Macbeth | Folger Shakespeare Library (original) (raw)

Introduction to the play

Listen to this introduction:

Read by Karen Peakes – a special recording for The Folger Shakespeare’s Macbeth by the Folger Theatre

In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft.

In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes?

Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender.

Read full synopsis

Read the text

Tomorrow and tomorrow and tomorrow
Creeps in this petty pace from day to day
To the last syllable of recorded time

Macbeth
Act 5, scene 5, lines 22–24

From the audio edition of Macbeth

Political cartoon of Columbia as Lady Macbeth attempting to wash slavery from her hands as Lincoln and Greeley look on

Columbia as Lady Macbeth: Yet here's a spot - out, damned spot, out, I say!

Playbill of 1868 performance of Macbeth

Playbill of 1868 performance of Macbeth

Painting depicting act 4 scene 1 of Macbeth

Henry Fuseli. Macbeth consulting the vision of the armed head. Oil on canvas with original inscribed frame, 1793

Photograph of Orson Welles as Macbeth

Orson Welles as Macbeth

Essays and resources from The Folger Shakespeare

Bringing Shakespeare’s Macbeth to Operatic Heights

Shakespeare and Beyond

Bringing Shakespeare’s Macbeth to Operatic Heights

Washington National Opera’s Artistic Director Francesca Zambello interviews director, Brenna Corner, about Verdi’s opera inspired by Macbeth.

10 Shakespeare quotes about fear

Shakespeare and Beyond

10 Shakespeare quotes about fear

As Halloween approaches, we take a look at Shakespeare’s best quotations about fear.

Ian McKellen on Richard III, Macbeth, and Gandalf

Shakespeare Unlimited

Ian McKellen on Richard III, Macbeth, and Gandalf

Sir Ian McKellen tells us about some of his most famous roles: playing Macbeth opposite Dame Judi Dench, King Richard III with a screenplay he co-wrote, and Gandalf the Grey in The Lord of the Rings films.

Teaching Macbeth

Editing Macbeth: Issues an Editor Faces

Teaching Resource

Editing Macbeth: Issues an Editor Faces

What does it mean to edit Macbeth, and what are some of the issues at stake in this work?

Free resource

Choral Reading: Macbeth’s Soliloquy in Macbeth 1.7

Teaching Resource

Choral Reading: Macbeth’s Soliloquy in Macbeth 1.7

A riveting speech and the most riveting (and sneakily rigorous) way to teach it: be astounded by Macbeth's words in the mouths of your students!

Abraham Lincoln, Macbeth, and Julius Caesar, 1865

Teaching Resource

Abraham Lincoln, Macbeth, and Julius Caesar, 1865

What does Shakespeare have to do with President Lincoln's assassination? What is gained by examining the continuities between English literature and American history?

Early printed texts

Macbeth was published for the first time in the 1623 First Folio (F1) and that text is the basis for all modern editions of the play.

Title page of Macbeth in the First Folio

First Folio (1623)

Title page of Macbeth in the Second Folio

Second Folio (1632)