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Portrait of Glenn Kaino.

Interviews

Artist and Curator Glenn Kaino Reveals His Top Five Recent Obsessions

By Francesca Aton

Hugh Hayden Gives Chelsea What It Needs Most: A Public Restroom

Three gray bahtrooom stall doors. One is open, revealing a sculpture—of danging wooden ribcage—inside.

Video: Arlene Shechet Brings Color and Humor to Her Monumental Sculptures

A white woman in a black padded jacket and dark pants stands with hands on hips in front of a large, metallic, geometric-shaped sculpture in an industrial workshop setting. The sculpture has rough surfaces and an open circular area. The environment includes visible machinery and the ceiling is supported by beams.

Latest Interviews

Portrait of Glenn Kaino.

Artist and Curator Glenn Kaino Reveals His Top Five Recent Obsessions

Kaino discusses conservation and artistic production.

Three gray bahtrooom stall doors. One is open, revealing a sculpture—of danging wooden ribcage—inside.

Hugh Hayden Gives Chelsea What It Needs Most: A Public Restroom

"The 17 stalls are like a book," the artist says. "You can't see all the sculptures at once. You have to open the door, or turn page."

A white woman in a black padded jacket and dark pants stands with hands on hips in front of a large, metallic, geometric-shaped sculpture in an industrial workshop setting. The sculpture has rough surfaces and an open circular area. The environment includes visible machinery and the ceiling is supported by beams.

Video: Arlene Shechet Brings Color and Humor to Her Monumental Sculptures

The artist discusses her new show of large-scale, boldly-colored sculptures, now on view at Storm King Art Center.

A woman with dark hair and dark glasses applies colored liquid to a work on paper.

Video: Pakistani American Artist Shahzia Sikander On Reimagining Painting Traditions From Around the World

From a studio in Brooklyn, the artist discussed work of the kind that figures in her retrospective on view in Venice.

Hard Truths: Can a Closing Gallery Get Some Respect from the Press?

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A Black woman in profile wearing a big red hat and holding a wooden staff.

Joyce J. Scott’s Beaded Sculptures Confront Racist Tropes

The artist's 50-year career is the subject of a survey at the Baltimore Museum of Art.

A man in a patterned painter's smock dripping paint onto a canvas from a brush held aloft.

Video: Venice Biennale Artist Jeffrey Gibson on Painting and Paying Tribute to Indigenous Cultural Legacies

From his studio, the artist discusses work that led him to the Venice Biennale.

Tomashi Jackson: Here at the Western World (Professor Windham's Early 1970s Classroom & the 1972 Second Baptist Church Choir), 2023, acrylic, Yule Quarry marble dust, and southern Colorado sand on paper bags, canvas, and textile with PVC marine vinyl, brass hooks and grommets on a handcrafted wood awning structure, 87 by 114 by 9 1/2 inches.

Tomashi Jackson Probes American Democracy in Her Multilayered Work

Tomashi Jackson probes socio-political issues surrounding matters of race and the state of democracy in the United States.

Hayv Kahraman: Love Me Love Me Not, 2023, oil on linen.

Hayv Kahraman Paints Resistance Against the Classification of Migrants and Refugees

Kahraman explores the connection between botanical classification and human subjugation in her work.

Miranda July Shares Her Top Five Recent Obsessions

Multidisciplinary Creator Miranda July Shares Her Top Five Recent Obsessions

July discusses self-expression and creative collaboration.

Curator Kathleen Ash-Milby Reveals Her Top Five Recent Obsessions

Venice Biennale U.S. Pavilion Curator Kathleen Ash-Milby Reveals Her Top Five Recent Obsessions

Ash-Milby discusses the significance of broader histories and representation, along with related interests.

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