Fashion design Research Papers - Academia.edu (original) (raw)

The paper would give information about a first description of Rosa Genoni and Alfredo Podreider (Genoni's husband) archive carried out between 2015 and 2016 under the supervision of Lombardy So-printendenza archivistica (regional archive authority) and the State Archive of Milan by Manuela Soldi, who studied Genoni during her doctoral research. In Milan between XIX°and XX°century, Rosa Genoni was a teacher and a tailor famous for her proposal of Italian Fashion during the Milan International Exhibition in 1906, also known for her socialist militancy and pacifist ideas. The work on the archive highlights the bonds between the various fields of Genoni's activities, showing the complex remaining of a life and a family. The archive is not only a source for fashion studies but also for other branch of knowledge, which needs a comprehensive description to allow its conservation and investigation .

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- Fashion design, Fashion History, FASHION ARCHIVES

FASHION SYSTEM OPERATIONS

- by Gabriel Rico
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- Ethics, Fashion design, Globalization, Apparel Industry

ABSTRAK Dalam pendidikan teknikal dan vokasional, penguasaan teori dan amali adalah sangat penting dalam melahirkan modal insan yang berkemahiran dan berketrampilan. Terdapat dua (2) jenis penilaian yang dijalankan iaitu Penilaian Berterusan (PB) yang mewakili 70% dan Penilaian Akhir (PA) sebanyak 30%. Kedua-dua bentuk penilaian ini menilai aspek teori dan amali.Kajian ini bertujuan untuk mengkaji permasalahan yang timbul semasa proses Pengajaran dan Pembelajaran (PnP) dan penilaian akhir amali modul Pembuatan Pakaian di kalangan pelajar Program Fesyen Dan Pakaian(FP. Dalam kajian ini, seramai 45 pelajar Fesyen dan Pakaian telah terlibat sebagai sampel kajian. Kajian ini berbentuk tinjauan dan menggunakan pendekatan kuantitatif. Hasil dari analisis data yang telah dibuat didapati masalah yang paling dominan ialah dari segi penyimpanan dan susan atur hasil pola dan juga pakaian yang telah dihasilkan.

- by Firz Hafiz
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- Education, Fashion design, Curriculum Studies, Fashion
- by William Kynan-Wilson
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- History, European History, Cultural History, Cultural Studies

In fashion world, fashion shows are the most significant
part for fashion presentation, marketing and communication. In the last twenty years, fashion shows transformed themselves: They became a huge consumer market in a large hoop, which includes press and public relations professionals. At this point, fashion shows had a special
role with their exclusive show pieces, which are not for production: they only function as image. This image is constructed by capital. Fashion shows gained a meaning with consumer culture. When people buy a product, they do not purchase only a product: They feel themselves as a part of the brand. In here designer’s name is sold through its image not only by it’s a product. Thus, people purchase their dreams and their fantasies, which are in their unreal world.

The main purpose of this article is to compare Russian women’s costume of the pre-Petrine period and European Renaissance costume. The authors analyzed written sources on the subject, investigated shapes and constructions of historical... more

The article shows results in computer reconstruction of women's medieval cos-tume. The authors analyzed design features and patterns of historical garments. There-after, the authors developed the database of patterns and pattern drawing algorithm to enable automatic reconstruction and enhance the precision of patterns. In conclusion, the reconstruction of costume from the medieval painting was done, and high adequacy between the historical prototype and the 3D model has been proved.

