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At Home: Alice Neel in the Queer World
Victoria Miro
London
January 30 -
March 8, 2025

At Home: Alice Neel in the Queer World

Curated by Hilton Als, Victoria Miro gallery’s ninth solo exhibition of work by the celebrated American painter further extends an ongoing exploration of aspects of Alice Neel’s work and its continuing relevance today. Gallery photographs by Jack Hems.
Visit the Victoria Miro website

At Home: Alice Neel in the Queer World
David Zwirner
Los Angeles
September 7 -
November 2, 2024

At Home: Alice Neel in the Queer World

The show was curated by Hilton Als and continues the gallery’s history of presenting curated exhibitions that focus on different facets of Neel’s ever-relevant work. This exhibition is accompanied by an expansive catalogue, published by David Zwirner Books.
Visit the David Zwirner website

Exploring artist Alice Neel’s ‘poetic acceptance of other people’

Press Play with Madeline Brand interview with Hilton Als

Amy Ta
KCRW
October 31, 2024
Read more and listen

Why Alice Neel remains a vital presence

The artist’s path to success was long and arduous, paved with heartbreak and poverty

Saffron Swire
The Spectator
November 2024
Read more

How Alice Neel Painted the Queer World

"As an artist, Neel gave so many people their name—the right to their name" says Hilton Als

Jelena Martinović
Loophole
October 16, 2024
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At Home: Alice Neel in the Queer World

Her intimate and highly expressive paintings of the queer community are the subject of this expansive show.

Piper Olivas
Whitehot Magazine
September 25, 2024
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Melissa Seley paints a picture of Alice Neel, through the eyes of Hilton Als, at David Zwirner in Los Angeles.

Melissa Seley
The Los Angeles Review of Books
September 26, 2024
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Every Person is a New Universe
Munch Museum, Oslo
September 2 -
November 26, 2023

Alice Neel: Every Person is a New Universe

Fall 2023 visitors became better acquainted with the radical artist Alice Neel in the most comprehensive presentation of her art ever shown in Norway. Organised in collaboration with the Centre Pompido, Paris and the Barbican Centre, London. Photos copyright Munchmuseet.
Visit the Munch Museum website

Alice Neel: Hot Off
The Griddle
Barbican, London
February 16, 2023 –
May 21, 2023

Neel at Barbican Centre, London

The largest exhibition to date in the UK of American artist Alice Neel (1900–1984) whose vivid portraits capture the shifting social and political context of the American twentieth century.
Visit their website

How New York artist Alice Neel seduced us with her fearless, fleshy portraits

Eloise Hendy, The Independent
February 17, 2023
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Alice Neel: Hot off the Griddle review – easy on the eye portraits from an artist with guts

Mark Hudson, The Independent
February 15, 2023
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Alice Neel review – sexy, wonky portraits of radicals, poets, feminists and naked art critics

Adrian Searle, The Guardian
February 15, 2023
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Hot Off the Griddle, Barbican: Nudity, suffering and joy from a radical collector of souls

Florence Hallett, The I
February 16, 2023
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Hot off the Griddle at the Barbican review: this humane painter speaks so clearly to us still

Ben Luke, Evening Standard
February 15, 2023
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Alice Neel: Hot Off the Griddle review – life unvarnished

Chloë Ashby, The Times
February 15, 2023
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‘She created a space where people could reveal themselves’: the unique portraits of Alice Neel

Skye Sherwin, The Guardian
February 6, 2023
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Alice Neel was a painter of people – and clothes ... her portraits have a sharp eye for fashion

Annachiara Biondi, The Financial Times
February 4, 2023
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Alice Neel: Hot Off the Griddle; Action, Gesture, Paint – review

Laura Cumming, The Observer
February 19, 2023
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‘She really wanted to see my labia piercing’: what was it like to be painted by Alice Neel?

Jonathan Jones, The Guardian
February 21, 2023
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Alice Neel, Barbican review – sharp portraits get under the skin

Rachel Spence, The Financial Times
February 23, 2023
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Alice Neel: Hot Off the Griddle Review

Bryson Edward Howe, FAD Magazine
February 23, 2023
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Un regard engagé
An Engaged Eye
Centre Pompidou
Paris, France
October 5, 2022 –
January 16, 2023

Neel at Centre Pompidou Paris

An icon of militant feminism and a precursor of an intersectional approach, Neel often painted women – nudes who were a far cry from the traditional paradigm shaped by the male view and devoid of any sentimentality. The exhibition was divided into two parts structured freely around the notions of class and gender struggle. In total, some 75 paintings and drawings were on display. Visit their website.

