Modernismo Research Papers - Academia.edu (original) (raw)

REED, J. D., "Pessoa's Antinous" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 106-119. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0319T31 Is Part of: Pessoa Plural―A... more

REED, J. D., "Pessoa's Antinous" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 106-119. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0319T31

Is Part of:

Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10

Pessoa's Antinous
[O Antínoo de Pessoa]
https://doi.org/10.7301/Z0319T31

ABSTRACT

Pessoa's Antinous follows a tradition of poems on mythological dying-god figures mourned by their divine lovers, transferring the tropes of that tradition to the Roman emperor Hadrian and his lover, who had been appropriated by fin-de-siècle literary homoeroticism.

RESUMO

O Antinous (Antínoo) de Fernando Pessoa segue uma tradição de poemas sobre deuses mitológicos moribundos sendo lamentados por seus amantes divinos. Pessoa transfere os artifícios dessa tradição para duas personagens, o imperados romano Adriano e seu amante, o qual tinha sido apropriado pelo homoerotismo literário do fim do século XIX.

BIBLIOGRAPHY

ACTON, Harold (1925). An Indian Ass. London: Duckworth.
ALDRICH, Robert (1993). The Seduction of the Mediterranean. London: Routledge.
CADARIO, Matteo (2012). “Le molteplici e mutevoli immagini di Antinoo.” Antinoo. Il fascino della
bellezza. Edited by Marina Sapelli Ragni. Milan: Soprintendenza per i beni artistici e storici
del Lazio, pp. 64-77.
DOVER, Kenneth J. (1989). Greek Homosexuality. Cambridge, Mass.: Harvard University Press, 2nd
edition. [1st edition 1978].
DU PLESSIS, Michael (2002). “Unspeakable Writing: Jean Lorrain’s Monsieur de Phocas.” French Forum,
27, 2, pp. 65-98.
ELLIS, Havelock (1915). Affirmations. Boston: Houghton Mifflin Company, 2nd edition [1st edition
1898].
FERRARI, Patricio and Jerónimo PIZARRO (guest eds.) (2015). Portuguese Literary & Cultural Studies,
n.º 28 (Fernando Pessoa as English Reader and Writer). North Dartmouth: Tagus Press at
UMass Dartmouth.
FRAZER, James (1914). The Golden Bough. Pt. 4: “Adonis Attis Osiris.” vol. 1. London. Macmillan. 3rd
edition. [1st edition 1906].
GOSSE, Edmund (1912). Portraits and Sketches. London: William Heinemann.
HALPERIN, David M. (2006). “The Best Lover.” B. Dufallo and P. McCracken, eds., Dead Lovers: Erotic
Bonds and the Study of Premodern Europe. Ann Arbor. University of Michigan Press, pp. 8-21.
INGLEHEART, Jennifer (2015). “Putting the Roman back into Romance: The Subversive Case of the
Anonymous Teleny.” Ancient Rome and the Construction of Modern Homosexual Identities.
Oxford: Oxford University Press, pp. 144-75.
JONES, Christopher (2010). New Heroes in Antiquity: From Achilles to Antinoos. Cambridge: Harvard
University Press.
KLOBUCKA, Anna M. (2013). “Fernando Pessoa ativista queer: Uma releitura do ‘Antinous.’”
Unpublished paper. Web: www.academia.edu/5592763/Fernando_Pessoa_ativista_queer
_Uma_releitura_de_Antinous_ (accessed 18 November 2016).
KOPELSON, Kevin. 1994. Love’s Litany: The Writing of Modern Homoeroticism. Stanford: Stanford
University Press.
LAMBERT, Royston (1984). Beloved and God: the Story of Hadrian and Antinous. New York: Viking.
LIVREA, Enrico (1999). “Chi è l’autore di P. Oxy. 4352?” Zeitschrift für Papyrologie und Epigraphik, 125,
pp. 69-73.
MADER, D. H. (2005). “The Greek Mirror: The Uranians and Their Use of Greece.” Journal of
Homosexuality, 49, 3-4, pp. 377-420.
MEYER, Hugo (1991). Antinoos: Die archaologischen Denkmaler unter Einbeziehung des numismatischen
und epigraphischen Materials sowie der literarischen Nachrichten. Munich: W. Fink.
MONTEIRO, George (2007). “Fernando Pessoa, He Had His Nerve.” Embodying Pessoa: Corporeality,
Gender, Sexuality. Edited by Anne M. Klobucka and Mark Sabine. Toronto: University of
Toronto Press, pp. 125-148.
PESSOA, Fernando (2014). Poèmes français. Edition established and annotated by Patricio Ferrari in
collaboration with Patrick Quillier. Preface by Patrick Quillier. Paris: Éditions de la
Différence.
____ (1999). Fernando Pessoa: Correspondência 1905-1922. Edited by Manuela Parreira da Silva.
Lisbon: Assírio & Alvim.
____ (1993). Poemas Ingleses. Antinous, Inscriptions, Epitalamium, 35 Sonnets. Edited by João
Dionísio. Lisbon: Imprensa Nacional-Casa da Moeda. Critical Edition of Fernando Pessoa.
Major Series, vol. V, tome I.
____ (1974). Obras completas de Fernando Pessoa. Poemas Ingleses. Edited by Jorge de Sena. Lisbon:
Edições Ática. vol. 11.
RAYNAUD, Ernest (1888). Chairs profanes. Paris: Léon Vanier.
REED, J. D. (2000). “Arsinoe’s Adonis and the Poetics of Ptolemaic Imperialism.” Transactions of the
American Philological Association, 130, pp. 319-351.
____ (2006). “Wilfred Owen’s Adonis.” Basil Dufallo and Peggy McCracken, eds., Dead Lovers:
Erotic Bonds and the Study of Premodern Europe. Ann Arbor: University of Michigan Press, pp.
39-56.
____ (1997). Bion of Smyrna: The Fragments and the Adonis. Cambridge: Cambridge University
Press.
RENBERG, Gil H. (2010). “Hadrian and the Oracles of Antinous (SHA Hadr. 14.7); with an Appendix
on the So-Called Antinoeion at Hadrian’s Villa and Rome’s Monte Pincio Obelisk.” Memoirs
of the American Academy in Rome, 55, pp. 159-98.
RODITI, Edouard (1962). “Fernando Pessoa, Outsider Among English Poets.” The Literary Review, 6,
pp. 372-85.
SABINE, Mark (2007). “‘Ever-Repositioned Mysteries’: Homosexuality and Heteronymity in
‘Antinous.’” Embodying Pessoa: Corporeality, Gender, Sexuality. Edited by Anne M. Klobucka
and Mark Sabine. Toronto: University of Toronto Press, pp. 149-77.
SAPELLI RAGNI, Marina, ed. (2012). Antinoo. Il fascino della bellezza. Milan: Soprintendenza per i beni
artistici e storici del Lazio.
SHEPHERD, Reginald (1996). Angel, Interrupted. Pittsburgh: University of Pittsburgh Press.
VOUT, Carolyn (2007). Power and Eroticism in Imperial Rome. Cambridge: Cambridge University
Press.
WATERS, Sarah (1995). “‘The Most Famous Fairy in History’: Antinous and Homosexual Fantasy.”
Journal of the History of Sexuality, 6, pp. 194-230.
WILDE, Oscar (1989). Oscar Wilde. Edited by Isobel Murray. Oxford: Oxford University Press.
WEIR, David (1996). Decadence and the Making of Modernism. Amherst: University of Massachussetts
Press.