- by Aleksei Moskvin and +1
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- Fashion design, History of Costume, Fashion History, Apparel Industry

RESUMO O presente estudo aborda os aspectos ergonômicos e de conforto aplicados ao design de produtos para vestuário, atribuindo a devida atenção para os princípios da ergonomia a fim de propiciar conforto a todos os usuários. Dentro deste contexto são abordadas questões referentes aos dados antropométricos, a forma como vem sendo utilizados e qual a correta aplicação quando se considera o momento do uso do produto, uma vez que são os dados de base para a construção dos produtos. A aplicação dos princípios ergonômicos a fim de suprir as necessidades de conforto ao usuário exige uma análise específica do biotipo e das formas de uso do produto por cada público. Assim, na parte final do estudo são analisados alguns dos aspectos que se apresentam como fundamentais no desenvolvimento de produtos voltados especificamente às pessoas idosas. Palavras-chave: Ergonomia, Conforto, Vestuário. ABSTRACT The present study deals with the ergonomic aspects of the fashion design products, and assumes that due consideration for ergonomic principles on costume design will promote overall costumer's comfort. Within this context are issues relating to anthropometric data, the way is being used and what the correct application when considering the exactly moment of use of the product, as are the basic element for building products. The application of ergonomics principles to the needs of comfort to the user requires a analysis of biotype, the use`s ways and the specific use´s moment. At the end of the study are considered some of the aspects that are considered fundamental in the products development aimed specifically for elderly peolple. No desenvolvimento de um projeto de design para produtos de vestuário é fundamental que se realize, inicialmente, uma coleta de dados seguida de uma análise sobre diversos fatores relacionados aos produtos existentes no mercado e, sobretudo, sobre o público-alvo e sobre as expectativas deste com relação aos produtos. Tal aspecto apresenta-se ainda mais pertinente se considerarmos os fatores e princípios ergonômicos aplicados a tais produtos, onde devemos constantemente analisar e reavaliar o sucesso ou não do vestuário a fim de propor intervenções ergonomizadoras, seja através do desenvolvimento de novos produtos ou através da melhoria dos aspectos nos quais os produtos já existentes deixam a desejar. De acordo com o sociólogo e filósofo francês Edgar Morin (2000), é necessário aprender a conhecer, ou seja, a separar e unir, analisar e sintetizar, ao mesmo tempo. Certamente esta afirmação se enquadra perfeitamente quando pensamos em alguns processos de desenvolvimento de produto que, em geral, são constituídos de maneira automatizada sem que se medite acerca de novas ou melhores formas de

- by Natália Forte
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- Fashion design, Ergonomia, Modelagem, Antropometria

The key message of this book is: clothing matters. And it is not just that clothing matters for people who enjoy fashion, but that across time, space and culture, for man, woman and child, clothing and appearance is a fundamental way in which we express our identities, are judged by others and communicate semiotically. Habits of Being II: Exchanging Clothes offers a compelling insight into the way in which clothing affects and is affected by identity and social structure, from Homer's ubiquitous renditions of male armour, to Kate Chopin's humble but erotically charged stocking.

- by Emma Waight
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- Cultural Studies, Fashion design, Fashion Theory, Fashion History

In the late 1990s New Zealand fashion gained some international recognition for its dark edginess and intellectual connection due to its colonial past (Molloy, 2004). In the years since, this momentum seems to have dissipated as local fashion companies have followed a global trend towards inexpensive off shore manufacturing. The transfer of the making of garments to overseas workers appears to have resulted in a local fashion scene where many garments look the same in style, colour, cut and fit. The excitement of the past, where the majority of fashion designers established their own individuality through the cut and shape of the garments that they produced, may have been inadvertently lost. Consequently a sustainable New Zealand fashion and manufacturing industry, with design integrity, seems further out of reach. The first question posed by this research project is, ‘can the design and manufacture of a fashion garment, bearing in mind certain economic and practical restrictions at its inception, result in the development of a distinctive ‘look’ or ‘handwriting’?’ Second, through development of a collection of prototypes, can potential garments be created to be sustainably manufactured in New Zealand?

- by Angela Finn
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- Design, Fashion design, Sustainable Development, Fashion ethics and sustainability

This research essay examines the target audience’s profile and preferences for the development of the garment brand Gaia & Dubos, which creates and produces ecological and ethical high-end garments for women in the province of Quebec, and explores the best environmental and ethical practice to establish a sustainable fashion enterprise. The research methods for this project combine a literature review, an online survey and four individual interviews with the target audience in an attempt to answer the research questions: (1) Who is the target audience (demographics, values, lifestyle and habits)? (2) What are the target audience’s preferences when it comes to ecological and ethical clothing? (3) What is the best environmental and ethical practice for a clothing brand?