At the Centre Pompidou, realist painter Alice Neel emerges from obscurity

Philippe Dagen, Le Monde
October 22, 2022
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While her New York peers were fighting over the future of abstraction, Alice Neel was urgently capturing life

Matthew Holman, The Art Newspaper
October 28, 2022
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Discovering the American painter Alice Neel
A la découverte de la peintre américaine Alice Neel

Judith Benhamoud, Les Echoes, November 4, 2022
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The Human Comedy
of Alice Neel
La comédie humaine
d’Alice Neel

Daphné Bétard, BeuxArts
October 18, 2022
Read more

People Come First
March 22, 2021 –
August 1, 2021
The Metropolitan Museum of Art
New York

It’s time to put Alice Neel in her rightful place in the pantheon

Roberta Smith
The New York Times, April 1, 2021

In March, the Metropolitan Museum of Art celebrated Neel’s art... This month, David Zwirner gallery will present a collection of the artist’s early works, including streetscapes and portraits, at its West 20th Street space in New York City. Continued and growing interest in Neel’s paintings could be viewed as inevitable — her focus on those who lived on society’s margins speaks directly to our cultural moment.

Rennie McDougall
New York Times, September 10, 2021

Press to hear Alice Neel speak about her life and work

Apollo Magazine: Exhibition of the Year
Alice Neel: People Come First
The Met, New York 2021
In around 100 paintings, drawings and watercolours the largest retrospective of Neel’s work in New York – and the first in 20 years – argued for her as one of the great American painters of the 20th century. The artist’s urgent, sympathetic portraits of her fellow New Yorkers felt particularly welcome in 2021, and this show awarded them with the status they have long deserved.

There’s a profound spiritual component to the work; her intense and casual surfaces feel like a wall that she wants her subjects’ souls to walk through to meet ours. At times, her focus, her desire to understand who her subjects are and, by extension, who you might be, can have you rushing out of the galleries for a breath of air.

Hilton Als
The New Yorker, April 19, 2021

Experiencing Neel’s work at the Met — after a full year of loss and social upheaval — her gigantic vision, perseverance, and the tragedies of her life tell us that we could be heroes like her and the people she painted. It’s easy to recognize her greatness in retrospect, when her work is celebrated in a setting like this. For most of Neel’s 84 years, though, she was artistically on her own. “I broke all the rules,” she said.

Jerry Saltz
The Vulture, April 6, 2021

A large retrospective feels at home in the Metropolitan Museum of Art’s grandest galleries and should silence any doubt about the artist’s originality or her importance... The latest evidence is the gloriously relentless retrospective of Alice Neel (1900-1984), the radical realist painter of all things human, at the Metropolitan Museum of Art.

Roberta Smith
The New York Times, April 1, 2021

WashingtonPost Quote small

Days after seeing “People Come First’’ ... an afterimage of her brisk vision of vibrant humanity still pulses behind my eyes. Even in memory, Neel's paintings never sit still. They squirm, shiver and jiggle. Particularly memorable is her astonishing sequence of tender yet frank, unidealized portraits of pregnant women, women in childbirth and women breastfeeding. Regarded cumulatively, they are one of the signal achievements of modern American art.

Sebastian Smee
The Washington Post, March 25, 2021

People Come First
March 22, 2021 –
August 1, 2021
The Metropolitan Museum of Art
New York

It’s time to put Alice Neel in her rightful place in the pantheon

Roberta Smith
The New York Times
April 1, 2021

Apollo Magazine
Exhibition of the Year
People Come First
The Met, New York 2021
The artist’s urgent, sympathetic portraits of her fellow New Yorkers felt particularly welcome in 2021, and this show awarded them with the status they have long deserved. Read more

Press to hear Alice Neel speak about her life and work

Her intense and casual surfaces feel like a wall that she wants her subjects’ souls to walk through to meet ours. At times, her focus, her desire to understand who her subjects are and, by extension, who you might be, can have you rushing out of the galleries for a breath of air.

Hilton Als
The New Yorker

Experiencing Neel’s work at the Met — her gigantic vision, perse­verance, and the tragedies of her life tell us that we could be heroes like her and the people she painted. It’s easy to recognize her greatness in retrospect, when her work is celebrated in a setting like this.

A large retrospective feels at home in the Metropolitan Museum of Art’s grandest galleries and should silence any doubt about the artist’s originality or her importance... The latest evidence is the gloriously relentless retrospective of Alice Neel (1900-1984), the radical realist painter of all things human ...

Roberta Smith
The New York Times

WashingtonPost Quote small

Days after seeing “People Come First’’ at the Met in New York, an after­image of her brisk vision of vibrant humanity still pulses behind my eyes. Even in memory, Neel's paintings never sit still. They squirm, shiver and jiggle... they are one of the signal achievements of modern American art.

Sebastian Smee
The Washington Post

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