of Art for Collective Perception (on the Example of the Moscow “Theater of Light”).
Keywords: Moscow “Theater of Light”, light-music, definition, synthesis of arts, historical phenomenon, technology.