The dress is the first layer of protection and separation between
the body and the surrounding environment. If the
building envelope is regarded as a dress to wear, the same
dress in its complexity can be considered an architecture;
like the buildings also the clothes are designed to adapt to
different climatic conditions. The intent is to explore by simulations
and a computational approach a design of a sports
body suit contrasting climatic conditions through its forms.

- by davide del giudice
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- Fashion design, Biomimicry, Erosion, Swarm Behaviour
- by Gudrun D Whitehead and +1
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- Cultural Studies, Fashion design, Fashion Theory, Film Studies

This paper previews a new approach being developed for modeling the dynamic behavior of stretch clothes in apparel surfaces. This work extend the cloth-particle static draping model include dynamics, and extends constrained dynamics simulation techniques to yield performance enhancements. The advantages of this new approach, the new approach includes several steps. First step is set up the 3D garment of woven stretch cloth by using the method developed in this paper, Based on the relationship, the algorithms and generation of rules for transferring style requirements to the parameter values of the garment of woven stretch cloth are developed. As such, the knowledge base can be constructed, and the intelligent design system of the 3D garment style is built, Simulation remains a major challenge, even if applications are numerous, from rapid prototyping to e-commerce. A stable, real-time algorithm for animating stretch cloth apparel surfaces.

- by Elsayed Elnashar
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- Fashion design, Fashion Theory, Textiles, Textile Engineering

