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Benedetto Luti

Christ and the Woman of Samaria Print by Benedetto Luti

Christ and the Woman of Samaria

Benedetto Luti

The Head of an Apostle

Benedetto Luti

The Head of an Apostle

Benedetto Luti

Self portrait of Benedetto Luti

Benedetto Luti

Sainte Catherine Thomas saves a shipwrecked vessel

Benedetto Luti

Rebecca at the well

Benedetto Luti

Allegory of Wisdom

Benedetto Luti

Apollo and Daphne

Study of a Girl in Red Print by Benedetto Luti

Study of a Girl in Red

Study of a Boy in a Blue Jacket Print by Benedetto Luti

Study of a Boy in a Blue Jacket

 Saint John the Evangelist Print by Benedetto Luti

Saint John the Evangelist

Head of a Bearded Man Print by Benedetto Luti

Head of a Bearded Man

Portrait of a Man Print by Benedetto Luti

Portrait of a Man

Benedetto Luti

Saint Carlo Borromeo among the Plague Sufferers

Benedetto Luti

Boy with a Flute

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Christ and the Woman of Samaria Print by Benedetto Luti

Christ and the Woman of Samaria

Benedetto Luti (17 November 1666 – 17 June 1724) was an Italian painter.

Biography

Luti was born in Florence. In 1691, he moved to Rome, where he was patronized by Cosimo III de' Medici, Grand Duke of Tuscany, an enthusiast of Luti's pastel portraiture. Luti was one of the first artists to work in pastels as the final composition as opposed to initial studies for paintings or frescoes. He also worked in oils and painted frescoes, including for the Basilica di San Giovanni in Laterano.

Luti was also a successful art dealer and ran a school of drawing; among his pupils were Giovanni Domenico Piastrini, Giovanni Paolo Panini, Claude Arnulphy, Jean-Baptiste van Loo, William Kent,[1]Charles-André van Loo, Gaetano Sardi, Agostino Ratti, Pietro Bianchi, and Placido Costanzi.[2]

In 1720, he was knighted in the Academy of St Luke of Rome and elected Principe. The appointment was not without controversy, since some:[3]

could not find anything (of Luti's) worthy of memory for the benefit of the arts. Pascoli's of account Luti, found him a deep intellect, and even more knowledgeable of the works that he draws, although ... because he knew too much and was never satisfied, he oftentimes recycled thoughts and figures: he did not make friends with anyone, and for this reason, when was elected Prince of the Academy, there was not much applause.

The next year he dedicated himself to painting frescoes the cupola of the Church of Santi Luca e Martina in Rome.
References

Peters Brown, E. (2000). "Benedetto Luti". Art in Rome in the Eighteenth Century. Philadelphia/London. pp. 392–399.

Wilson, M. (1984). "Travels in Italy". William Kent: Architect, Designer, Painter, Gardner, 1685-1748. London.
Serie degli uomini i piu illustri nella pittura, scultura, e architettura, Volume 25, (1775) page 136.
Memorie per servire alla storia della romana Accademia di San Luca by Melchiorre Missirini, page 203

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