Late Medieval English History Research Papers (original) (raw)

Cited: Martha Easton, “Feminist Art History and Medieval Iconography,” in Colum Hourihane, ed., The Routledge Companion to Medieval Iconography (London and New York: Routledge, 2017), 875n37; “The French of England: Annotated Short... more

Cited: Martha Easton, “Feminist Art History and Medieval Iconography,” in Colum Hourihane, ed., The Routledge Companion to Medieval Iconography (London and New York: Routledge, 2017), 875n37; “The French of England: Annotated Short Bibliography and Resources,” Fordham University, https://frenchofengland.ace.fordham.edu/?page_id=100#some-art-historical; “Crowned Woman (likely Eleanor of Woodstock) at Mass,” Feminae: Medieval Women and Gender Index, https://inpress.lib.uiowa.edu/feminae/DetailsPage.aspx?Feminae_ID=37792; Kathryn A. Smith, "Margin," in Medieval Art History Today: Critical Terms, ed. Nina Rowe, special issue of Studies in Iconography 33 (2012), 44n34; Nigel Morgan, "English Books of hours, c. 1240-c.1480," in Sandra Hindman and James H. Marrow, ed., Books of Hours Reconsidered (London and Turnhout: Harvey Miller, 2013), 90n26; Kathryn A. Smith, "'Specially English': Gothic Illumination, c. 1190-Early Fourteenth Century," in A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, 2nd, rev. ed. Conrad Rudolph (Hoboken: Wiley-Blackwell, 2019), 585, 591n68, 592n79, n81, 599.
Publicity: Sarah J. Biggs, “The Taymouth Hours,” The British Library Medieval Manuscripts Blog, April 13, 2012,
https://blogs.bl.uk/digitisedmanuscripts/2012/04/the-taymouth-hours.html?_ga=2.119940683.2120474733.1614875499-558522456.161487549