Introduction: In 2012, 14.33 million tons of textile waste was generated in the United States, which represented 5.7% of total municipal solid waste. Of these textile waste, 15.7% was recovered and 12.08 million tons were discarded. The apparel giant Nike (Nike Considered Design, 2010) defines waste as any product or material purchased anywhere in the supply chain that does not ultimately end up in the consumer's closet. This definition includes non-product waste (such as packaging), manufacturing waste (such as scrap material in contract factories) and product waste such as samples. The purpose of this project was to focus on alternatives to waste generated in apparel sampling. Nike # of " salesman samples 2017, to integrate sound information about materials into an interactive development tool to educate and inform developers about their material selection decisions. By creating efficiencies in the product development phase of the apparel product life-cycle a significant amount of solid waste would be eliminated as well as a significant decrease in the products carbon footprint. Over 16,000 materials are used in apparel and footwear products each year. A pair of shoes alone can use more than 30 materials (Nike Considered Design, 2010). Sustainable Apparel Coalition has developed material sustainability index (MSI) that can help companies choose the best fabrications of textiles. We sought to mesh the possibilities of virtual prototyping with MSI data. There were 5 objectives for this project (a) operational investigations (virtual prototyping and MSI data); (b) develop tool that meshes 3D CAD with MSI data; (c) generate virtual apparel using tool; (d) develop physical prototypes; (e) evaluate the environmental and economic impacts of our products (g) develop educational tools. Waste Reduction in Product Development Phase. We hypothesized that waste reduction in apparel production can be achieved through increased efficiency in the product development phase by the utilization of 3D technology, the benefit of using 3D technology is that problems can be solved prior to generating physical waste. Virtual Prototyping enables designers to quickly visualize how a material will ultimately appear on a product. If it's not the desired look, the developer can try different materials until the perfect match is found. The virtual/visual data helps in transcending the technical aspects of fabric composition and improve tactility. Virtual prototyping saves time and money and allows the designer to explore and experience hundreds of options before making a final choice " (Bux, 2014). The Materials Sustainability Index (MSI) assesses material impacts in the areas energy, chemistry, water and waste. The current process of fabric selection in apparel product development does not take into consideration the environmental impacts of chosen materials. With a lack of access to information regarding material sustainability, developers and other decision makers can not make informed, sustainable decisions (Nike, 2013). By embedding material sustainability data into the 3D prototyping system serving we can educate product creation teams to use environmentally better materials. We hypothesize that by embedding MSI data into an interactive virtual product development tool, a platform is created to both educate and inform more sustainable choices. Process: A team of researchers investigated the potential of virtual prototyping by customizing a virtual fabric library based on measurements of textile mechanical property data from two knit (list fabrics) and two woven constructed fabrics. Researchers referred to MSI data during fabric selection, developing 3D virtual textile structures, applying texture mapping to virtual garments using Adobe photoshop software, embedding into the material section Optitex (CAD) software. Concurrent with virtual garment construction, researchers constructed physical garment samples out of selected textile materials, utilizing both knit and woven substrates. Researchers analyzed the virtual apparel prototypes through additional tests, measuring potential waste reductions of virtual apparel prototype production in contrast to physical apparel prototype production. Based on findings, students developed recommendations in optimizing apparel product development via virtual prototyping methods. Quantitative Evaluation. The custom fabric library is based on textile material characteristics such as weight, thickness, stiffness/softness and elongation. ASTM standard methods were used in measuring these characteristics. The weight of fabrics (g/ m2) will be measured using a scale in accordance with ASTM D3776 method (Mass per unit area (weight) of fabric). The thickness of the fabrics will be measured using a portable thickness gauge in accordance with ASTM D1777 (Thickness of textile materials). The stiffness/softness data will be measured using a Handle-a-meter in accordance with ASTM D6828 (Stiffness of fabric by blade/slot procedure) standard. Textile elongation data will be measured using a tensile tester in accordance with ASTM D5034 (Breaking strength and elongation of textile fabrics) standard. Qualitative Evaluation. Upon IRB approval, researchers developed and implemented an industry expert panel survey. This survey will request feedback of a physical apparel product prototype compared to a virtual apparel product. Results: Outputs of this project include an initial prototype of a hybrid 3D/MSI System. The initial prototype was used as a proof of concept for Phase 2 funding that would serve to develop an interactive product development " app ". Students developed a report on the virtual prototyping research and recommendations on product development solutions with the use of 3D/MSI hybrid models to minimize product waste; as well as a textile mechanical property report and virtual apparel prototypes produced by Optitex (CAD) software; physical apparel product prototypes. Educational tools will also be developed at the department, university, community and national levels. An article is forthcoming. (Pictures here of virtual and physical garment) Acknowledgement This project was supported by a grant from EPA P3 Student Design Competition Phase 1. References

- by Kelly A Cobb and +2
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- Fashion design, Virtualization, New Product Development, Interactive educational tool

A collection of international contributions from renowned academics and practitioners from the UK, USA and China, the second edition of Fashion Marketing has been revised and expanded to incorporate the major changes in the fashion... more

- by Tony Hines
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- Marketing, Fashion design, Fashion Theory, Sociology of Fashion

