FREE Bronte's Portrayal of Death - Wuthering Heights Essay (original) (raw)

As a piece of gothic literature, death is invariably one of the primary aspects of 'Wuthering Heights' by Emily Bronte. Having come into contact with loss and grief from a young age – Bronte herself grew up in a motherless household and lost her two eldest sisters to sickness – her portrayal is somewhat unconventional in the spectrum of ways in which her characters internalize grief, but is nonetheless reflective of our own unspoken curiosities of death as well as life thereafter. Throughout the given passage, Bronte's elaborate use of narration and structure to convey hero own unorthodox ideologies forces the reader to ponder their own beliefs. Certainly, in this sense Bronte's portrayal of death is the main appeal of 'Wuthering Heights'.
From the chapter's inception, Bronte effectively employs Nelly's narration to communicate her own ideas surrounding death. Known to defy Christianity in its traditional form, Nelly's account of events: 'About twelve o'clockwas born the Catherine you sawa puny, seven months' child; and two hours after the mother [Catherine Earnshaw] died,' creates a proximity between life and death and highlights the cyclical, impermanent nature of existence. This also serves to forge the connection between the two generations, and make the readership aware of the parallels as well as the significant changes between the two. That Catherine Linton was born premature – unprepared to face the world – coupled with the adjective 'puny' both implicates the frailty of life and also potentially foreshadows her own childishness and naivety later in life that leads her to become a victim of Heathcliff's interests. Also, that Nelly refers the Catherine by the pronoun 'mother' rather than by name raises the idea of the status and identity bestowed by motherhood, and that Cathy I's original identity will fade with time, being remembered as a mother rather than an individual – the theme of motherless children also being a prominent theme throughout the novel.

1. Wuthering heights

Comparison between Emily Bronte's Wuthering heights- the novel and the >film of the novel directed by Peter Kosminsky... >Once Kosminsky establishes Emily as the narrator and Wuthering Heights as >the primary focus, the story starts to unfold with the authority of the >author underpinning everthing which follows... However, the contrast between Thrushcross Grange >and Wuthering heights is clearly shown . ... In contrast the darkness of the final image of >Wuthering heights behind Emily Bronte and the final shot of the gravestones >reminds viewers of past events . ... Kosminsk...

2. A Feminist Approach to Wuthering Heights

Emily Bronte's life conditions and their effects on Wuthering Heights C. ... Characteristics of Feminism in Wuthering Heights A. ... Emily Bronte's only novel Wuthering Heights was published in 1847. ... They also offered new possibilities for the portrayal of women in fiction. ... Emily Bronte's life conditions and their effects on Wuthering Heights Emily Bronte was born in 1818, in Yorkshire. ...

3. Comparing The Bronte Sisters

To compare the characterization of Jane Eyre and Wuthering Heights, one must also contrast it at the same time. ... Similarities can be seen in the Reed family of Jane Eyre and Hindley in Wuthering Heights. ... Heathcliff, the central figure in Wuthering Heights, has none of the redeeming qualities Jane has. ... Likewise, in Wuthering Heights, education's importance is widely seen. ... In Wuthering Heights Catherine acts out on it and as a result everyone's lives are effected. ...

4. The Brontes and Byronic Heroes

Charlotte's bitterness towards the school where two of her siblings passed away is very evident in her portrayal of Helen's death at the school. This essay will attempt to show that because of the time period they grew up in, and their own family experiences the Byronic hero is so prevalent throughout their novels, "Jane Eyre," and, "Wuthering Heights," by using psychoanalytic and postcolonial criticisms. ... Emily Bronte goes as far as describing Heathcliff as both, "a gift of God," and, "as dark almost as if it came from the devil," (Bronte...

5. Character portrayal of Heathcliff in the Wuthering Heights

The elaborate contradictory structure surrounding the main protagonist, Heathcliff, of Emily Bronte's tragic romance, Wuthering Heights', subtly evokes the empathy of those who read, causing:- "an unreclaimed creature, without refinement, without cultivation: an arid wilderness of furze and whinstone- p.163 to become heroic, through his passionate devotion to Catherine using the empathetic, Bildungsroman structure of the novel to enhance our admiration for him. ... The portrayal of Heathcliff is that of a suspicious, rude, unmannered man, with a dark air of mystery and evil. ... Hea...

6. Revenge - Wuthering Heights and The Count of Monte Cristo

Throughout Emily Bronte's 'Wuthering Heights,' she shows how revenge is caused by prejudice and jealousy and leads to further disharmony. ... He finds her death "unutterable" believing himself unable to carry on and describing her as "my life!... ... The death of Heathcliff represents the end of the chain of revenge that dominated the characters' lives, although the haunting "phantom" of Cathy which ends him symbolises his entrapment in it, only ended by his death. ... Overall, in Wuthering Heights, religion is used to portray another manner in which revenge has led to the ...

7. Heathcliff: Villian or Victim?

In the forward to Emily Bronte's Wuthering Heights, her sister Charlotte Bronte describes the protagonist, Heathcliff, to have "a passion such as might boil and glow in the bad essence of some evil genius;- (C. ... This portrayal of Heathcliff denotes diabolism. ... Without Heathcliff as the central figure of Wuthering Heights, the novel lacks a meaningful theme. ... As Heathcliff tries to reenter Wuthering Heights against Hindley's wishes he "kicks and tramples on Hindley, and dashes his head repeatedly against the flags- (E. ... He sets the entire plot that brings the meaning of Wu...

8. Growth of Novels In The Victorian Age

Etched by conflict with her prime ministers, the birth of nine children, and the early death of her beloved Prince Albert, Victoria's once pretty face became deeply lined and heavily jowled. ... Her face was universally known, featured on everything from postage stamps to tea trays, yet after Albert's death she lived in seclusion, rarely seeing either her ministers or the public. ... The novels of Charlotte Bronte, Charles Dickens, George Eliot, Anthony Trollope, and Thomas Hardy were read not merely by a literary elite, but widely throughout the expanding middle class and, particula...

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