Rasyonaliteyi merkeze alarak kendisini inşa eden modernite; bireyci, seküler, materyalist, evrimci ve evrenselci özellikleriyle tüm dünyada etkili olmaya çalışan ve neredeyse dünyanın tamamına erişen bir zihniyet olgusudur. Yayılmacı politikalarını destekleyen aygıtlarının yardımıyla kendi sosyal kontrolünü oluşturan modernite, dönüştürmeye ve homojenleştirmeye çalıştığı toplumlar üzerinde kullandığı en etkili araçlarından birisi de tamamen moderniteyle birlikte anlamını bulan modadır. Moda yeryüzünde varoluşumuzdan bu yana evrenle, kendimizle ve başkalarıyla iletişimde kullandığımız bir araçtır. İnsanoğlu hayatını kendi bedeni üzerinden inşa eder. Benlik ve kimlik olgusunu kendi bedeni ve bedenini saran giysiler yoluyla gerçekleştirir. Bedenini değiştirme, koruma ve sunma, ruhsal ve toplumsal süreçler içerisinde gerçekleşir. Bu nedenle bedenimizi ve ruhumuzu saran giysiler, kişiliğimizi anlatmada, kendimizi olmak istediğimiz şekilde sunmada, ruhumuzu ve bedenimizi korumada önemli bir görev edinir.
SOCIAL CONTROL INSTRUMENT OF MODERNITY IS "FASHION"
ABSTRACT
Modernity, which constructs itself through centering on rationality is a mentality phenomenon that tries to be
effective all over the world and reaches almost the whole world due to its individualist, secular, materialist, evolutionist
and universalist features. Modernity which creates its own social control with the help of its instruments supporting its
expansionist policies, is fashion, which finds its meaning completely with modernity and which is one of the most
effective instruments uses on the societies and tries to transform and homogenize them. Modernity composes its own
social control with the help of its apparatuses supporting its expansionist policies. One of the most effective tools used
by modernity on societies which is tried to be transformed and homogenized is fashion finding its meaning totally with
modernity. Fashion is a tool that we have been using to communicate with the universe, ourselves and others since our
existence on earth. Human builds his life through his own body. Human realizes the phenomenon of self and identitythrough her/s own body and the clothes covering her/s body. Changing, protecting and presenting the body takes place
in spiritual and social processes. Therefore, the clothes covering our body and soul play an important role in expressing
our personality, presenting ourselves as we want to be, and protecting our soul and body.
Fashion emerges from the individual and social compositions of clothes. While fashion, which is an irrational
means of control directed to meet the spiritual and social needs of the individual, is being used as a way to impose the
dominant culture, hegemonic power, power and thought system on the individual by consent; continues to create new
identities through embracing all its symbolic meanings. The individual who tries to make himself included in a social
group is tested by fashion, which is the most visible form of social obedience. In this research that was performed based
on the literature, the position of fashion as a hidden ideological social control instrument used by modernity while
constructing itself has been discussed and tried to be determined. First of all, the relationship between modernity and
fashion has been examined through supporting with the opinions. Then, fashion was questioned within consumption and
its place as a consumption object was tried to be determined in society. The relationship between fashion, which is seen
as a social control instrument of modernity and power, and dominant power and modernism has been tried to be
revealed.
Key Words: Modernity, Fashion, Social Control.

- by Burcu Başaran
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- Fashion design, Fashion Theory, Sociology of Fashion
- by Thomas Küpper
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- Cultural Studies, Fashion design, Aging, Aging & the life course
- by Lizbeth Michele García Campos
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- Fashion design

Removal of unwanted hair, especially facial hair removal, is one of the most important things on the To-Do list of all women. In order to achieve facial hair removal, women often resort to various different techniques to drastically reduce body hair and remove facial hair. Some of them are threading, plucking and electrolysis.
The first two are temporary facial hair removal methods with the hair growing back after a few days. On the other hand, the electrolysis hair removal method will remove facial hair from the roots and after a few sessions, all the hair follicles are treated so that there is no need for facial hair removal.

- by John Lee
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- Fashion design, Life Style, Beauty, Fashion Designing
- by Suzanne Fraser
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- Design, Fashion design, Architecture

Hier gibt es ein konkretes Arbeitsblatt für den Kunstunterricht in der Sekundarstufe I, anhand von idealen Körperfiguren der Renaissance modische Entwürfe zeichnerisch zu üben. In der Zusammenschau lassen sich Kleidungsstile, -vorschriften, -materialkombinationen, -proportionen (geschlechtsspezifisch) etc. kategorisieren und reflektieren.

Murió Sergio De Loof, el artista indómito del under argentino-L'Officiel Argentina https://www.lofficiel.com.ar/Arte y cultura/murio-sergio-de-loof-el-artista-indomito-del-under-argentino 1/7 ARTE Y CULTURA Murió Sergio De Loof, el artista indómito del under argentino Falleció en el Nuevo Sanatorio de Berazategui. Estaba internado desde principios de mes. 23.03.2020 por L'Officiel Arg Reading time 6 minutes Reading time 6 minutes  MENÚ CHANNELS MORE 5/6/2021 Murió Sergio De Loof, el artista indómito del under argentino-L'Officiel Argentina https://www.lofficiel.com.ar/Arte y cultura/murio-sergio-de-loof-el-artista-indomito-del-under-argentino 2/7

- by Daniela Lucena
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- Fashion design, Artes, Arte contemporáneo, Sociología del arte

99pockets presents a new designer charizma suits collection at the best prices and discount offers. all our products are 100% genuine, best in quality and original brand packaging. shop online, free shipping, cod available on Chandigarh... more

- by 99 pockets
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- Fashion design

Carved and painted onto wood, stone, bone, animal skins or metal, woven and knit into cloth, material culture from Northwest Coast Native peoples has historically been a one-of-a-kind iteration and a declaration of of familial rights and privileges. These items adorned public and private spaces, including the body, and were traditionally produced by hand. In recent years, some designs have been serialized and mass produced through new technologies like silk screen and digital printing, adorning everything from coffee mugs to t-shirts, sunglasses, jewelry and other garments (Roth 2012; Roth 2015). This chapter explores the history of Nuu-chah-nulth First Nations specifically and analyzes their distinctive aesthetics and design practice through the lens of fashion theory. The chapter concludes with a discussion of contemporary Nuu-chah-nulth designers and the circulation of their work. I ask: how does fashion operate within Nuu-chah-nulth social organization and how has ongoing colonialism and hybridization of prestige and capitalist economies transformed Nuu-chah-nulth fashion systems and design ideas? The findings discussed in this chapter draw from ongoing ethnographic research (beginning in October 2009) and archival- and museum-based research at both major and minor institutional repositories in the United States, Canada, Germany and England.

- by Denise Nicole Green
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- Fashion design, Fashion Theory, Costume and Identity, Textile Design

Abstract In this paper I contend the gathering momentum of the Chinese fashion industry has reached an important tipping point. Typically this impetus has been constrained by two key forces that have shaped the perception... more

- by Tim Lindgren
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- Fashion design, China

Whether you dream of building an on-line business, running an on-line business or becoming a fashion designer, pop-star or footballer, there are key business skills that you cannot do without if you are to succeed financially
Forbes "Spurred by watching the attrition to new business through a lack of core skills, one British insolvency lawyer is bringing business education to children"

- by Prof Mark Watson-Gandy O.B.E
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- Business, Entrepreneurship, Business Administration, Finance

Trevor McGerr is the Digital marketing expert and developing strong and innovative digital marketing strategies using PPC, SEO, SEM, and other techniques to attract traffic to the companies website and increasing awareness of company’s... more

- by Trevor McGerr
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- Fashion design
- by AC FM
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- Fashion design, Brand Management, Quality Management, Validation

The women dhoti Kurtas trends are the best fashion trends that you can come beyond in the recent times. The dhoti trend is all over, from paring it with Kurtas to wearing it as a saree. Dhoti has been a part of the Indian traditional... more

- by 99 pockets
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- Econometrics, Fashion design, Fashion
- by Vandana Narang
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- Fashion design, Menswear

The rise of pictograms in the 1960s is usually associated with the Olympic games (Tokyo 1964, Mexico City 1968, München 1972 or world exhibitions (Montréal 1967). It is often suggested that the designers of the symbols for these events, played a pioneering role in their development. Remarkably the role of international organizations that contributed to the development of pictograms in these years has seldom been researched. An organization that was most active in this area was the International Council of Graphic Design Associations (Icograda) as it was then known. President Willy de Majo and his close collaborator Peter Kneebone held the opinion that ideally a standardized and tested pictogram set for general traveller information should be developed. Through its activities Icograda eventually contributed to raising awareness about the necessity of standards for public information symbols. By using the archives of Icograda and researching the organizations and individuals it was dealing with including the ICBLB, UIC, Glyphs Inc., Henry Dreyfuss, and ISO, a more balanced picture of the development of pictograms begins to emerge. This study provides a new, more institutional twist to the history of a popular design theme within the graphic design profession.

- by Wibo Bakker
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- Semiotics, Design, Fashion design, Art

El arte del cinematógrafo provoca una relación singular de tipificación cultural de la cual sólo pocos logran despegarse. A partir de ahí, el Fashion Film se configura en clave artística combinando ciertas clasificaciones que incluyen directrices normativas bien características: cortas producciones audiovisuales cinematográficas que evidencian
por medio de la imagen y el sonido conceptos o estéticas propias de diseñadores de indumentaria. Todo esto llevado a cabo con la intención no sólo de dar a conocer o comercializar una determinada colección, sino con el fin de provocar sentimientos en aquellos espectadores para lograr su identificación, en el mejor de los casos.

- by Sara Peisajovich
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- Fashion design, History of Art, Cinema, Historia del Arte

ABSTRAK Saat ini peminat dari tren athleisure semakin meningkat karena tren tersebut menggabungkan gaya casual dan sporty sehingga membuat pemakainya merasa nyaman dan terlihat menarik pada saat yang bersamaan (Jang, 2016). Adanya pergeseran budaya di tempat kerja seperti penggunaan sepatu kets dan celana olahraga ke kantor yang diperbolehkan juga turut membuat tren athleisure ini semakin diminati oleh banyak orang (Trefis, 2016). Kecenderungan jam kerja di Indonesia yang mencapai 48 jam dalam seminggu membuat keinginan seseorang dalam menggunakan pakaian athleisure demi kenyamanan saat bekerja semakin besar, ditambah dengan meningkatnya jumlah kantor yang memperbolehkan pekerjanya mengenakan pakaian bebas setiap harinya (Holland, 2017), namun menunjukkan tampilan yang rapi saat bekerja menjadi hal yang penting dilakukan karena memberikan kesan lebih handal, dapat dipercaya dan menunjukkan rasa hormat, sehingga saat ini banyak dari perusahaan yang memberikan aturan terkait hal terse...

- by Retnabella Mitasari
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- Fashion design, Art, Style, Trend Analysis

Broadly defined, every result of a human action is an artefact. In a narrower sense, the term is used for material things resulting from human actions; in this sense, all artefacts together form the realm of material culture. Although... more

- by Martin Siefkes
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- Semiotics, Psychology, Philosophy, Aesthetics

Hollywood Costume designing and a brief study about costumes of movie "Marie Antoinette"

- by Kavitha Katz
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- Fashion design, Fashion Theory, Fashion History, Costume Design

The figure of the 'woman-child' appears time and time again in the field of British fashion. Caught somewhere between the discursive domains of childhood and womanhood, the 'girl' has vast and malleable 'symbolic appeal' (Jobling 1999). She has been used at different historical moments to symbolise something beyond herself: modernity and progress; freedom and financial independence; pessimism and so-called heroin chic. But what does the 'woman-child' represent today, following three (or even four) waves of feminism? This question is unravelled here through discussion of Meadham Kirchhoff's Spring/Summer 2012 collection, A Wolf In Lamb's Clothing.

- by Morna Laing
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- Cultural Studies, Fashion design, Fashion Theory, Girlhood Studies
- by Paula Miguel
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- Entrepreneurship, Fashion design, Creative Industries, Moda

Hallel. Carmel. Bezalel The Exhibitions: Halel. Carmel Winery 'Judaica Now!': Goblets and Kiddush Cups of the Bezalel School These two exhibitions: "Halel. Carmel Winery" and "'Judaica Now!': Goblets and Kiddush Cups of the Bezalel... more

- by Shirat-Miriam Shamir and +1
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- Business, Art History, Jewish Studies, Design
- by grupo 6 medicina
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- Fashion design